Ryu (Senku's) 🚀🥬

／ ミニドラマ付き第25話予告を公開！✨ ＼ 第25話「FUTURE ENGINE」 4月2日(木)22時よりTOKYO MXほかにて放送！ 各配信プラットフォームにて22時30分より順次配信！ 📺WEB予告 youtu.be/AqlzEOSRInA #DrSTONE

Sai龍 - Órale, órale

Yusuke Kobayashi choosing the 5th ED of Dr. STONE, Sukinishinayo, as the scene that tugged at his heartstrings, explaining that the changing of Kohaku's eyes and smile stuck out, especially as the YouTube thumbnail.

#DrSTONE #ゼノ千 #ゼ千 💣

╱ 第3クール初回放送まで あと4⃣日!!🚀 ＼ FINALプロジェクト第2⃣弾 カウントダウンイラスト企画！ 絵：総作画監督 　　#とみながまり さん 4月2日(木)22時より第3クール放送開始！ 🔽FINALプロジェクト特設サイトでも公開中!! dr-stone.jp/special/finalp… #DrSTONE

／ 第3クール初回放送 第25話あらすじ&先行カット公開！🚀 ＼ 第25話「FUTURE ENGINE」 ▼あらすじ dr-stone.jp/story/4th/25/ 📺4月2日(木)22:00よりTOKYO MXほかにて放送！ 📱22:30より各配信プラットフォームにて順次配信！ #DrSTONE

親子でペアルック！

@iDearestDarling I'm gonna be at ur side very soon trust 🤤

@emchrome I went from being anime only to a manga reader because I saw art of him and was like 👀

😋 cute new guy #dcstプラス #DRST #DRSTONE

@iDearestDarling For real.... immediately fell in love 😔

@emchrome It's not fair that he's so cute...

╱ FINALプロジェクト 第1⃣弾 キャストコメント🚀 ＼ TVアニメ「Dr.STONE」シリーズ出演キャストの皆さんから 最終章に向けたコメントが到着！ 本日は コハク 役 #沼倉愛美 さん からのコメントを公開💬 🔽FINALプロジェクト特設サイトでも公開中!! dr-stone.jp/special/finalp… #DrSTONE

╱ 第3クール初回放送まで あと5⃣日!!🚀 ＼ FINALプロジェクト第2⃣弾 カウントダウンイラスト企画！ 絵：演出・アニメーター #小坂知 さん 4月2日(木)22時より第3クール放送開始！ 🔽FINALプロジェクト特設サイトでも公開中!! dr-stone.jp/special/finalp… #DrSTONE

The Kingdom of Science is heading to Seattle! Join us for the Dr. STONE Science Future Cour 3 Premiere Screening at #Sakuracon 📅 Sunday, April 5 | 11:00 AM – 12:00 PM PT 📍 Seattle Convention Center – Ballroom 2

My message about the future potential of the global comics market is quite simple. Currently, the global comics market is estimated to be around $16 billion. (Well... there is no perfectly precise data, but according to reports that Steve and I have reviewed, this is a reasonable estimate.) Within this: American comics account for about $400 million, North American manga about $1.1 billion, The total North American comics market about $2 billion, The global manga market about $11 billion, And the Japanese domestic market about $5 billion. Wth a few successful efforts—and a certain amount of luck (which is necessary for anyone building the future)—this market can grow to the following scale: North American manga: $10 billion Total North American comics: $20 billion Japanese domestic market: $10 billion Global comics market overall: $50 billion I believe that at least this level of growth is achievable as a short-term goal within 5 to 7 years. However, the domestic markets for Korean webtoons and Japanese manga face long-term challenges due to declining birth rates. In Korea, the impact is likely to begin in the education sector within the next five years. That said, both markets still have the potential to grow up to twice their current size before that happens. This growth is not just about increasing revenue—it is a crucial tool for preparing for and mitigating future challenges. To reach this scale and achieve these goals, one thing is essential: the growth of the North American market. For that to happen, at least 10,000 manga artists must be cultivated in North America alone. Do you think that number so large? Korea has a population of about 50 million, yet it already has 16,000 to 20,000 active serialized artists annually. North America, by comparison, has a population of around 650 million. If the North American market grows, investment will begin to circulate, and with that capital, we can design and support the global ecosystem. This will enable us to achieve another important goal: to create manga markets and industries in regions where publishing-based comics industries have not previously existed. To create a manga market—and a manga industry—in places where none currently exist. I truly believe this is a “something wonderful” idea. There may be countries with small film industries, but there are almost no countries without a film industry at all. However, there are many countries without a comics market. This does not mean limitation—it means limitless potential. For example, in Africa, there may not be a strong publishing-based comics market, but there are already 650 million mobile phone users—and likely even more today. If those 650 million people freely read comics on their phones and each spends just $3 per year, that alone would create a $2 billion annual market. That’s only $0.25 per month. In fact, readers wouldn’t even need to pay directly—just watching a few ads per month would be enough to make this model work. If users were to spend just $1 per month, the market would grow to $8 billion— that’s 1.6 times the size of Japan’s manga market. This would mean the creation of jobs for as many as 400,000 people. That is why investment into the African comics market is not only justified—it is necessary. It is a continent of immense potential. And I would also like to emphasize that there are already many talented comic creators there. Recently, I received an African comic book as a gift, and I showed it to many manga editors in Japan, as well as editors in the United States. They all said it was excellent work—and some responded with even greater enthusiasm. "Do we really need any more proof?" 4/5

Mom come pick me up I'm scared.....

子の知らないとこで仲良くなってたり…ね （n@sa時代の✖︎と💯）

╱ FINALプロジェクト 第1⃣弾 キャストコメント🚀 ＼ TVアニメ「Dr.STONE」シリーズ出演キャストの皆さんから 最終章に向けたコメントが到着！ 本日は クロム 役 #佐藤元 さん からのコメントを公開💬 🔽FINALプロジェクト特設サイトでも公開中!! dr-stone.jp/special/finalp… #DrSTONE

╱ 第3クール初回放送まで あと6⃣日!!🚀 ＼ FINALプロジェクト第2⃣弾 カウントダウンイラスト企画！ 絵：3期1クール目EDイラスト担当 　　#吉田ヨシツギ さん 4月2日(木)22時より第3クール放送開始！ 🔽FINALプロジェクト特設サイトでも公開中!! dr-stone.jp/special/finalp… #DrSTONE

スタゼノ

╱ FINALプロジェクト第3⃣弾!! 歴代OPED振り返り企画🚀 ＼ TVアニメ「Dr.STONE」シリーズ 歴代OPEDテーマ担当アーティストより 最終章に向けたコメントが到着！ 本日は… 〈第2期 ENDING THEME〉 「声？」／はてな さん ＜声？＞ノンクレジット映像はこちら ▶youtu.be/-DjXNR6oIjY 🔽FINALプロジェクト特設サイトでも公開中!! dr-stone.jp/special/finalp… #DrSTONE