Kabir Singh Chowdhry

awaara (1951) raj kapoor

Italian explorer Attilio Gatti in 1930 with two hired pygmies and a gorilla they killed in the Belgian Congo.

The Man who Left his Will on Film (1970) - Nagisa Oshima 東京战争 後秘話

@navjotrandhawa0 strips vanity out of the frame in #Mehsampur and leaves you uncomfortable fascinated stuck. Beauty here isn’t polished, it’s chaotic, almost dangerous. Reminds me of @OmDarBDar's Phoolkumari & Gayatri… women you don’t understand but can’t escape.

@KafkaSingh 's #Mehsampur isn’t a film… it’s a hallucination pretending to be one. Those visuals don’t tell a story… they interrogate your sanity. You don’t watch it… you survive it.

The images feel like they were shot inside someone’s disturbed memory. Shadows talk more than people… silence screams louder than dialogue. This is the #cinema that doesn’t care if you understand it. #Mehsampur

In the dust of Chandigarh, underdogs hammer scrap into redemption.

@KafkaSingh isn't just a filmmaker, he is an architect of discomfort! To think of something this devastating.. #Mehsampur… and execute it this precisely… is borderline dangerous. This level of control doesn’t impress… it unsettles. Keep killin' us 💫🍻

It takes a disturbing kind of clarity to imagine a scene like this… and an even more ruthless hand to shape it. Every frame feels intentional… every cut feels violent. This isn’t craft… it’s calculated impact. Sir @KafkaSingh I want to touch your feet

This scene didn’t give me chills… it injected them. The way it’s shot… that sudden, intriguing silence in Sonia’s presence… and that buried frustration with the questions… Those cuts aren’t edits… they’re slashes. #Mehsampur

Devrath feels like a man who crossed the line between documenting truth and needing it to destroy him. Actor #DevrathJoshi makes you uncomfortable because you know this madness is real. Some films are made with vision #Mehsampur is made with desperation. We owe it to @KafkaSingh

There are films you like… films you admire… And then there’s @KafkaSingh 's #Mehsampur… which quietly crawls into your head… and refuses to leave.

The climax of #Mehsampur is so absurdly intense… it stops being cinema. It becomes a nightmare you’re forced to stay inside. Even after it ends… it doesn’t. Thanks @KafkaSingh

Devrath’s desperation to make a film on #Chamkila isn’t ambition… it’s addiction. You can literally feel him slipping… frame by frame… thought by thought. This isn’t filmmaking… this is self-destruction on camera. #Mehsampur @KafkaSingh

The meta aspect of @KafkaSingh's #Mehsampur is insane… A film chasing a legend #Chamkila while exposing the madness of the one chasing it. Obsession documenting obsession… and losing itself in the process.

The way @navjotrandhawa0 reads isn’t passive… it’s like she’s consuming the world quietly before tearing it apart. Every frame in #Mehsampur feels like it’s watching you instead. Exquisite. Intense. Unsettling. This kind of presence isn’t created… it’s discovered.