Paddy Byrne

Every MINGO ticket has a dynamic QR code that refreshes every 60 seconds. Screenshot it. Forward it. Try to duplicate it. It won’t work. By the time someone tries to reuse it, the code has already changed. One ticket. One entry. No fakes.​​​​​​​​​​​​​​​​ Built on @hedera

86% market share. A jury just ruled Live Nation illegally monopolised ticketing. Fans have been paying the price for years. MINGO was built to counteract this. Lower fees. Fraud-proof tickets. Control returned to organisers. Check out the link below.👇 nbcnews.com/business/consu…

Ticket fraud. Inflated fees. Shady resales. The ticketing industry has been broken for too long. MINGO is fixing it ,every ticket verified on @hedera , resale controls built in, and fees at 3.5% (not 20%+). More Control. Less Fraud. Better Ticketing.

Adrian Knight Comedy Hypnotist live this May! A night you won’t forget. Tickets on sale on MINGO now! On chain. On @hedera

What if every event you introduced earned you long term revenue? MINGO partners earn 1% of ticket sales on every event they bring to the platform! Real events. Real revenue Contact events@mingo.com

Scalper bots complete ticket purchases in milliseconds. By the time a real fan reaches checkout, the event is gone. MINGO lets organisers cap resale prices before a single ticket sells. The secondary market doesn't have to work like this. Built on @hedera

Most ticketing platforms stop at the ticket sale. MINGO lets organisers bundle merch, vouchers, and add-ons at checkout. Fans get everything in one purchase, organisers increase spend per transaction without extra friction! Built on @hedera

Fans don't care about the underlying tech. They care that their ticket arrives instantly and costs less. @hedera aBFT delivers both. The best tech is invisible.

Organisers set a resale cap on MINGO. A $50 ticket can't be resold for $500 with out the organisers approval They also earn a percentage of every resale. Fans pay fair prices. Organisers control the market and profit from it. Built on @hedera

MINGO works as a PWA. Progressive Web app. That means it works on any phone, any browser, no download. iOS ,Android or pc , doesn't matter. Just open the link and go. 📱 Built for scale , Built on @hedera

$10B+ is traded in ticket resale every year. Artists get $0. With MINGO, they can earn on every resale. Automatically. On-chain. While protecting fans from overpriced tickets. Built on @Hedera

🚨 KID ROCK JUST WENT OFF! “They can come after me all they want. I don’t give a damn. But you come after my fans, hardworking Americans, the best this country has outside our military, who just wanna have fun? That’s a JOKE, and people are PISSED!”

Ticketing doesn’t need 30% fees. MINGO runs on @hedera to deliver secure, verifiable digital tickets while keeping fees at just 3.5%. Simple.

Comic Con Dublin underway. Another great reminder of how powerful live events are when communities come together!

The Ticketmaster antitrust trial began this week. Prosecutors say the concert ticket industry is “broken.” Fans and organisers have been saying the same thing for years. Check it out below 👇 theguardian.com/business/2026/…

Introducing MINGO Market. Resell your ticket in a few taps. Organisers control the max resale price, controls scalping. Every ticket is blockchain verified so fakes don't exist. Buyers purchase with confidence, sellers get paid instantly. Fair for fans. Built on @hedera

Create your event. Set your price. Connect Stripe. Get paid instantly as tickets sell. Ticketing made simple for organisers with MINGO. Built on @hedera

£9.7 million lost to ticket fraud in the UK alone last year. Up 50% from the year before. Same scalping. Same fakes. Same broken system. MINGO built on @hedera making every ticket verified and every sale traceable.

Your MINGO ticket is verified on @hedera That means: Can't be faked. Can't be duplicated. Resale is controlled. Artist earns from every resale. You own a digital collectible. Same QR code. More value.

Most ticketing systems were built for the platform. MINGO was built for the people who use it. Organisers set the rules. Fans get real tickets at real prices. No middlemen deciding who pays what.