In 1933, visionary choreographer Busby Berkeley stunned audiences with one of the most spectacular musical sequences ever filmed in the classic pre-Code movie Footlight Parade.
Esther Perel dismantles two romantic myths in one breath: There is no "one and only"—no destined soulmate waiting to complete you.
You choose someone at a particular moment, with timing, chemistry, and shared effort shaping what becomes possible. You could have built something profound with others too.
Soulmate? That's a metaphor for a transcendent connection—not a literal person. (Soulmate was once reserved for God, not humans.)
And unconditional love? It doesn't exist in adult relationships. We live with ambivalence: loving deeply while still resenting, needing space, or wishing for distance at times. That's not failure—it's normal, human reality.
Love isn't fairy-tale certainty; it's chosen, flawed, and co-created every day.
“Madness must not be ignored or brushed aside, but spoken, written, and thought: it is a formidable transitory state, a tireless source of creativity”
J. Kristeva
💘 Celebrating the captivating Nastassja Kinski on her birthday. 💘
On @criterionchannl, watch her iconic performance alongside Harry Dean Stanton in Wim Wenders's PARIS, TEXAS (1984) alongside archival interviews, deleted scenes, and more from our edition of the film.