Type Network

8 is a psychedelic-inspired display typeface that channels the eccentric spirit of 1960s and 70s rock graphics. Perfect for branding, posters, and expressive headline design. 👉 License 8 here buff.ly/RT3xib9

MGF is a contemporary sans serif inspired by 1960s Milan and the clarity of Swiss Style design. Perfect for branding, editorial layouts, and clean, modern typography. 👉 License MGF Sans here buff.ly/RGpzD97

8 celebrates the playful, unconventional forms of psychedelic typography with a distinctive, heavy display style. A natural fit for posters, branding, and eye-catching design work. 👉 License 8 here buff.ly/RT3xib9

Taylor is a high-contrast serif that blends classical elegance with a sharp, contemporary edge. Designed to shine at large sizes, it is perfect for headlines, luxury branding, and striking editorial design. 👉 License About Taylor here buff.ly/gvubyI0

CoFo Peshka is a blocky, industrial-inspired variable typeface that balances rigid forms with an unexpected sense of friendliness. Perfect for branding, motion design, and dynamic display typography. 👉 License CoFo Peshka here buff.ly/N2JUDGm

Farnham Display channels the lively, angular sparkle of Johannes Fleischmann’s 18th-century types, reinterpreted by Christian Schwartz for today. Perfect for editorial design, publishing, and refined display typography. 👉 License Farnham Display here buff.ly/KPo5c8J

Riant Display is a geometric sans with a playful edge, reinterpreting early 20th-century forms with dynamic curves and unexpected details. Perfect for headlines, editorial design, and expressive branding. 👉 License Riant Display here buff.ly/mjPAfZd

Burghi is a chubby variable display face inspired by the playful graphic culture of 1980s Italy and early fast-food branding. Perfect for headlines, branding, and nostalgic, high-impact design. 👉 License Burghi here buff.ly/kuAxLQw

Reishi is a soft humanist serif with organic forms and low contrast, designed for warmth, rhythm, and effortless readability at small sizes. Ideal for editorial design, books, and storytelling-driven branding. 👉 License About Reishi here buff.ly/k4hvjSb

Indoor Kid by DJR is a variable comic type system designed for the unique demands of comics dialogue and captions. With flexible weights, widths, and a special Emphasis axis, it is perfect for comics, graphic storytelling, and expressive editorial layouts. 👉 License Indoor Kid Variable here buff.ly/TxhfzW7

Stop by Aldo Novarese is a radical exploration of typographic simplification, defined by its iconic halved letterforms that remain striking and legible in bold graphic settings. Its distinctive forms make it a natural choice for logos, signage, acronyms, and high-impact display typography. 👉 License R41 Stop at typenetwork.com buff.ly/cUKirxm

"Typography is usually added at the end, as an anesthetic layer, but we need to join the conversation earlier." – Min Lew of Base Design at @typedirectors #tdc2026

"A font is history inside software." @CadsonDemak at @typedirectors #tdc2026

"I'm so tired of people telling me to work faster. I want to work slower." @jessicahische at @typedirectors #tdc2026

"Tell me I have a budget of one color, and the work will be way better!" @jessicahische at @typedirectors #tdc2026

LAST CHANCE TO ENTER Enter our giveaway for a chance to win all 16 styles of Popaganda, Neville Brody’s bold typeface born from editorial experimentation, agitprop graphics, and the belief that typography should create friction. 👉 Read the story and enter before the giveaway ends TONIGHT at typenetwork.com

"Forget the mood boards, forget the trends, maybe even forget legibility for a second, and just try to contribute something beautiful to the world with typography." @jamestedmondson of @OHnoTypeCo at @typedirectors #tdc2026

"When our designs are all over a client's moodboard, that means we have a good shot." @jamestedmondson of @OHnoTypeCo at @typedirectors #tdc2026

"Typography isn't just letters; it's culture, it's language, and it's one of the most powerful ways we can connect across the world." –@kudosnyc at @typedirectors #TDC2026

The (idealized) life cycle of a font, from designer to final product audience, presented by Charles Nix at @typedirectors #tdc2026