ArtRabbit

It’s been a long time coming: Marcel Duchamp at @MuseumModernArt, New York The first US retrospective of Duchamp’s work since 1973, and a sweeping account of six decades of radical reinvention. Featuring some 300 works, the exhibition follows Duchamp from early painting through readymades and The Large Glass to his later conceptual strategies. It is a recalibration of modern art history, long overdue and impossible to ignore. Entry: $30; Concessions available 📅 12 Apr 2026 — 22 Aug 2026 📍MoMA, New York 🔗artrabbit.com/network/featur… 🖼️ Marcel Duchamp. Rotoreliefs (Optical Disks). 1935, published 1953. One from a series of six offset lithographs, sheet (diameter): 7 7/8" (20 cm). Publisher: Enrico Donati. Printer: Unidentified. Edition: 1,000. Gift of Mr. and Mrs. Howard Sumers Conant. © 2025 Artists Rights Society (ARS), New York/ADAGP, Paris/Estate of Marcel Duchamp.

Your Official Reminder: As Seen Below, The Dome, a Skyspace by James Turrell at @ARoSArtMuseum, Aarhus Turrell’s largest Skyspace in a museum context, a 16-metre-high, 40-metre-wide domed work reached through a subterranean, light-filled corridor. Precisely calibrated light bathes the space, making the opening to the sky feel both boundless and close. Timed sunrise and sunset sessions turn seeing into ritual, dissolving boundaries between natural and artificial light. ARoS calls it a new cultural landmark for Aarhus, completing the museum’s long-held vision. Entry: €27; Concessions €22 📅 19 Jun 2026 – 31 Dec 2026 📍 ARoS Aarhus Art Museum, Aarhus 🔗artrabbit.com/network/featur… 🖼️ James Turrell, As Seen Below – The Dome, a Skyspace by James Turrell. Photo: Mads Smidstrup © ARoS, 2025. From James Turrells visit in As Seen Below, June 2025.

New #ArtOpps update now live on ArtRabbit for you to browse, share, and apply! 🏆 Awards by @WellHungUK @ArtesMundi 🏛️ Residencies at Leith School Of Art, Vila 31 x Art Explora 🖼️ Exhibition Opportunity at Artmetod, @cicamuseum @01_gallery_ 🎞️ Screening Opportunity at Set 📝 Writing Opportunity with @artgraduates More #OpenCalls this way 👇 artrabbit.com/artist-opportu…

Mark this date: La Caverne du Pont Neuf by JR at Pont Neuf, Paris On view for just three weeks, JR transforms Paris’s oldest bridge with jagged, rock-like forms inspired by the quarries from which its stone was cut. The project marks the 40th anniversary of @ChristoandJC's The Pont Neuf Wrapped, reimagining public space as a site of debate and renewal. Raw geology meets Parisian elegance as the familiar briefly becomes sculpture. Entry: Free admission 📅 6 Jun 2026 – 28 Jun 2026 📍 Pont Neuf, Paris 🔗artrabbit.com/network/featur… 🖼️ JR, La Caverne du Pont Neuf collage préparatoire, 2025, Photo: Courtesy Atelier JR © 2025 JR 🖼️ La Caverne du Pont Neuf, Esquisse préparatoire 2, Photo: Courtesy Atelier JR © Atelier JR

The Desire Paths We Build: Rethinking Community and Access in the Arts As traditional pathways into the arts remain narrow and uneven, a new kind of infrastructure is emerging. Built informally, collectively, and often out of necessity, these communities are reshaping how access, support, and opportunity function across the sector. There’s a concept in urban design called a “desire path”. It’s the line you see worn into grass where people have chosen to walk, not where they were told to. It appears over time, through repetition and through need. It’s often the most direct route between two points, even if it wasn’t planned that way. And it tells you something very simple: the “official path” didn’t quite work, and so people made their own. Last week, we, together with our co-hosts I Like Networking, brought together a group of founders, community builders, and practitioners for an evening of short “show and tell” presentations, asking a simple question: what does it really take to build community? What emerged wasn’t a single answer, but a shared pattern. Across visual arts, cultural production, and the wider creative industries, access is still shaped by relatively closed networks. In that sense, the “official paths” into the industry remain narrow, often unclear, and not designed for everyone. Whether that’s through unpaid internships that exclude those without financial support, reliance on informal introductions, or opaque hiring processes, opportunity is often less about ability and more about proximity. 🔗artrabbit.com/network/featur… 🖼️ 1-2: In conversation. How We Built It: Community in the Arts, March 2026, London. Photo by Karohollin. Courtesy ArtRabbit and Karohollin. 🖼️ 3: Hosts and presenters. How We Built It: Community in the Arts, March 2026, London. Photo by Karohollin. Courtesy ArtRabbit and Karohollin. 🖼️ 4: How We Built It: Community in the Arts, March 2026, London. Event view. Photo by Karohollin. Courtesy ArtRabbit and Karohollin. @artmculture @SanusiThe1st @vivikallinikou

Nancy Holt’s Light and Shadow Poetics at The @MAKCenter At the MAK Center, Nancy Holt’s Light and Shadow Poetics brings together photographs, film and sound works that explore light, perception and the body in dialogue with Schindler’s architecture. Nancy Holt (1938-2014) is best known for Sun Tunnels (1973-78), an earthwork placed on a piece of land she purchased in Great Basin Desert, Utah. Four gigantic concrete cylinders are installed there in an X-shaped configuration specifically aligned to frame the rising and setting sun during the summer and winter solstice. First and foremost, the work is experiential. It is about perception and the relationship of the human body to the minutiae of the ever-changing landscape. Though not the same, extensive photo-documentation has brought the work to viewers who could not venture to Utah. 📅 25 Feb 2026 – 24 May 2026 📍 MAK Center for Art and Architecture at the Schindler House, Los Angeles 🔗artrabbit.com/network/featur… 🖼️ Installation view of "Nancy Holt: Light and Shadow Poetics," MAK Center for Art and Architecture at the Schindler House, Wednesday, February 25, 2026 – Sunday, May 24, 2026. Photography by Joshua Schaedel

Save the date: Hilma af Klint at @GrandPalaisRmn, Paris The first exhibition in France devoted to Hilma af Klint, newly recognised as a key figure in early abstraction alongside Kandinsky, Kupka, Malevich and Mondrian. Spirals, circles and beams, shaped by spiritualism and science, diagram invisible forces and a quest for cosmic harmony. Long kept secret at her request and first publicly shown only in 1986, her work arrives with the force of a corrected history, and a still-strange visual language. Entry: €19; Concessions €16; Free for under 31 📅 6 May 2026 – 30 Aug 2026 📍 Grand Palais, Paris 🔗artrabbit.com/network/featur… 🖼️ Hilma af Klint, "Les Dix Plus Grands", No.7, L’âge adulte, Group IV, 2 oct.-7 déc. 1907 Courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm

New #ArtOpps update now live on ArtRabbit for you to browse, share, and apply! 🏛️ Residencies at Marginalen Bank 🖼️ Exhibition Opportunity at Sarah Wiseman Gallery, @theadelaidesalon 💼 Commission by Field Art Projects, @visit_bham @FieldArtPrjcts 🥇 Competition by The Taiwan International Contemporary Artist Association @COPIC_AWARD 📝 Writing Opportunity with altiba9, Artists' Drawings 💰 Grant by Error 417 Expectation Failed More #OpenCalls this way 👇 artrabbit.com/artist-opportu…

@PakdGallery Berlin Portrait Award Submit your portrait and figurative artwork to be considered by a distinguished jury of acclaimed artists and illustrators. The award presents an opportunity to showcase your art to collectors, curators, and fellow creators from the worlds of representational art and illustration. ✍Enter by 26 April. 🔗pakd-gallery.com/berlin-portrai…

Main Character Energy: Marina Abramović’s Transforming Energy at Gallerie dell’Accademia, Venice A historic first: the Accademia’s first major exhibition honouring a living woman artist, timed to the Venice Biennale and Abramović’s 80th birthday. Her performance legacy enters dialogue with Renaissance masterpieces across permanent and temporary galleries. Visitors activate interactive Transitory Objects by lying, sitting, standing, while iconic works and new commissions sharpen the encounter between body and spirit. The headline pairing is Pietà (with Ulay) beside Titian’s unfinished Pietà, reframing grief and transcendence across centuries. Entry: €20; Concessions €17; Free for under 18 📅 6 May 2026 – 19 Oct 2026 📍 Gallerie dell’Accademia, Venice 🔗artrabbit.com/network/featur… 🖼️ Marina Abramović. Photo by Clara Melchiorre 🖼️ Installation views, Marina Abramović, Transforming Energy at Gallerie dell’Accademia, Venice. Image credit ©Yu Jieyu

Lucian Freud: Drawing into Painting – final weeks The Times ★★★★ ‘This spellbinding show will win you over’ Don’t miss your chance to see Lucian Freud like never before and discover his extraordinary mastery of drawing in all its forms. From pencil, pen, and ink to charcoal and etching, the exhibition focuses on the artist’s works on paper, and includes some works seen on display for the first time. 📅12 February 2026 – 4 May 2026 📍 @NPGLondon 🔗npg.org.uk/whatson/exhibi… 🖼️ Double Portrait by Lucian Freud, 1985–6 © The Lucian Freud Archive. All Rights Reserved 2026 / Bridgeman Images. Private Collection.

Save the date: James McNeill Whistler at @Tate Britain, London A major retrospective, and the first big European Whistler exhibition in 30 years. The rule-breaker appears as experimental artist and cosmopolitan celebrity, rewriting what it meant to be an artist while disrupting Victorian conventions in pursuit of truth, beauty and progress. World-famous paintings sit with rarely or never seen works, from early drawings and designs to enigmatic late self-portraits. Expect ethereal modernity and hard-won technique in equal measure. Entry: £18; Free for Members; Concessions available; £5 for Tate Collective 📅 21 May 2026 – 27 Sep 2026 📍 Tate Britain, London 🔗artrabbit.com/network/featur… 🖼️ James Abbott McNeill Whistler Arrangement in Grey and Black No.1 1871 Musée d’Orsay, Paris, France 🖼️ James McNeill Whistler, Symphony in White, No. 2: The Little White Girl, 1864, Tate Collection

Save the date: Zurbarán at @NationalGallery, London The first UK exhibition devoted to Francisco de Zurbarán, a giant of 17th-century Spanish painting. From small still lifes to soaring altarpieces, his naturalism and intense spirituality are anchored by an extraordinary gift for fabric, from extravagant clothing to austere monastic robes. Works arrive from around the world, spanning his career, including rare still lifes by his son Juan, and reunions of large religious commissions alongside domestic-scale pictures. Entry: TBC 📅 2 May 2026 – 23 Aug 2026 📍 The National Gallery, London 🔗artrabbit.com/network/featur… 🖼️Francisco de Zurbarán, Saint Casilda, about 1635, Museo Nacional Thyssen-Bornemisza, Madrid © Museo Nacional Thyssen-Bornemisza

It’s Michaelina Wautier at @royalacademy, London A reintroduction, and a restoration. Active in 17th-century Brussels, Wautier defied gendered conventions by working across flowers, portraits, and monumental history painting. Her Triumph of Bacchus places her own likeness at monumental scale, asserting authorship with startling directness. Successful in her time, then nearly lost to the 18th century, she returns here in collaboration with Vienna’s Kunsthistorisches Museum, claimed again as a major European artist. Entry: £15 📅 27 Mar 2026 – 21 Jun 2026 📍 Royal Academy of Arts, London 🔗artrabbit.com/network/featur… 🖼️ Michaelina Wautier The Triumph of Bacchus, c. 1655–59 Oil on canvas. 271.5 x 355.5 cm. Kunsthistorisches Museum, Vienna, Picture Gallery, inv. 3548 Photo: © KHM-Museumsverband

New #ArtOpps update now live on ArtRabbit for you to browse, share, and apply! 🏛️ Residencies at Rentang Art Lab, @resicorazon 🖼️ Exhibition Opportunity at Miguel Martin, South Square Centre, Silicon Valley Consulting, the Ngee Ann Cultural Centre, @artembassynet 💼 Commission by @LBHF 🏢 Studio Space at ACME STUDIOS 🎓 Fellowship with Tucson Museum Of Art and Historic Block More #OpenCalls this way 👇 artrabbit.com/artist-opportu…

Kunié Sugiura’s Reading the Rooms at Moskowitz Bayse Six decades of Kunié Sugiura’s work come into focus through X-rays, photograms and shifts in scale, revealing a practice that moves between abstraction, documentation and the unseen. Kunié Sugiura: X-Ray Island at Moskowitz Bayse offers a concise overview of the artist’s six-decade practice, bringing together works that explore the boundaries of photography through X-rays, photograms and shifts in scale. Born in Japan in 1942 and based in New York since the late 1960s, Sugiura has developed a distinctive approach that moves between abstraction and documentation, often revealing what sits just beyond ordinary perception. The exhibition traces these ideas across works that range from enlarged natural forms to fragmented studies of the body, consistently balancing distortion with a sense of clarity and light. 📅 24 Jan 2026 – 28 Mar 2026 📍 Moskowitz Bayse, Los Angeles 🔗artrabbit.com/network/featur… 🖼️ Installation view of Kunié Sugiura, X-ray Island at Moskowitz Bayse, Los Angeles 2026. ©Moskowitz Bayse 🖼️ Installation view of Kunié Sugiura, X-ray Island at Moskowitz Bayse, Los Angeles 2026. ©Moskowitz Bayse 🖼️ Kunié Sugiura, Vertebra, 2021, Photo emulsion, Acrylic on canvas, 96 3/4 x 65 1/2 x 1 inches (overall). ©Moskowitz Bayse

Rochelle Voyles Is Suspicious of Certainty In Unreliable Narrators, Rochelle Voyles turns found images into shaped collages that hold labor and pleasure, gender and myth, softness and dread, without forcing any of it to resolve. Rochelle Voyles does not make work that settles. In Unreliable Narrators, her solo exhibition on view through April 11th, shaped wood collages built from found paper ephemera become a way of thinking through gender, labor, history, and the instability of images themselves. The works are materially dense and visually active, but what gives them their edge is something quieter: a refusal to land. Voyles is not trying to deliver a clear message or resolve a tension. Instead, she lets fragments collide, then steps back just enough for the viewer to feel implicated in the act of making meaning. “I’m attempting to describe a narrative,” she says. “But I recognize it’s unreliable.” That admission is not a limitation. It is the structure of the work. 📅 12 Mar 2026 – 11 Apr 2026 📍 81 Leonard Gallery, New York 🔗artrabbit.com/events/unrelia… 🖼️ Installation view of Rochelle Voyles: Unreliable Narrators. Image courtesy Elliott Desai. 🖼️ Installation view of Rochelle Voyles: Unreliable Narrators. Image courtesy Elliott Desai. 🖼️ Rochelle Voyles, Pincer Movement, 2026, Mixed media; collage, paper, and wood, 90 x 60 in.Documentation by KC Crow Maddux. 🖼️ Rochelle Voyles, Shadowed Passage, 2025, Mixed media; collage, paper, wood, 15 x 14 in. Photo by KC Crow Maddux.

One We’ve Been Waiting For: Raphael’s Sublime Poetry at The Metropolitan Museum of Art, New York The first comprehensive Raphael exhibition ever staged in the United States, bringing together more than 200 works from international collections. Drawings, paintings, and tapestries trace a meteoric career that reshaped Renaissance art. Rarely seen loans and new technical research deepen the picture of an artist long mythologized as perfection incarnate. Entry: $30; Concessions available 📅 29 Mar 2026 — 28 Jun 2026 📍The Metropolitan Museum of Art, New York 🔗artrabbit.com/network/featur… 🖼️ Raphael (Raffaello di Giovanni Santi), The Virgin and Child with Infant Saint John the Baptist in a Landscape (The Alba Madonna) (detail), ca. 1509–11. Oil on canvas (transferred from wood). National Gallery of Art, Washington, D.C., Andrew W. Mellon Collection 1937.1.24

This one should be on your radar: David Hockney at Serpentine North Gallery, London Hockney’s first exhibition at Serpentine, conceived with the artist and centred on new paintings and the ninety-metre frieze A Year in Normandie, shown in London for the first time. Inspired by the Bayeux Tapestry, it captures the seasons at his former Normandy studio and opens a dialogue with Kensington Gardens. At heart, the exhibition asks you to slow down, pay attention, and notice how much is there in the everyday. Entry: Free admission 📅 12 Mar 2026 – 23 Aug 2026 📍 Serpentine North Gallery, London 🔗artrabbit.com/network/featur… 🖼️ David Hockney, A Year in Normandie (detail), 2020-2021, Composite iPad painting © David Hockney

One for your diaries: Matisse at @GrandPalaisRmn, Paris More than 230 works map Matisse’s late reinvention, paintings, drawings, cut-out gouaches, illustrated books, textiles, stained glass. The cut-out becomes a language in its own right, yet painting remains central, expanding in intensity and colour. The exhibition brings together major bodies of work from Matisse’s final years, including Intérieurs de Vence, Jazz, Thèmes et variations, elements of the Chapelle de Vence, and several of the great cut-out figures, rarely seen together. Entry: €19; Concessions €16; Free for under 18 📅 24 Mar 2026 – 26 Jul 2026 📍 Grand Palais, Paris 🔗artrabbit.com/network/featur… 🖼️ Service de la documentation photographique du MNAM - Centre Pompidou, MNAM-CCI Henri Matisse, Nu bleu II, 1952