Tweet fixado
Steven Said This
8.2K posts

Steven Said This
@StevenSaidThis
Books, sports, movies
Western Australia Entrou em Mart 2009
3K Seguindo518 Seguidores
Steven Said This retweetou

Frankie Muniz says he regrets passing on the movie 'Holes' to film 'Agent Cody Banks'
"You could've ended up with Shia LaBeouf's life ... Shia, get some help" — Bryan Cranston
(via @Esquire)
English
Steven Said This retweetou

📹 VIDÉO - #Insolite : Pendant la coupe des griffes, une marmotte semble avoir déjà accepté son destin… tandis que l’autre panique à chaque coup de coupe. Une scène aussi drôle que totalement théâtrale.
Français

@Nicole_wren01 @joeroganhq You live in Australia so supporting a foreign leader is a globalist ideology lmao.
English

@StevenSaidThis @joeroganhq Trump a globalist....haha!!
Thats the very people he
Is standing up against and exposing!
English

@Nicole_wren01 @joeroganhq Yeah Velma I think the idiot with the American president in their banner is probably the one I’d call a globalist.
English

@joeroganhq This douche bag has no clue, Albo is a globalist fuck selling out Australia to India and China and is flooding our country with mass migration!
English
Steven Said This retweetou

By the way, under international law this would constitute prior intent / premeditation for any genocidal acts or war crimes committed by Trump.
Fox News@FoxNews
🚨 BREAKING: Trump warns 'whole civilization will die tonight, never to be brought back again' if Iran doesn't agree to deal to end war
English
Steven Said This retweetou

@tommorris32 @1116sen @AFLNation Helmet boy killed it for everyone!! Dees fans still blaming Maynard after letting him get knocked out 15 times & come back?? Dude could walk outside & get hit by bird shit & get knocked out!!
English

A bombshell for hundreds of AFL players...
From May 1, Zurich will no longer cover head trauma. Not once cent.
"They cannot continue to support this high level of claims," leaked email. Details👇
sen.com.au/news/2026/03/2…
@1116sen @AFLNation

English
Steven Said This retweetou

Christopher Nolan’s 30 favourite films of all time:
1) 2001: A Space Odyssey (1968, Kubrick)
2) 12 Angry Men (1957, Lumet)
3) Alien (1979, Scott)
4) All Quiet on the Western Front (1930, Milestone)
5) Bad Timing (1980, Roeg)
6) The Battle of Algiers (1966, Pontecorvo)
7) Blade Runner (1982, Scott)
8) Close Encounters of the Third Kind (1978, Spielberg)
9) First Man (2018, Chazelle)
10) For All Mankind (1989, Reinert)
11) Foreign Correspondent (1940, Hitchcock)
12) Greed (1924, Stroheim)
13) The Hit (1984, Frears)
14) Koyaanisqatsi (1983, Reggio)
15) Lawrence of Arabia (1962, Lean)
16) Merry Christmas Mr. Lawrence (1983, Oshima)
17) Metropolis (1927, Lang)
18) Mr. Arkadin – (1955, Welles)
19) The Right Stuff (1983, Kaufman)
20) Saving Private Ryan (1988, Spielberg)
21) The Spy Who Loved Me (1977,Gilbert)
22) Ryan’s Daughter (1970, Lean)
23) Star Wars (1977, Lucas)
24) Street of Crocodiles (1986, The Brothers Quay)
25) Sunrise (1927, Murnau)
26) Superman: The Movie (1978, Donner)
27) The Testament of Dr. Mabuse (1933, Lang)
28) The Thin Red Line (Malick, 1988)
29) Topkapi (1964, Dassin)
30) The Tree of Life (2011, Malick)
("Christopher Nolan’s 30 favourite movies of all time", Jack Whatley, Far out Magazine, 2024)




English
Steven Said This retweetou
Steven Said This retweetou

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.
Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.
The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.
Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.
Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.
Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.
95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
English
Steven Said This retweetou
Steven Said This retweetou
Steven Said This retweetou
Steven Said This retweetou

Hahah listen it’s an insane finish but Palmer would genuinely score a hat trick every game from this position if he had this much space.
CentreGoals.@centregoals
🚨🚨| GOAL: LAMINE YAMAL WHAT A GOAL!!! Athletic Club 0-1 Barcelona x.com/fcb_media34/st…
English
Steven Said This retweetou










