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Hello Xavier’s Partner in Life, Rafayel’s Miss Bodyguard, Zayne’s Jasmines, Sylus’s Kittens, Caleb’s Meimeis, Valko’s Valkyries.
As I draft this documentation, many of larger accounts with attention are beginning to speak up their own thoughts, their own plans, and everyone is/or either following, feeling like this game is dead to them after what infold has done instead of picking the right choice which was to speak up to their fandom.
In this document, I will address a few things that I have personal thoughts on that you may disagree with, or think otherwise. I will only ask you to structure your criticism with appropriate tone of words. I do not have a place for idiocy communication.
I would like to make sure you understand in the first place, when Valko was released, I was neutral about his release, as I am someone who only falls in love or likes something later, the stream had not provided enough information for me to consume his character, his entire bones of being a Male Lead in Love and Deepspace.
I only fell in love with him when the full trailer dropped, how openly he was clingy with us, how playful he was with us, and how loud he is about everything that we are.
This is no longer a simple fight to bring back a beloved character. This is a fight for integrity — for the soul of the story, the bones the narrative was built on. What Infold buries here is not just one character, but a tomb dug into the heart of Love and Deepspace itself: a coffin for its own artistic conviction.
Infold’s cancellation of Valko is a walk back against their original intention for the game, it was not just a “business decision” to appease the anger ; from an artistical, a writer’s lens, Infold did not merely retreat from controversy, they retreated from their own artistry, dismantling something they had once built with intention, care and craft, because the space between imagination and audience proved narrower than they believed. This to me was a confession; that even bold creative vision has borders, and those borders are drawn not by the artist but by the collision of expectations, politics and fear.
I am not merely mourning, griefing for this story, this game built with the very essence of love, I am mourning for the artistic value it once had, it once sold.
And that is precisely why this fight continues — not to reclaim a character, but to insist that artistic conviction should not be so easily buried, and to also let a corporate company’s management to realise this was a very wrong decision and how much have they let down their artists, designers, writers, teams of each character.
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