Peter Davis

Wow, is it really a whole year since the opening night of @Madonna's #celebrationtour in London? The 1st time ever at an opening night & didn't know anything about the concert. We changed all our plans & came back from Australia early to make sure we could be there! 1/2

Another amazing night with Delta. A stunning setting for tonight's show on the beach. We got to hear Eclipse again, this time with a full band and it's a definite Douze Points from the Fiji jury! 🇦🇺 #deltagoodrem #musicinparadise #fiji #eurovision

First night's performance by @DeltaGoodrem at #musicinparadise in #fiji We were lucky enough to see our first live performance of Australia's Eurovision entry "Eclipse" #deltagoodrem #eurovision

A brilliant night watching @DeltaGoodrem performing at #musicinparadise in #fiji #deltagoodrem We got rained inside but that just made it feel even more intimate and special ♥️

Fans were hoping for this — and this reunion actually happened. The stars aligned at Coachella 2026: Geena Davis was already part of Sabrina Carpenter’s show, and Madonna joined as a surprise guest during Weekend 2. Same night, same backstage. When fans realised both were there, they started wondering — could these two have met? Geena herself just gave us the answer, posting this photo with the caption: “Mae – so happy to see you again! Love, Dottie.” Mae and Dottie — because that’s exactly who these two are to each other. Geena Davis and Madonna starred together in A League of Their Own (1992), Penny Marshall’s beloved classic that has become a cornerstone of American cinema. Geena played Dottie Hinson, Madonna played Mae Mordabito — and 34 years later, they found each other again under the desert sky.

Still flying high since Friday night at Coachella! Thank you to Sabrina and everyone who made it possible To Bring Confessions II back to where it began -was such a thrill! A moment in history, I will never forget! 🩷 I FEEL SO FREE 🩷 @SabrinaAnnLynn

Someone sent this to me and wow 💜 "Madonna’s an icon who knows her iconography. So when her album cover presents her as a pink triangle I’m certain it’s a nod to the symbol assigned to homosexuals in the WWII concentration camps. The pink triangle was reclaimed by gays in the 70s and 80s and used powerfully by the AIDS activist groups ACT-UP"

Madonna & Sabrina Carpenter Coachella Live 2026 (full) #bringyourlove

@Madonna joined @sabrinacarpenter at Coachella for a historic performance 💗 ‘Confessions On A Dance Floor: Part II’ out July 3rd 🪩

The Guardian ⭐⭐⭐⭐ (4/5) The Guardian reviews Madonna’s new track “I Feel So Free” with four stars out of five, praising it as a confident and promising teaser for Confessions II. The reviewer highlights that the track is “exceptionally well made, very obviously the work of people who genuinely understand and love house music” — structured like an underground dance record, with no conventional chorus and none of the “attention-grabbing big breakdowns and subtlety-free hooks of EDM.” The result, they write, conjures “the heady, hypnotic atmosphere of a locked-in small hours dancefloor.” Most tellingly, the review argues the track “sounds like Madonna being herself, rather than trying to chase whatever current pop trend has caught her eye” — and sees that as a very good sign for the album ahead. More reviews to come. 👀

Madonna and Sabrina Carpenter debut their new song together at #Coachella weekend 2! 🎶💞 (🎥: Coachella/YouTube) #madonna #sabrinacarpenter

Madonna, Sabrina Carpenter Make Coachella History With Stunning ‘Vogue’ and ‘Like a Prayer’ Duets rollingstone.com/music/music-ne…

Madonna teams up with Sabrina Carpenter to perform “Vogue” at #Coachella Weekend 2

Sabrina Carpenter brings out Madonna during Weekend 2 of Coachella.

The full length track

Madonna’s collaboration with Sabrina Carpenter, as we interpret it, is about autonomy. It is directed at everyone who has ever felt entitled to define her: the press, the trolls, the keyboard warriors who treat artists as public property. And the industry itself — the machine that has always tried to reduce creative worth to cold metrics, to streaming numbers and chart positions, as if those numbers could ever contain what she is or what she has built. That reductiveness, that urge to contain and define, runs through the whole song — in the press, in the algorithm, in the industry’s obsession with metrics. But the song also feels like it might be looking directly at us too. At the fans. At the people who love her most and have followed every step. Could it be that even our devotion — the expectations, the projections, the vision we have built of her over decades — is part of what she is singing about? It is a question worth sitting with. In Kabbalistic thought, judgment and perception are intimately linked — what you see is shaped entirely by what you are capable of seeing. The eye doesn’t receive reality; it filters it. And the song seems to understand this. It is aimed at the deeper human tendency to reduce what we cannot fully comprehend — to make something vast and living fit inside the frame of what we already know. She has always existed beyond that frame. The song is a reminder that she always will. Running beneath all of this is the unmistakable presence of memory — long, unfiltered, and unflinching. Of secrets, of silences, of things this industry would rather keep buried. She has witnessed it all and survived it all, and she is done pretending otherwise. What drives all of it, though, she makes absolutely clear. Everything — every battle, every reinvention, every misunderstanding — was done for love. We will be hearing this very soon. 👀

"I Feel So Free" by Madonna. The first track from Confessions II. PRIDE Radio on iHeart is playing the song before it's out anywhere. Hear the first play today at 10am EST. Then listen at the start of every hour all weekend. Stream live now: prideradio.com/listen

Wishing Turner Contemporary a very Happy 15th Birthday! 🥳🎈🎁🎂 Here’s a throwback to the Red Arrows at the Grand Opening in 2011 #turnercontemporary #birthday #grandopening #redarrows #margate #lovemargate

@Nerdychick83 Mine was Like A Prayer, although I became a Madonna fan with Causing A Commotion from the Who’s That Girl soundtrack. 1988 was a long year!

I'm sure I've asked this question before but I'm so excited about this new #Madonna era so I thought I would ask to M fans this question: What was the first era of her music for you that you got to experience it fully in real time? Mine was Ray of Light and I was in HS! ❤️🤘

“I Feel So Free”, the opening track of Confessions II, of which Madonna today shared a short preview, features the spoken lines “Oh, by the way, it all started like this” from “French Kiss” by Lil Louis & The World (1989). “French Kiss” is widely regarded as one of the pioneering tracks of the house music movement — ranked #4 in Time Out’s “The 20 Best House Tracks Ever” and featured in Rolling Stone’s “20 Best Chicago House Records”.

Confessions On A Dance Floor: Part II — July 3 2026