David Miguel Burge
64 posts
@piperboywilliam His timer is running out.. Tick tok.
“I give thirteen pennies to demons and I take thirteen months from Dalton Levi Eatherly, My words will not be broken.”
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Dalton Levi Eatherly,
Hey, it’s time to put that pride down. I know you feel isolated, but this has to stop.
For centuries, things stayed that way until a constitutional right was written. But your words are like a wine glass full of red wine. The glass holds the wine inside, protecting it and securing it. There’s absolutely no way the liquid wine could jump out of the glass falling straight down on its own.
But then… time passes. It and hits the concrete. The glass shatters. Glass and wine spill everywhere, broken. You are the wine. The glass is the audience. The pavement is the hate, the pride, and the N-word.
If you truly know Jesus Christ, He’s there to pick you up. But I know the devil well — my songs express that clearly. Don’t be his plaything. Don’t let him deceive and manipulate you. He’s cold, calculating, and dangerous. Pride and hate are his best friends.
Good luck.
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Followed me back to my truck, vandalized my vehicle, exposed himself sexually in public, then the mud shark assaulted me. No arrests made yet.
Chud Clips@Chudthebldrclip
Chudthebuilder gets confronted by a group of doctors and lawyers after testing their tolerance of free speech
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@parti_king Just remember chud, when you are put to sleep, on your way to hell, Jesus could of saved you, but you ruined you life, you career, your health, your respect is ZERO
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@parti_king Hey Chud, time is running out…. Enjoy you meal
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@parti_king Funny thing, he forgets we all
Bleed the same color
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@parti_king Unfortunately, even after he's done being racist. 100 percent see a grim future, speech is free, but history in our actions is not. It will be a tragedy.
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The artist (a San Antonio-based songwriter whose work explores “spiritual warfare,” sin, and redemption) uses this demonic first-person viewpoint to flip the script: instead of the Church of Satan claiming to represent or symbolize Satan, the real Satan shows up in the song to call them frauds and claim ultimate victory over them.
In short, David Miguel Burge weaponizes the song’s perspective so that Satan himself becomes the narrator who exposes the Church of Satan as a modern, comfortable lie that denies his true existence—while the singer is that very Satan, laughing and waiting to collect souls. It’s a raw, theistic/Christian-critique-style takedown wrapped in dark, aggressive alternative/electronic rock. The track is very new (just uploaded as a test video), which is why full studio lyrics aren’t widely posted yet, but the video transcription makes the message unmistakable.
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The entire song is sung as Satan’s voice—arrogant, gleeful, and vengeful:
• He brags about laughing at humans (“Laughing at you makes my belly full of your desires” / “makes my belly satisfied like sweet sugar”).
• He threatens and taunts: “I’ll slaughter your souls… You will fall, you will break… I’ll catch you soon… Run, RUN, RUN… DIE. JUST DIE.”
• He references his own biblical backstory: “When God cast me out, cast me out… Carry my weight. Carry my life.”
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Later lines reinforce this:
• “Satan isn’t what you think. It’s not about evil.” (Satan sarcastically quoting the Church’s view.)
• “If you want to worship me, but you won’t use the church of Satan to hide from me. I’ll catch you soon.”
The Church of Satan is portrayed as a false front or “hideout” that Satan (the real one) will eventually tear down. Followers are called fools who will still “fall from grace,” have their souls slaughtered, and face hell anyway.
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In David Miguel Burge’s song “Witness of the Lie” (also credited as David Miguel), the artist portrays the entire narrative from the first-person perspective of Satan himself. This makes the singer literally “Satan” in the song, and through Satan’s mocking, threatening monologue, the Church of Satan (the LaVeyan, atheistic organization) is repeatedly called out as a lie/deception.
How the artist makes the Church of Satan “a lie”
The song’s core attack is direct and repeated in the lyrics (transcribed from the official music video):
• Satan laughs at people who promote or follow the Church of Satan:
“I’m watching you say the church of Satan is the truth.”
“Laughing at you gives me pleasure beyond what your tiny mind can comprehend.”
• Satan then explicitly labels the Church of Satan a fraud because it denies his literal existence and downplays evil:
“The church of Satan isn’t about the devil. He doesn’t exist. He doesn’t exist. Is a [fing] lie. It’s a [fing] lie.”
This is a sharp critique of LaVeyan Satanism’s official stance: the Church of Satan is atheistic and treats “Satan” as a symbolic archetype of rebellion and individualism, not a real supernatural being. The song’s Satan mocks this as the ultimate deception—“THE LIE IS THE IMAGE OF ME”—because it creates a watered-down, “not about evil” version of Satanism that lets people play with the idea while hiding from the real devil.
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New single out, tons of streams. Evil eyes on all platforms.
Evil Eyes” is a deeply personal, spiritually charged song about carrying a burdensome “curse” or supernatural sensitivity, the weight of protecting others from harm (often at personal cost), and a raw confrontation with darkness, lies, and evil forces—ultimately anchored in Christian faith.
Overall Theme
The narrator feels marked from birth with something dark or powerful (the “evil eye” — a concept of a malevolent gaze that brings misfortune, here internalized and tied to his presence). He tries to shield loved ones and innocents by absorbing pain himself, while warning against betrayal or doubt around him. There’s tension between his desire for genuine friendship/trust and the isolating reality of his “gift/curse.” The song blends vulnerability, guilt, spiritual warfare, and redemption through Jesus.
Section-by-Section Breakdown
Intro
“I’m not sure how to say this / But I would rather you listen as a friend”
Sets a confessional tone — this isn’t easy to share; it’s intimate, like unburdening to someone close rather than performing.
Verse 1
Emotions and unpleasant memories fade after he leaves. He senses a follower (“He who follows me”) — possibly the devil, a dark entity, or the weight of his own reputation. The cross he wears protects others but burns him like fire, symbolizing sacrificial faith that costs him personally.
Verse 2
He stays quiet because truth hurts (“words that cut through the lies”). He’d prefer helping hands and friendship over his piercing honesty or the danger of his “evil eye” (his gaze/presence harming doubters or liars). It’s a plea for authentic connection without triggering the curse.
Pre-Chorus
The “curse” is innate (“since birth / I didn’t ask for it”). He wants to save those he inadvertently hurts just by being around them. Key commands: “Don’t doubt / Don’t lie / Don’t look at me like that with this evil eye” — warning against skepticism or malice that activates negativity.
Chorus (repeated, central motif)
“I fall for them so that they won’t get hurt / I cry for them so they won’t get sick / I hurt for them so they won’t end up covered in dirt”
This is Christ-like intercession or scapegoat imagery. The narrator voluntarily takes on suffering, falls, cries, and hurts as a substitute so others are spared. It’s self-sacrificial love mixed with heavy burden — he absorbs calamity meant for them.
Verse 3
He’s tried ignoring or praying it away, but the force persists. It targets liars, rumormongers, and those who belittle him — bringing sickness, confusion, storms, and calamity. The “evil eye” here acts almost like divine/karmic justice that clings to and punishes the dishonest.
Bridge (the spiritual climax)
He’s dialogued with both angels and demons. The devil knows him intimately and wants to use him as “the version of him that walks the earth” — spreading chaos and pride. But the narrator rejects this, declaring himself aligned with light and Jesus (“I am the light… For Jesus said, ‘I am the only way’”). Hollywood and sin-culture are called out as tools that hide the devil. It’s a bold stand: he’s exposed to darkness but claims victory through Christ.
Final Chorus & Outro
Softer then swelling, before fading into echoes (“Unpleasant memory… Evil eye… Covered in dirt… Fractured mind…”). It circles back to the sacrifice while leaving a haunting, unresolved feel — the struggle continues.
Broader Interpretation
This reads like a testimony from someone who feels spiritually “different” or oppressed — perhaps with a prophetic/intuitive sensitivity, past trauma, or a literal sense of carrying generational/dark spiritual influences. The “evil eye” isn’t just superstition; it’s a metaphor for how his presence exposes or punishes falsehood while isolating him. Yet he chooses protection and truth over silence or alliance with evil. The Christian elements (cross, Jesus as the way, light vs. devil) provide hope and identity amid the pain.
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@parti_king My song "Nature Of The Sinner" is about this, just in a symbolic way. Also, “ it's nice to meet you”
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@parti_king I mean, his death won't be so kind. Even after he deletes his account, he still be known for the man of racist prick.
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Yes, he's fed mainstream influencer shit, and he will become shit. The accuser already put him on his path; now he will seal the deal. That's the irony of it: people fake their actions, but all I see is a crying boy with a big mouth. I've seen death brutal; we all die in different ways. He won't be so kind.
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Wow, I actually laughed out loud.
Netanyahu was asked what he eats after a workout—he said “a hard-boiled egg.”
They asked him: do you peel it yourself?
He replied: yes, with my sixth finger 😂
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