In PALESTINE 36, Annemarie Jacir melds archival footage and a tense story of resistance under colonial tyranny. @mcastimovies interviews Jacir about her new film, out today:
reverseshot.org/interviews/ent…
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Reverse Shot
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Reverse Shot
@reverse_shot
Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky
NYC & beyond Entrou em Ağustos 2009
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Opens today @FilmLinc! Read @lawrencengarcia on Koberidze's "audacious and frequently astounding third feature," DRY LEAF.
Reverse Shot@reverse_shot
Alexander Koberidze's DRY LEAF "astonishes for how it forces us to effectively relearn how to watch movies." @lawrencengarcia reviews for NYFF: reverseshot.org/reviews/entry/…
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This amazing program will feature Mary Ellen Bute, Jennifer West, Norman McLaren, Kubelka and Brakhage on 35mm, and more!
Museum of the Moving Image@MovingImageNYC
APR 18: Experience experimental cinema on the big screen! Presenting Earthly Delights: Historic Psychedelia, Animation, and Avant-Garde Films in Large Format—including rare 35mm prints from iconic film pioneers. 🎟️: movingimage.org/event/earthly-…
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Christian Petzold's slippery latest, MIROIRS NO. 3, opens today. @sbodrojan spoke with the director:
reverseshot.org/interviews/ent…
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APR 18: Experience experimental cinema on the big screen!
Presenting Earthly Delights: Historic Psychedelia, Animation, and Avant-Garde Films in Large Format—including rare 35mm prints from iconic film pioneers.
🎟️: movingimage.org/event/earthly-…
English
Love 'em or hate 'em, the smudgy, hand-painted filters in 1958's SOUTH PACIFIC were, as they say, a choice.
Frank Falisi on this technical oddity, and what it says about the cinematic world of Rodgers & Hammerstein for our Revolutions essay symposium:
reverseshot.org/symposiums/ent…
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Jean-Luc Godard’s turn-of-the-century statement on the future and past of cinema is one of the legendary New Waver’s most texturally beautiful and daring films.
IN PRAISE OF LOVE screens in rare 35mm this SAT (3/21).
🎟️: movingimage.org/event/in-prais…
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The latest in the @reverse_shot presents series spotlights Frederick Wiseman’s 2015 nonfiction epic, IN JACKSON HEIGHTS.
Screens April 5. movingimage.org/event/in-jacks…
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Our 2001 film series continues through APRIL 11, featuring new classics from some of our favorite filmmakers—Anderson, Altman, Breillat, Godard, Haneke, Rivette, Linklater, Denis, Rohmer, and more—all celebrating their 25th anniversaries!
movingimage.org/series/2001-th…
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THE BRIDE!'s 'critique' of gender relations is divorced not only from any historical framework of class or race but also from the very lives of its fictional characters, writes @Zam__Zoum in a new review:
reverseshot.org/reviews/entry/…
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A tale of lost innocence like no other, Catherine Breillat's masterpiece FAT GIRL is a compelling and controversial story of adolescent sexuality and social oppression, culminating in a notorious ending.
Screens in 35mm this SAT.
🎟️: movingimage.org/event/fat-girl/
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Even 25 years later, PULSE remains the best of the internet-horror subgenre and one of the most terrifying movies ever made.
See Kiyoshi Kurosawa's masterful film in 35mm, this FRIDAY. 🎟️: movingimage.org/event/pulse-20…
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What do Phil Hartman, a VHS ‘videola’ by the mysterious media collective Stakker, and New Zealand artist Len Lye's "synchromy" experiments have in common?
@solexyoghurt in a new essay on EUROTECHNO for Reverse Shot Revolutions:
reverseshot.org/symposiums/ent…
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Out in theaters today! But now with the word POMPEI added...just to be clear!
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Gianfranco Rosi's splendid BELOW THE CLOUDS, about an area in Italy plagued by the looming threat of Vesuvius, invites viewers to contemplate a broader, global apocalyptic moment. Review by Jeff Reichert for NYFF: reverseshot.org/reviews/entry/…
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A work of cinematic virtuosity, Med Hondo's rare WEST INDIES: THE FUGITIVE SLAVES OF LIBERTY “wages war on the calculating venality of white supremacy and hypocrisy across the centuries.”
Screens this SAT w/ intro by author + programmer Ashley Clark.
🎟️: movingimage.org/event/west-ind…
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Sublime movie.
Museum of the Moving Image@MovingImageNYC
A late-career masterwork from the great Portuguese director Manoel de Oliveira and now celebrating its 25th anniversary, I'M GOING HOME is an intensely felt, deeply wise film about art, death, and aging. Screens in #35mm this SUN (3/8). movingimage.org/event/im-going…
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This weekend, we’re pleased to welcome author and @Criterion Curatorial Director Ashley Clark to present two 70s Black musicals—including the rarely screened WEST INDIES: THE FUGITIVE SLAVES OF LIBERTY—plus the Sun Ra cult classic SPACE IS THE PLACE.
🎟️: movingimage.org/series/the-wor…
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Pleased to have @SavinaPetkova on the infantile regression of quote unquote WUTHERING HEIGHTS.
reverseshot.org/reviews/entry/…
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Pleased to welcome @mcastimovies to RS for an interview with Sara Khaki and Mohammadreza Eyni, the Oscar-nominated filmmakers of the new documentary CUTTING THROUGH ROCKS:
reverseshot.org/interviews/ent…
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For the @reverse_shot symposium, I wrote about THE TARGET SHOOTS FIRST and the Hi-8 camera, selling out vs. buying in, the shadow of the ’90s on our current moment, and my tenure managing Downtime Magazine. A more personal piece than usual! Check it out! reverseshot.org/symposiums/ent…
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