Dots & Dashes

The 90 longlisted acts for our 2024 Emerging Talent Competition - supported by @PRSforMusic & @PRSFoundation - have just been announced! Listen to them at -> glas.to/ETC24longlist #ETC2024

Your chance to perform at Glastonbury 2024! This year’s free-to-enter Emerging Talent Competition, supported by @PRSforMusic and @PRSFoundation, opens on Monday. Get all the info at glas.to/ETC2024 now! #ETC2024

Went to @glastonbury a few weeks ago, but it takes a bit to compile many coherent thoughts in the fatigued aftermath, and longer still to develop photos. Incredible weekend, thanks to @carolineplz, @jockstrapmusic1, and @maxrichtermusic in particular: dotsanddashes.co.uk/festival-froli…

Congrats to @GusTiramani, Henry Grace, and @iamheka for making the @glastonbury #ETC2023 longlist! Due a winner one day… everything x’d.

The first true #SmashHit of 2023, Blaue Blume crash right back in with the buoyant ebb-and-flow of Crush: dotsanddashes.co.uk/blog/blaue-blu…

The @glastonbury #ETC2023 is now open! A pleasure and complete privilege to be involved once again. Necessaries should be submitted via the below link for one week, and one week only: glastonburyfestivals.co.uk/2023-emerging-…

It wasn’t so long ago that O. Girdler struck a chord with début number I Want You (Say So) and the itinerant Londoner now returns, turning in Death Spin: dotsanddashes.co.uk/blog/o-girdler…

‘Scrupulously composed without compromising on whimsicality’, I Want You (Say So) serves as a startling introduction to Londoner O. Girdler: dotsanddashes.co.uk/blog/o-girdler…

We're very pleased to reveal the 8 finalists for our 2022 Emerging Talent Competition! @Amahlamusic, @CraeWolf, @Englishteac_her, @LewisSings, @niawynmusic, @Smooth_boiiiiii, @SOFYSOUNDS & @zolacourtneyy. Do give them a listen on the playlist below. soundcloud.com/glastonburyoff…

The @glastonbury #ETC2022 longlist is out, and can be explored below!

We’ve become accustomed to exceptional stuff from @sharonvanetten, and the ‘entirely uninhibited and properly expansive’ Used To It is no exception: dotsanddashes.co.uk/blog/sharon-va…

A truly arresting introduction reminiscent of Fleetwood Mac’s Dreams reimagined by Autolux, stream Toronto, Ontarian Georgia Harmer’s Austin: dotsanddashes.co.uk/blog/georgia-h…

Forever evolving, @sharonvanetten returns with a new one in Porta and, better yet, news of a London date this coming summer: dotsanddashes.co.uk/blog/sharon-va…

Entries now open for @glastonbury’s annual Emerging Talent Competition! If you’re that way inclined, or know those who could be, follow the link below this week…

‘More phlegm-filled than his usual, phlegmatic self,’ illness overshadows and undersells the @Manics’ final show of 2021, in support of The Ultra Vivid Lament, as the trio return to The @ssearena, Wembley: dotsanddashes.co.uk/live/review-ma…

‘The name may have changed although this band of brothers and others remains a true national treasure.’ Going from strength to strength while the country continues to decline, we review @SeaPowerBand at @BedfordEsquires: dotsanddashes.co.uk/live/review-se…

With news of a minor nominal alteration and a brand new album, [FKA British] @SeaPowerBand reveal lead single Two Fingers: dotsanddashes.co.uk/blog/sea-power…

‘A window into another world’, @annaprior opens her solo account with Thank You For Nothing – available now via her very own Beat Palace Records imprint: dotsanddashes.co.uk/blog/anna-prio…

Combining with Julia Cumming (@Sunflower_Bean) to create a duet ‘timeless as oil on canvas’, the @Manics reveal The Secret He Had Missed: dotsanddashes.co.uk/blog/manic-str…

Starkly orchestrated, yet still widescreen in scope, @Damonalbarn reveals The Nearer the Fountain, More Pure the Stream Flows: dotsanddashes.co.uk/blog/damon-alb…