Jim Bond's Notepad

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Jim Bond's Notepad

Jim Bond's Notepad

@JimBondProds

Hip Hop Producer -- Creator Educator -- Screenwriter -- Film & Podcast Tunes 🎶 -- 🎥 SFX!💥 -- World Designer 🛠️🌎 -- Of8 --

NY Присоединился Ocak 2009
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Jim Bond's Notepad
Jim Bond's Notepad@JimBondProds·
Got into screenwriting 6 years ago Knew I’d return to creator education Creator development best-practices don’t include contests I’ve successfully taught this at-scale Barked at script contests for 6 years w/ no platform so they can’t call me a bully when I scale it again 🥰
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Variety
Variety@Variety·
Knicks NBA Championship Game Draws 24.5 Million Viewers for Most-Watched Finals in Almost 30 Years variety.com/2026/tv/rating…
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Jeff Howard
Jeff Howard@jeffreyhoward33·
Anybody else waiting to see how it turns out for Guy?
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A24
A24@A24·
Behind those Backrooms blimps. Director Kane Parsons on bringing the suburban set to life through both practical build outs and Blender.
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cinesthetic.
cinesthetic.@TheCinesthetic·
Christopher Nolan on criticism and online discourse: “If you’re paying too much attention to what people are pointing out in your work, you’d be paralyzed.”
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Cheo Hodari Coker
Cheo Hodari Coker@cheo_coker·
My advice? Fuck a deck. I'm all decked out. Write an outline and sit down and write the script. The average script page is 225 words. Four pages a day for 12 days, you have a television script. Add another fifteen days, you have a feature. And you're not done. Writing is rewriting. Put it away for another week, and come back with new eyes. I'm not saying it will be any good. Not yet. But it's a start. Not telling you anything I'm not also doing. If you put all that energy into a deck and it doesn't sell ---and trust me, most don't, all you have is a nice brochure. At least with a spec, you have something to show for it. Something you can build on. Stop making excuses. Rip the band-aid off. Working full time? Toni Morrison got up at 3:45 am., wrote from 4 to 6, and then took her kids to school, and then edited books full time. And still managed to write Song Of Solomon, the Bluest Eye, and constant other classics while waiting for her shot. Don't have a computer? Tarantino, Spike Lee, and Stallone all write by hand, which is something I've gone back to. Moleskine and Paper Mate markers. No distractions, you can do it a anywhere, and when you retype, gives you a second bite at the apple. (Photograph your pages. If you lose your notebook or spill coffee on it, that's all she wrote.) Don't start with four pages. Start with one. Fifteen minutes -- you spend longer in the shower, brushing your teeth, and scrolling. I wish I could give you a shortcut, but I can't. Writing sucks. No way around that. If you box, no one else gonna put in the roadwork, skip rope, hit the bag, or get punched in the face for you. That's your job. Everybody wants a hug, and to be told it's all going to be okay, and I can't tell you that. But what I can tell you is no unwritten script ever gets sold. As for me? I've got miles to run and pages to hit. Keep going....Always Forward, Forward Always...
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Updates From YouTube
Updates From YouTube@UpdatesFromYT·
In 2020, @cleoabram left her 9-5 job to build the 'Star Trek of science journalism.' Safe to say, the bet paid off. Today, her show 'HUGE* If True' on @YouTube has amassed 8.2M subscribers and 2.8B total views. Here are a few takeaways from Cleo’s recent conversation with @Forbes: 📺As of early 2026, YouTube commands 12.5% of all U.S viewing. 🛋️Over 50% of long-form creator content is now watched on living room TV screens. 📈Cleo’s success proves creators no longer have to trade creative control for massive reach. By stripping away legacy overhead, a team of just 7 is generating numbers that rival major networks.
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zomax
zomax@planetzomax·
@JimBondProds some stills, some animation, but it's not video exclusive.
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zomax
zomax@planetzomax·
Many creatives don't have websites, but I'd feel naked without one. I don't even get much traffic on mine, but I need one source of truth for my work aside from all the platforms I post my crap on.
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zomax
zomax@planetzomax·
@JimBondProds what if i don't make videos?
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Sub Pop Culture 🇺🇸🐿️
I’m launching StoryForge soon, and it is not a compliment machine. Bring it your story, your script, your AI film, your world, your character, your scene. But first it will help you find your intent. Why are you making this? Because you can? Because the genre is hot? Because you want the industry to pick you? Because you have something real to say? You may not like the answer. That’s the point. Authorship begins when the creator knows what sword they’re actually holding. Some people are making product. Fine. There is honor in honest product. But culture is not restored by product pretending to be art. Culture is restored by original voices with clear intent, protected authorship, and the nerve to build outside the machine. StoryForge is for the creator who wants the truth before the marketplace, the algorithm, or the studio system gets to the work. Find the signal. Forge the intent. Protect the author.
Sub Pop Culture 🇺🇸🐿️ tweet media
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Film Updates
Film Updates@FilmUpdates·
More than 16,000 people have signed SAG-AFTRA’s open letter demanding Congress pass the revived NO FAKES Act, an anti-deepfake bill that would give individuals the legal right to stop anyone from using AI to copy their voice or appearance without permission.
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Ed Zitron
Ed Zitron@edzitron·
Exclusive: I have seen OpenAI's audited financials for 2024 and 2025. In 2025, OpenAI had $13.07 billion in revenue and $34 billion in costs. $867 million of its revenue came from SoftBank, and $303 million came from Microsoft. wheresyoured.at/exclusive-open…
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David Senra
David Senra@davidsenra·
Pixar founder Ed Catmull explains why George Lucas invented technology for his “competitors” “George Lucas had a very strong sense of wanting to contribute to the entire field.” “He wanted to affect the entire industry.” “It was a really exciting place to work because you're developing technology, and the world's greatest filmmakers are dropping in to see what you’re making. Spielberg shows up. Scorsese shows up.” “Lucas viewed the entertainment industry as a different kind of competitive landscape. If you've got a movie out in the theaters, then you would actually like all the other films not to be there because you want everybody to come to yours. But if you don't have a film out, then you want people to enjoy going to the movies.” “People that you might call your competitors are producing things that other people enjoy. And you have a vested interest in wanting the rest of the industry to be healthy.” “George Lucas didn't think about competition in the way that others might.” “He was actually developing technology that made this entire industry stronger.”
David Senra@davidsenra

A conversation with Ed Catmull, founder of Pixar. I've been making podcasts about Ed for over 8 years. He invited me to his home and told incredible stories from his 60 year career. Ed worked with Steve Jobs longer than anyone else — for more than a quarter century. We talked about what he learned from Steve, the founding of Pixar, building a company at the intersection of art and technology, why getting the team right is the necessary precursor to getting the idea right, and so much more. Ed is full of hard-earned practical wisdom. Spending time with someone I’ve studied for almost a decade was awesome. I hope you listen. 0:00 Most Companies Are Full Of Shit 4:28 The Brain Trust Mechanism 10:13 Why Steve Jobs Was Banned From The Braintrust 17:48 Your Job Is To Manage The Dynamics 23:27 Betting The Company On Toy Story 24:35 Engineering Eisner's Worst Nightmare 36:51 Bob Iger's Crappy Hand 38:44 Why Disney Never Asked What Pixar Was Doing 43:48 Take The Hard Problem 44:38 The Director Can't Lose The Team 48:48 Quality Is The Best Business Plan 52:32 What Walt Disney Taught Him 59:25 George Lucas And The Motion Blur Problem 1:08:48 Now What's The Point Of My Life 1:13:31 How Much Of This Was Me 1:16:10 George Lucas Wanted The Whole Industry Healthy 1:25:11 Refusing To Let Anyone Feel Second Class 1:32:38 The Truck In The Building Includes paid partnerships.

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