Awsometime

My new pinned tweet will be an archive of all my threads:

@Validlsthe2nd3 @ReviewsPossum Haha my bad

@awsometime2 @ReviewsPossum People?

The atheists of Reddit are mad that the Artemis II astronauts mentioned God.

@AboutDoneNow @pubrtwalkemdown I’m sorry you’ve been groomed by predators online.

@awsometime2 @pubrtwalkemdown Get a brain that actually belongs to you and not the lies that your political party and religion have tricked you into believing

dude I came out to my bf as nb and told me that he believes in lgb without the T im so fucking mad I literally punched a hole in the wall in my room i cant believe I was suckin on conservative dih this whole time

This time for sure (4/n)

The three Lionheart brothers. Rulers of the most powerful trading empire in the Sol Dimension, the Lionheart Syndicate. Cunning, powerful men in all their own rights, and a thorn in the imperial family’s side. #SonicOC #SonicArt

ブイズのモノマネをするイーブイ

@purnya2 @mipa510779 Tails noooo 🥺

uh oh

@phantaneko @SonicDramaDaily @ZXANXN @michaelthecat11 They’re all leftists who defend pedos anyway

@awsometime2 @SonicDramaDaily @ZXANXN @michaelthecat11 The moment it's an IDW Sonic staffer, you know they're gonna bat for Flynn and silence other people in the midst. I am not surprised that they would resort to this in the slightest.

Honestly, I agree both should just stop. Whether it’s Ian Flynn, Sega of America, or Sega of Japan, they should stop making these characters lame, gay, and boring. There’s a reason why people are starting to realize that the characters are no longer themselves, unlike their previous selves in the 2000s. The only thing I hate is people saying they have “matured” and calling that “character development” (growth). Making Sonic sound older with a deeper voice with no personality or characterization doesn’t make him mature or growth. Because Sonic has already been matured before. We just didn’t see how good we’ve had it back then. [Sonic and the Black Knight 2009]

Just a scapegoat for Flynn to blame whenever his writing isn’t accepted. I’m sure some sort of guidelines for what he can do exist, but they’re not what he pretends they are. Flynn does something people like: “haha knowing smile guys that was all me.” Flynn does something people dislike: “Well guys you see it’s actually really complicated and the mandates and it’s really a huge collaborative effort between 8 billion Sega employees and there’s a lot of nuance to it and-“ Even Flynn’s own coworkers use this excuse, and they’ll block you if you even question it.

@ZXANXN @michaelthecat11 The Flynn mandates are a lie and SEGA is super lenient with what can be done.

@Chaclac825 @podecacau Yes

@awsometime2 @podecacau "Woman"

Some sexualities on the asexual spectrum explained with pies, happy asexual day for us! 🍰💜 (Posting again because of a translation error, sorry)

@hircinecapra :Vic:

@awsometime2 Are you trying to make us tease you about Kaibette?😂

So I read Kaibette’s story that she unprivated in response to my fanfiction starring her OC, and my OC, Victor (which you should totally read by the way), and I have some things to say about it. Actually, I’m pretty impressed. Kaibette’s writing skills are definitely a cut above Claude’s. She has a distinctly feminine writing style of capturing subtle little movements and details that really show instead of tell a character and their emotions, and breathe life into a scene. Such writing styles can fall victim to getting too bogged down and wordy at times, but for a slow-burn romance fic like this one, I think it worked to spend more time on the little details. I would be interested to see how a writing style such as this would do in a more action-heavy setting, though. Since that’s basically on the other side of the spectrum from this story. Still, it was a bit much for me at times. I found myself growing bored in some of the drawn out inner monologues. Something to break that up would’ve been nice. Clutch’s and Kaibette’s dynamic was interesting. Does remind me a lot of her and Victor, how he uses harsh and strict control over her life as a way to instill discipline, and mold her into what he wants her to be, while also kinda having tender moments of genuine care. Of course Clutch is also doing it for more forceful, vengeful reasons, given Kaibette’s indebted to him, whereas Victor just finds her and saves her from drowning. Clutch clearly finds himself conflicted, catching feelings for Kaibette despite knowing better. I’m glad my fic kind of reflected that dynamic. Still, Clutch is quite a bit less *refined* than Victor. Victor has a classy, more calculated and manipulative way of carrying himself and controlling Kaibette, whilst Clutch seems to be a lot more brute force in his approach. And speaking of Clutch, I was pleasantly surprised at how he was written. Men’s inner monologue and thought process can be complex, and downright alien to a lot of women, and that’s often reflected in how female authors, *especially* rape fantasy romance writers that this one, write men—namely, as one-dimensional savages—. Kaibette did a decent job here, though. Far from perfect, but I can tell she had a good understanding of Clutch’s character and how a man like him would think, even if it’s very idealistic. He self-reflects and has inner turmoils, which is more than I’d expect. Also, with Kaibette’s writing specifically, I was pleased to see that my interpretation of her lined up pretty well with her canon counterpart. She’s undoubtedly defiant and snippy in this fic, as was Kaibette at the start of my fic, before she’d been properly trained. But she also has a softer side that can be drawn out with enough work, and carefully-placed tender moments. Of course, given I had limited info to work with, and my work was heavily AI-assisted, Claude and I didn’t pick up on Kaibette’s subtle little ticks and cues and well as her creator did, go figure. Still, I think I got the general idea down. There’s also that reoccurring theme of implied acceptance. Kaibette *could* leave or deceive or even destroy Clutch at some point, but chooses not to. It’s that “dubious consent” that makes stories like this interesting, and says a lot about female psychology and the abolition of romance in the modern world. It’s something I tried put in my own work as well. Overall, I’ll give it a 7/10. For what basically amounts to “female rape fantasy romance”, it did its job. I think it dragged in some places, but it was entertaining, and actually kind of funny to see how Kaibette and Clutch’s dynamic rhymed with her and Victor’s, in a way.

Ian Flynn stated a couple of years ago that he wrote Frontiers' dialogue to end Sonamy and help Amy move on from Sonic, so she could go her own way and spread love for the world. That was his choice. Those lines are unused. They are cut content, I know because I datamined the audio before the game was even released. It seems Ian experimented with Sonamy lines in early drafts. This is common in game development; they test many ideas and select the ones they like best. Ian chose the angle of making Amy move on. He said he's never seen fans asking for her old Heroes or Battle personalities back (I have, many times), and called Amy fans "rabid." He was clear that he was tired of the endless cat-and-mouse and her love for Sonic being her main source of strength. He views it as a weakness that makes her unlikeable. Fans of Amy WILL be upset about seeing Amy's core trait become obsolete. People get upset when something they like is changed into something they dislike. Strength isn't just about wielding a weapon or acting masculine. Strength can also come from the heart. Amy was driven by her faith in Sonic, even when she felt frustrated, hopeless, or discouraged. She represents almost every girl's desire to love and be loved in return. So, who is Ian to imply that we should learn to give up on that dream?

Hey new fans!✨️ Just a friendly reminder that Fox is a married man. UvU 💍

Another study that will go ignored. Not that we needed a study to know that stabilizing and mutilating children to fulfill their online sex fantasies was bad. Or adults, for that matter.

TL;DR 10% of boy who want their cock & balls cut off are suicidal, but afterwards 60% are. 21% of girls who want a piece of their colon made into a smelly cock are suicidal, but after the operation 55% are. Gosh who knew?

Boomers be giving life advice like