bogey

i don’t like being referred to as a “content creator.” the term just feels too cheeky. because what i do goes beyond the average “create and post.” but at the same time, calling myself a filmmaker feels like a stretch. i don’t even have a short film yet. isn’t there something in between content creator and filmmaker? maybe “digital filmmaker.” because the truth is… i genuinely obsess over the craft. shots. transitions. pacing. mood. to the point where i can already see myself drifting into filmmaking eventually. hence the “.mov artisan.”

@fdotinc fire launch vid!!

TBPN just got acquired by OpenAI a new media empire built in just 1 year who's next?

@ruslanjabari hey ruslan, check my latest out. If you love AI vids x.com/fejisol/status…

@ everyone if u wanna be the next mr beast next joe rogan next tbpn reply with a banger piece of media or ur portfolio and ill fast track your application

@thedorbrothers @dreamina_ai these guys.

It was an honor to create the official launch trailer for @dreamina_ai's new Seedance 2 model! Seedance 2.0 is available on Dreamina, with availability in different regions. #DreaminaSeedance2 #DreaminaAI #DreaminaCPP #Seedream5Lite

@eliott__mogenet oh i use shotdeck for color grading reference and lens type.

@fejisol Great breakdown! Have you tried Shotdeck too? Or you prefer Frame set?

how i made this short ad video using AI — (with prompt examples) full breakdown: > step one - like a director’s treatment you are gonna need your reference shots from frameset.io. used the search words “tense sweaty man” “messy document table” “scattered living room” to look for images referencing my script.

@I_am_Endurance eleven labs.

@fejisol Wow. How did you get such realistic voice over?

skipped step three - fed my script into Claude AI. gave it my vision, the story i was building, and all the reference shots from Frameset. told it to break everything down scene by scene and write detailed generation prompts for Nano-banana. every prompt had one locked technical spec applied across every single shot: “35mm anamorphic | warm desaturated grade | lifted shadows | slightly crushed blacks | tungsten practical lighting | shallow DOF | 2.39:1 aspect ratio” this is non-negotiable. consistency is everything in AI filmmaking — the moment your grade or lens shifts between shots your edit looks like a slideshow not a film. lock your spec before you generate frame one and never deviate. ps - you gotta think like a filmmaker here. study the different types of lenses, cameras, focal lengths, and lighting setups etc. more importantly why each one is used. a 10mm fisheye hits different from an 85mm portrait lens. tungsten feels different from natural daylight. a low angle says something a wide shot never could. the more cinematic language you feed the model, the more cinematic your output. garbage in, garbage out.​​​​​​​​​​​​​​​​ watch this: youtu.be/uSsIqR3DuK8?si…

> step six (the most important part) - generating the videos is the fun part. making the viewer feel something? that’s the edit. AI is never going to hand you a perfect clip (80% of the time). half the scenes you generate will be slightly off — wrong timing, awkward motion, too slow, too fast. your job as an editor is to take those broken pieces and build something coherent out of them. for example, the scene where Argyle grabs the document and walks towards the door to give Mrs Gendry the document? (check the videos below) that was cut together from three separate bad generations. individually they didn’t work. together, with the right cut point, they became one clean move. that’s the skill nobody talks about when they discuss AI filmmaking — pacing and editorial instinct. > knowing when to cut. > how to cut while in motion. > how to use momentum from one clip to carry into the next. >how to increase or decrease pacing to match the emotional tempo of the script. for this ad i was going for fast and tense, so every cut needed to feel urgent. AI can’t give you that. that’s a human decision made in the edit. once the picture was locked i layered in everything else — VO, SFX, door knocking, paper rustling, the score. and i’ll say it again: sound design does 50% of the work. don’t sleep on it. total cost? a few thousand credits and way too many regenerations. worth every one.

drop a like and repost on the video if you totally enjoyed this breakdown. 🫡

@noironx @FoxyhitsW gay bro.

@FoxyhitsW wanna replicate that irl?

when “ok this post is going viral” ends up getting 4 likes and 169 views

@AIslop_ type shit.

Platform 6-7

@Princebl0g @runwayml the pro plan.

@fejisol @runwayml Did pay for the runway...and if you did which plan pls

a paperclip - mundane, almost invisible… yet quietly one of our greatest heroes. this is an ad showcasing a fictional product called “cinch paperclip” 100% AI (at this point i am just having fun with this) my second entry for the #RunwayBigAdContest watch with headphones and in <1080p>

@kenn_ronin like🤣 na because of wetin conquest do him babe. love na werey.

@fejisol Bro had that dawg in him No joke

invincible s4 ep 5 was so peak😭 ain’t clowning mark no more!

@pipsmanstx @runwayml “…the steadfastness” 😅