九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？
300.9K posts
九織亭 丁重＠次はどこに行けばいい？
@neromehidehito
「くおりてい ていちょう」と申します。 将来に不安を抱くお年頃。お絵描き好き。眼高手低。お絵描きでお小遣い稼ぎできるようになりたい。無断転載・AI学習禁止。
沖縄県那覇市 Присоединился Şubat 2010
6.9K Подписки969 Подписчики
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
ルーミス先生の本は「はじめに買って途方に暮れる」のが正しい読み方。
そしてしばらくして、急に「なるほど」って目覚める日が来る。そこからが本番。
日本語
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
@hinoemaru34 一瞬「ん？」ってなるけど、当たり前で笑っちゃいますよね。
自分は猛暑の原因は核融合の陰謀論感がたまらなく好きですw
日本語
これ、笑えるのは義務教育の勝利な気がするw
コバショー【CASTDICE TV】@kobasho_cd
批判してくるのは良いけどマジで何いってんのかわからんと思ったら、そういう方でしたか。お疲れ様です。
日本語
@suisaidou 自分は中古で買った、Huionってところの古い機種なので、性能的に微妙ですね。
ペイントソフトもファイヤーアルパカって言う無料のヤツだったりしますw
日本語
@neromehidehito 使ってる機種によるんですかね？？
自分はWacomのエントリーモデルで安いヤツ使ってるんですけど、描き心地はアナログで描くのと全く変わらないですね。
日本語
@suisaidou ここまでダイナミックだと、要素に分解するだけでいっぱいいっぱいになって、何を描いているのかわからなくなっちゃいそうですね(汗)
日本語
@neromehidehito マジでそれです。
模写しようとしても実力以上のトコは服や髪の構造も読み解けないんですよね。
ジョジョのこのコマ模写しようとしたら画面構成力凄すぎて「なんでこの情報量を1ページに収めて絵として成立できるの？！」ってなりました。
頭で考えるのと手を動かすの違い過ぎて吐きます…。
日本語
偉い先生達がみんな「資料見て描け」って言うけど、資料の見方がわからん(実力の分しか資料は読み解けない)ってあるよね。
日本語
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
すごい話だなあ。
「若き貴婦人」として知られていたエジプトのミイラKV35YLが、なんとツタンカーメンの母だと分かった！かつ、ツタンカーメンの父のアクエンアテンの同母同父妹だったことも判明。
ゲノム解析はすごいなあ。
Archaeo - Histories@archeohistories
For over 3,300 years, a mummy found in the Valley of the Kings remained anonymous, known only by the designation KV35YL. However, recent DNA analysis has finally revealed her identity: she was the biological mother of the boy-king, Tutankhamun. The genetic testing also uncovered a startling detail about the Egyptian royal line—she was the full sister of her husband, the pharaoh Akhenaten. The mummy known as “The Younger Lady”, formally identified as the mother of king Tutankhamun and full biological sister of the mummy known as KV55 (believed by some scholars to be that of Akhenaten but not officially certified), is a daughter of king Amenhotep III and his Great Royal Wife, Tiye. Modern analysis of “The Younger Lady” suggests she was between 25 and 35 when she died, and she measures at 158cm, making her approximately, 5ft2inches tall. Recent C.T. scans also showcased that “The Younger Lady”, like her son Tutankhamun has unerupted wisdom teeth, which is also another indicator of her dying as a young adult. “The Younger Lady” is most notable for what appears to be a wound upon her jawline, as of yet, it has never been officially determined whether this injury was caused in life (a possible fatal blow) or during a tomb robbery. She also has a large cavity upon her torso. However, the Egyptian Mummy Project seem fairly certain the wounds were made prior to death, and therefore her cause of death. “The Younger Lady”, was found in tomb KV35 by archaeologist Victor Loret in 1898. She was laid out beside the mummy of her mother (Tiye) and the mummy of a young boy, possibly the young Prince Thutmose, a son of Amenhotep III and his Great Royal Wife Tiye. For a long while the mummy of Great Royal Wife Tiye simply went by “The Elder Lady”, until officially identified by a lock of hair buried within Tutankhamun’s tomb, labelled as the hair of his grandmother. This hair was a definite match for the natural hair upon Tiye’s mummy. Various scholars and Egyptology lovers have theories of the identity of “The Younger Lady”, identifying her as a secondary wife of Akhenaten, Kiya, and some even propose she is Nefertiti herself, however…these are simply theories. As of yet “The Younger Lady” has not been formally identified, other than her biological relation to the mummies of her mother (Tiye), father (Amenhotep III), brother (KV55) and son (Tutankhamun). Howard Carter’s 1922 discovery of the intact tomb of Tutankhamun is often hailed as the greatest of all Egyptian discoveries. But the complex, interlocking family relationships between the boy king and his ancestors was better understood thanks to the huge amount of information revealed by Loret’s find at KV35 and the discovery at Deir el-Bahri. Taken together, successive discoveries in Egypt in the late 1800s and early 1900s helped flesh out the lives and relationships of the powerful royal protagonists of that distant time. In 2018, French paleoartist Élisabeth Daynès recreated The Younger Lady’s likeness for an episode entitled “Great Women of Ancient Egypt” for the television series Expedition Unknown. Daynès is an acclaimed paleoartist, who has previously won the John J. Lazendorf Paleoart prize, and she reconstructed Tutankhamun’s likeness in 2005 for the National Geographic. The work of a paleoartist consists of scientific evidence to produce the likeness of pre-historic animals, or historic man. It must be noted that the media did go wild in declaring the likeness to be that of Nefertiti. This was in part due to the way in which the television show decided to present the likeness, by dressing her up in the famous Nefertiti-esque regalia, and also in part due to the theory that The Younger Lady is in fact Nefertiti. #archaeohistories
日本語
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
九織亭 丁重＠次はどこに行けばいい？ ретвитнул
