Luc Hermkens

£12 at home Yoshi miscarriage

Germany announces a draft and plans to go to war Ohnepixel:

Director David Lowery reveals that Taylor Swift’s ‘Reputation’ Tour inspired Anne Hathaway’s concert scenes in A24’s ‘MOTHER MARY’: “Her Reputation concert film is one of the best concert films ever. It's truly phenomenal. And for our concert sequences we looked at that repeatedly. You would not believe the amount of time we were talking about Taylor. […] We were literally using Reputation as a guide. I can go on about Reputation all day.” (empireonline.com/movies/news/da…)

Hello, Moon. It’s great to be back. Here’s a taste of what the Artemis II astronauts photographed during their flight around the Moon. Check out more photos from the mission: nasa.gov/artemis-ii-mul…

the astronomy community is getting FED today

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The Dutch with their Prime Minister

The tunnel where Grace and Rocky meet in ‘PROJECT HAIL MARY’ was built practically. The tunnel was 70-feet long and contained a huge rig of old-school tungsten lights that were then pixel-mapped to create a controllable, moving “sun” inside the tunnel. (Source: variety.com/2026/artisans/…)

the best “Shot on iPhone” of all time

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ARTEMIS II AS SEEN BY THE OFFICIAL NASA CESSNA THIS IS THE BEST LAUNCH VIDEO AND IT ISN'T CLOSE

Olaf on a little walk.. 😊

Liftoff of Artemis II

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This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet. The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy. There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one. That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure. 📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center

In all seriousness this may have been my favorite shot from Artemis II so far

me trying to find the HDMI port on my TV

my third album ‘you seem pretty sad for a girl so in love’ is out June 12th. I am so proud of this record and I can’t wait for you to hear it. available for preorder now! 🩷 OliviaRodrigo.lnk.to/girlsoinlove