Tom 𝕏

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Tom 𝕏

Tom 𝕏

@TomKarl08

WWE

United States เข้าร่วม Kasım 2021
1.1K กำลังติดตาม789 ผู้ติดตาม
Tom 𝕏 รีทวีตแล้ว
EliteRockerz 𝕏
EliteRockerz 𝕏@EliteClubS0B·
CM Punk is reportedly set to return to WWE as a member of the SmackDown brand. (@WONF4W)
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Comicmandan
Comicmandan@Comicmandan3·
Zelina using the WWE United States title as a bra
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Wrestle Court
Wrestle Court@WrestleCourt·
WWE missing out on this stadium for years now... WRESTLEMANIA AT THE MERCEDES BENZ SUPERDOME IN HOTLANTA COULD GO CRAZYY MAN!!!
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Wrestle Ops
Wrestle Ops@WrestleOps·
GUNTHER will reveal the stipulation tonight for his Undisputed Championship rematch against Cody Rhodes next week…
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Film Crave
Film Crave@_filmcrave·
New look at Steven Spielberg’s ‘DISCLOSURE DAY’. 📷
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Dan Marcus
Dan Marcus@Danimalish·
I can confirm there is a new trailer for THE ODYSSEY attached to DISCLOSURE DAY. It’s the longest and best trailer yet.
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DiscussingFilm
DiscussingFilm@DiscussingFilm·
Steven Spielberg has revealed that the entire third act of ‘DISCLOSURE DAY’ is being kept out of the marketing.
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Shyam Krishnan
Shyam Krishnan@ShyamkrishnanB·
#DisclosureDay at #DolbyCinema @amb_cinemas Bengaluru! Disclosure Day feels like Spielberg’s affectionate return to his long-standing fascination with life beyond Earth, while also serving as a form of closure to that enduring curiosity. It explores not just the possibility of extraterrestrial life, but also the profound impact such a revelation could have on humanity and the very foundations of our existence. I got that familiar, pleasant sense of nostalgia that comes with watching a Spielberg alien film, reminiscent of classics like #CloseEncountersoftheThirdKind and #ET . Here too, he dives deep into questions surrounding extraterrestrial intelligence and its potential to challenge our most fundamental beliefs, including faith itself. The reference to the Bible verse from Genesis particularly resonated with me, as it’s a topic I’ve often discussed with others and reflected upon myself. The Dolby Cinema presentation was solid. The #DolbyVision grading is intentionally subtle, complementing the film’s grainy visual texture rather than showcasing overt HDR spectacle. This isn’t a film that constantly delivers HDR “wow” moments, though certain outdoor sequences and vision scenes do benefit from a distinctly enhanced dynamic range. Atmos is also put to good use, with a rich soundscape, impactful bass, and effective audio placement during action sequences and gunfire. This isn’t an all-out visual spectacle as some might expect. Instead, it’s a slow-burn, gripping watch that thrives on mystery, intrigue, and Spielberg’s signature sense of wonder, all wrapped in a warmly nostalgic touch. #StevenSpielberg @disclosureday @UniversalPics @UniversalIND @DolbyIn @DolbyCinema @Dolby #AMBCinemas #EmilyBlunt #ColinFirth
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BoxOfficeBrawler
BoxOfficeBrawler@BoxOfficebrawlr·
Steven Spielberg has gone out for lunch. Disclosure Day is absolutely dreadful Unlike his iconic titles, this film is completely void of inspiration, heart & wonder. Emily Blunt’s “gifted” abilities come off as totally laughable & ridiculous. None of the leading heroes are likeable or interesting. It is almost 3 hours of overdrawn nonsense. Worst movie I’ve seen this year.  #disclosureday
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Interstellar
Interstellar@InterstellarUAP·
This is the face of the Gray Alien from Steven Spielberg’s Disclosure Day 👽 The Grays are depicted as good natured and friends of humanity We are the bad guys.
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Cinema Tweets
Cinema Tweets@CinemaTweets1·
At nearly 80, Steven Spielberg is still in the kitchen cooking with hot grease. Disclosure Day (🌟🌟🌟🌟) is preposterously good filmmaking. Extraterrestrial life is quite literally Spielberg’s forte & after two decades, Spielberg returns to his natural habitat. With him he brings Emily Blunt, who gives what I believe is the second best performance of her career behind Oppenheimer. She is the heart & soul of this film- she could not have been better. But beyond Spielberg’s return to aliens is a story that collides with the truth- and who it really belongs to at day’s end. This is a mature, deep piece of Cinema from Spielberg that demands to be seen in theaters. Oh and by the way? Long live John Williams.  “The truth belongs to you.” From the opening shot of this film- a shot looking up from the floor of a wrestling ring- Spielberg throws Josh O’Connor’s Daniel Kellner head-first into the chase of his life. Kellner…a name that constantly pops up in this film because Kellner holds secrets known by Colin Firth’s Noah Scanion- secrets about decades-long abuse by the U.S. government toward unknown, extraterrestrial life. The idea here is that Kellner, like Maragaret Fairchild (Emily Blunt),  have each been touched/struck/infected by alien life: they know & understand things that others cannot see. All of this boils down to a pretty simple premise: Maragaret & Daniel run from Noah & the government in an attempt to “disclose” to the world all the secrets about alien life the government has withheld for years. That’s really all you should- and need- to know.  I found all three acts of this film to move with great pace & engage the audience in different ways. The first act, in which Blunt’s Margaret slowly discovers that something is off- that something has touched her- is both fascinating & entertaining. The second act features a breathtaking chase sequence from Spielberg that demonstrates his utter excellence as a filmmaker. And the third act is the strongest stretch of this film- a culmination not just of Spielberg’s over-arching message that the truth is something we all deserve to know, but also some of the most interesting use of special effects I’ve ever seen from Spielberg. In many ways, I found this film to be a combination of certain aspects of War of the Worlds as well as certain parts of The Post. We’re not just in a hunt to uncover outer space, we’re in a hunt to expose to the truth. And that truth involves wild special effects.  The weakest part of this film is unquestionably the dialogue. While Spielberg wrote the story, David Koepp wrote the screenplay & I think anyone who doesn’t love this film as much as I do will likely take issue with the actual words exchanged between characters. Part of the dialogue felt a little preachy, especially when religious theology enters the equation. But what’s lost with dialogue is made up for in full (and then some) by Spielberg’s filmmaking. I normally don’t trust or like when directors move the camera often. But Spielberg is different- he’s always been different. On at least five- maybe six- occasions, Spielberg produces shots that took my fucking breath away. The man absolutely still has his fastball.  Finally, I can’t stress enough the two other individuals who play the biggest role in making this film a success. First, Blunt. Her emotional range, comedic timing, and line delivery is all exceptional. I lost track of how many languages she speaks here. Without her excellence & her ability to hold the center of this film, I’m not sure I would like Disclosure Day as much as I do. Second, John Williams. The man is 94 years old & he scored this movie to perfection. Earlier I referred to an unbelievable car chase scene from Spielberg - that scene is punctuated by Williams’ trademark use of the timpani. Listening to a new Williams score on full blast in IMAX was a familiar heaven I never want to forget.  One of the great artists of our time just added to his legendary career.
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The Washington Post
The Washington Post@washingtonpost·
Review: Every Steven Spielberg film about the sky has felt like a question directed at the universe. “Disclosure Day,” which explores the impact of alien existence on humanity, is a question aimed at us, and it feels like he’s impatient for our answer. wapo.st/4gaLIKw
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Tommo
Tommo@Only1tommo·
If you found out football was staged like WWE would you still watch it? This would be an insane correct score prediction… Two scores correct so far ✅
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Alia's nation
Alia's nation@Aliasnation·
Alia Bhatt for Alpha promotions 📸
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Wrestle Court
Wrestle Court@WrestleCourt·
🚨 "NEW" CM Punk x WWE merch incoming...!!! HE ISN'T GOING ANYWHERE FOLKS! fuch the rumors.
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Emily Jaye
Emily Jaye@EmilyJayePro·
this is the best shirt i’ve ever received @DirtyFinish
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Global Box Office
Global Box Office@GlobalBoxOffice·
DISCLOSURE DAY is getting strong walkup business in its Thursday previews and is now tracking to become another win for original movies this summer. It is now projected to open to $41M–$50M domestically, which would challenge SINNERS' record for the biggest opening weekend of an original film this decade.
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Chef José Andrés 🕊️🥘🍳
🥹I can travel and go through security at the airport showing my digital Government issued Drivers License but in Nashville I can not enter in a bar without the plastic ID…..😥😎😅🤣 I look too young!!
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Dovy🔌
Dovy🔌@DovySimuMMA·
‼️Alex Pereira has officially shaved his head for the White House event
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