The Doors

5/1 seems like the best day to give “Five to One” a listen... Stream it here ➡️ found.ee/FiveToOneListen #TheDoors

Carry a piece of The Doors with you wherever you go. Our Upcycled Sling Bag is handcrafted in the USA and made from vintage Doors t-shirts. No two bags are alike, making each piece as unique and individual as the person wearing it. Designed with mixed materials, a canvas lined interior, adjustable strap, full length zipper closure, and signature overlock stitching. Shop now: found.ee/UpcycledSlingB… #TheDoorsMerch

"The diamond was formed and it was clear and hard and luminous.” -Ray Manzarek, on the first time the band played together. The Doors were a diamond. Four corners, four voices, one unmistakable sound. Each piece held the whole thing together. Photos courtesy of Getty Images.

🎶 “Back Door Man” 🎶 Written by Willie Dixon and first recorded by Howlin’ Wolf in 1961, “Back Door Man” was a Chicago Blues classic long before The Doors made it their own. #TheDoors

Check out some of the ways fans saw #TheDoorsInRealLife this month. Tag this account for a chance to be featured next. How does the Band from Venice appear in your life? 📸: Instagram users u/concentric.circles, u/jesusarrueart, u/little.diamond, u/raymondorecords

Behind “Hyacinth House.” Hear the story in the lyrics. Listen to the track here: found.ee/HyacinthHouse Photos courtesy of Getty Images.

“A feast of friends, ‘Alive!’ she cried Waiting for me outside.” Rock music shaped by poetry. #TheDoors

On this day in 1967, The Doors released “Light My Fire,” the song that ignited their rise to fame. Originally running over seven minutes, the track was edited for radio and went on to become the band’s first No. 1 hit, securing their place in rock history. Listen to the classic here: found.ee/LightMyFireStr… Photos by Ethan Russell, Paul Ferrara, Henry Diltz, and Getty Images.

Happy Earth Day 🌏 Photos by Paul Ferrara.

In the end, we will always have the music. Watch The Doors perform “When The Music’s Over” at the Hollywood Bowl in 1968 here: found.ee/musicsover-2 #TheDoors

Take a closer look at L.A.WOMAN. Swipe through for a few facts about the making of the album. Keep the 55th anniversary going and listen to the full album: found.ee/LAWOMANstream #TheDoors Photos by Paul Ferrara and Getty Images.

On this day in 1971, The Doors released their sixth studio album, L.A.WOMAN. From “Riders on the Storm” to “Love Her Madly,” the album remains one of the band’s defining works. What’s your favorite track? Listen to the full album: found.ee/LAWOMANstream Photos by Paul Ferrara, Henry Diltz, and Getty Images.

Missed it yesterday? A limited number of copies of STRANGE DAYS 1967: A WORK IN PROGRESS, PART 2 are now available through The Doors Online Store. Featuring unheard rough mixes and rare outtakes from the early STRANGE DAYS sessions, pressed on limited-edition transparent turquoise vinyl. A handful of lucky fans will randomly be selected to receive a copy signed by John and Robby. Grab yours while they last: found.ee/StrangeDaysPar… #RecordStoreDay

Happy birthday, Paul Rothchild. As the producer behind The Doors’ first five albums, Rothchild played a key role in shaping the band’s sound during their most formative years, guiding the sessions for albums like THE DOORS, STRANGE DAYS, and more. His meticulous ear in the studio helped bring some of the band’s most iconic recordings to life. Photos by Paul Ferrara.

Available now for Record Store Day. STRANGE DAYS 1967: A WORK IN PROGRESS, PART 2 has arrived. This special release features unheard rough mixes from the album’s early sessions and never-before-released outtakes of “When the Music’s Over,” offering a raw glimpse into the making of STRANGE DAYS. Pressed on limited-edition transparent turquoise vinyl with an exclusive poster print. Find a participating store near you: recordstoreday.com/stores

“But to tell you the truth, every time I hear that song, it means something else to me. I really don’t know what I was trying to say. It just started out as a simple goodbye song.” -Jim Morrison 🎥: “The End” at the Hollywood Bowl, 1968. #TheDoors

📸: THE DOORS WORKSHOP When making L.A.WOMAN, The Doors wanted to record somewhere more comfortable than their usual studio at Sunset Sound. Producer Bruce Botnick and the band set up a recording space inside their rehearsal room, The Doors Workshop, at 8512 Santa Monica Blvd. Photos from TTG studios, taken by Paul Ferrara.

Turn it up and let the music take you “higher.” Press play and let “Light My Fire” do the rest. Listen here: found.ee/LightMyFireStr… Photo by Paul Ferrara.

STRANGE DAYS 1967: A WORK IN PROGRESS, PART 2 arrives for Record Store Day next Saturday, featuring unheard rough mixes from the album’s early sessions and never-before-released outtakes of “When the Music’s Over,” pressed on limited-edition transparent turquoise vinyl with an exclusive poster print. Find a participating store near you: recordstoreday.com/stores

A moment from vintage L.A. On this day in 1967, The Doors played two sets at The Cheetah in Santa Monica, CA. They shared the bill with @JeffersonAirp. Photos courtesy of Getty Images.