Alexander Keefe

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Alexander Keefe

Alexander Keefe

@IndiaArtMachine

The cave that talked

Los Angeles Sumali Ağustos 2009
403 Sinusundan1.2K Mga Tagasunod
Alexander Keefe
Alexander Keefe@IndiaArtMachine·
equidistant from eternity
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
rats, lice and history
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
I, an American college student, hereby denounce the siege of cawnpore.
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amber rollo
amber rollo@ambercrollo·
i’m just doing my best
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
lata mangeshkar voice: "dairy khwabon mein jo aaye"
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vopmagazine
vopmagazine@vopmag·
獲得今年阿爾勒攝影節評審團大獎的秘魯裔藝術家拉.卡納克(Tarrah Krajnak),以「大師儀式」系列回應「經典作品」裡的男性視角。其中,她以美國著名攝影家愛德華.韋斯頓(Edward Weston)1920年代的作品為擬仿依據,讓自己入鏡,重新演繹韋斯頓精心營造的人體形貌。vopmagazine.com/darles2021/
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Rachel Afí
Rachel Afí@ametolesi·
Very much looking forward to this conversation with Keliy Anderson-Staley (⁦@KAndersonStaley⁩) & Tarrah Krajnak (⁦@sismos79⁩) in person this Thursday at ⁦@UHouston⁩ Dudley Recital Hall. CONGRATULATIONS on your Guggenheim (⁦@GuggFellows⁩) Keliy!
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
stephen shore < pauly shore
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
a bath to the music of drain
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
richness in stasis > wealth in limbo
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
TIL (in a Geeta Kapur fn) that Vivan Sundaram and Kumar Shahani collaborated throughout the 1980s on a film treatment of Amrita Sher-Gil's life that was never realized... can't stop thinking how ravishingly beautiful & weird that film would have been
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REDCAT (Roy and Edna Disney CalArts Theater)
MAR 29-MAY 8: We’re excited to announce the return of STUDIO, our annual program of multidisciplinary work-in-progress! Featuring the work of Tarrah Krajnak, Sara Lyons, Christina Catherine Martinez, Pastiche Queen, The Revolution School, DeLanna Studi. redcat.org/exhibition/stu…
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
tbf there was a lot of woo woo stuff in SPAN especially in the 70s.. it was the era of "In Search Of" but it was also the era of "Neo-Tantric Painting" and its avid promotion by the Indian state's culture apparatus. Oh! It was also the era of the Emergency. A coincidence, surely.
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Alexander Keefe
Alexander Keefe@IndiaArtMachine·
really makes you wonder why SPAN, the USIS propaganda magazine published in India, was *heavily* pushing Castaneda's ideas as late as September of 1976, i.e. right in the middle of the Emergency.. issuu.com/spanmagazine/d… (in fact I can't think of another SPAN article this long)
Lin-Manuel Rwanda@lmrwanda

Castaneda faded almost entirely from public awareness after 1973, when mounting scepticism and scrutiny forced him to retire. The final nail in the coffin for his mainstream popularity came in 1976, when Richard de Mille published his canonical deboonking, "Castaneda’s Journey."

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