PostPaleocon

Yes to all 12. I suggest this change: Become anti-fragile with a tribe. "Grow some of your own food, start a side business, or form a self-supporting tribe (like a church group that financially supports itself in case one member gets fired by the Woke)." americanthinker.com/articles/2020/…

Nailed it

Here’s a U.S. State Department official admitting that mass immigration is designed to change the demographics of the United States.

Chef Park Eun-young: wedding pictorial m.youtube.com/shorts/g9pSLbQ…

Shin Ye-eun and her fridge... Though the 🇰🇷 ♀️chef looks pretty, too. (That's why she was cast?) youtube.com/watch?v=i3VxFN…

You won’t believe this is actually Paris in 2026. Shirtless Sri Lankan men smashing coconuts all over the streets like it’s their village back home. Open borders turned the City of Light into a Third World festival ground. Wake up, France — this is your replacement.

A clip from the wonderful 1999 PBS Documentary - A CONVERSATION WITH GREGORY PECK What a Gentleman, Star and credit to our profession he was.

MAGNUM P.I. (1980) Most fans have never heard the original theme song. This jazzy version was replaced halfway through Season 1 by the famous guitar-driven version that became one of TV's most memorable themes ever.

Jean Eustache wrote the script for "La maman et la putain" (1973) with Jean-Pierre Léaud, Bernadette Lafont & Françoise Lebrun in mind. Even if one of the actors had refused, he wouldn't have made the movie. The dialogue was set in stone and Eustache was against any sort of improvisation. Léaud struggled with the challenge of memorizing such a lengthy script, but because of Eustache's insistence, he spent 3 months memorising the script prior to the start of filming. ("Absolute Necessity", Liza Katzman, Film Comment, 2023, "Re(dis)covering Jean Eustache", Max Borg, Crooked Marquee, 2024 & Françoise Lebrun's interview with Benoit Pavan, Cannes, 2022) P.S: Happy 82nd birthday, Jean-Pierre Léaud!

23区 ♦️ -ONWARD- #MihoNakayama #나카야마미호 #ミポリン #中山美穂 さんありがとう

Requiescat in pace.

音楽は明菜ちゃんの曲を聴くことが多いけど中山美穂ちゃんの曲 『生意気』 を聴いてこの曲懐かしくて好きだったな〜 当時15歳で信じられないくらい美しくて可愛い女の子 美穂ちゃんも明菜ちゃんに憧れてたって言ってたな 今度カラオケで歌ってみよう #中山美穂

Same series maybe? x.com/PvH2cctvZS10gW…

I didn't know this was one of her acting roles. @jd_sauvage

Dainty

I wouldn't have guessed this result but it has little competition

誰かが彼女を愛してる 1992年 演出 光野道夫 阿部雄一 杉山登 脚本 伴一彦 出演 中山美穂 的場浩司 西村和彦 鶴田真由 中野英雄 中島ひろ子 五十嵐淳子 根津甚八

This Doberman mom is protecting her puppies from their dad, as male dogs may not always recognize newborn puppies as their offspring and can sometimes behave unpredictably around them

1973!

Maybe a better choice of photis would have helped but I didn't recognize Fumi Nikaido in this sequence until after 2016...

Suzu in serious mode is so weird bcs girlie will always be this silly for me

♀️ LEO with tats, guess her body count