Sam Wolson

newyorker.com/news/video-dep… Our VR film Reeducated is now available on the @NewYorker website, Youtube and on Oculus TV. The film takes viewers inside one of Xinjiang’s “reeducation” camps, guided by the recollections of three men who were imprisoned at the same facility.

After Iranians took to the streets in Mashhad, security forces opened fire on the crowd. An eyewitness shares his experience of the massacre. newyorker.com/news/as-told-t…

After a fragile ceasefire, a young woman from Gaza recounts the twenty minutes that erased her home—and what it means to rebuild when “home” is now rubble. @NewYorker / Art: Rama Duwaji newyorker.com/news/as-told-t…

Sen. Warren, Sen. Van Hollen, and Rep. Jacobs are demanding answers from the Dept of Defense about the killings in Haditha and the military’s response, in a ten-page letter to the inspector general citing our reporting. link.newyorker.com/view/624f5afb0…

If you've been listening to this season of In The Dark, you should take a look at this companion immersive interactive that walks you through the day of the Hadith massacre (it's not graphic but v. compelling). An incredibly ambitious piece of work. newyorker.com/podcast/in-the…

This is the most ambitious @newyorker has ever undertaken. @InTheDarkTNY combined forces with our interactives team @david_kofahl @samwolson to explore what actually happened in Haditha. Worth your time. newyorker.com/podcast/in-the…

U.S. Marines killed 24 civilians in Haditha, Iraq. No one has been held accountable for the killings. An interactive documentary examines the competing narratives of what happened, based on statements from American service members and surviving Iraqis. nyer.cm/7xRwqYR

We also released a short bonus episode of @InTheDarkTNY today, with me going behind-the-scenes with Sam to talk about the making of this piece. podcasts.apple.com/us/podcast/in-…

For months, The New Yorker’s Sam Wolson & David Kofahl have been working alongside us on a different way to examine what happened in Haditha - through first-person statements of Marines & survivors. Their immersive piece is out today, and it’s stunning. newyorker.com/podcast/in-the…

Stunning interactive documentary reconstructing what happened in Haditha by ⁦@david_kofahl⁩ ⁦@samwolson⁩ ⁦@InTheDarkTNY⁩. newyorker.com/podcast/in-the…

On the morning of November 19, 2005, U.S. Marines killed 24 people in Haditha, Iraq. They also recorded the aftermath of their actions. See the photographs, obtained by @InTheDarkTNY, which the military tried to keep from the public for years. newyorker.com/podcast/in-the…

In the Dark has obtained photos of the 2005 massacre in Haditha, Iraq — which the U.S. military tried to keep from the public for years newyorker.com/podcast/in-the…

If you’ve been paying attention, journalism is in crisis mode. So If you want to feel good about journalism—awed by meticulous reporting, smart detective work, innovative storytelling, and true bravery—then the 5 interactive media projects highlighted in this #PeabodyFinds newsletter are where it's at. ➡️ bit.ly/47Q9btq #Journalism #InteractiveJournalism

Create your own @NewYorker cover with the tool we built for this week's A.I. issue: newyorker.com/culture/cover-…

In the past several days since our investigation was published by @NewYorker there has been a lot of follow-up coverage and activity. This thread offers some highlights: 🧵

.@ian_urbina and a team of investigators spent the past four years visiting ships from China’s distant-water fleet in their largest fishing grounds, reporting on the human and environmental costs of the country’s seafood industry. nyer.cm/m3mAyq4

Read this incredible, immersive investigation by @ian_urbina, years in the making and demanding the most intrepid of reporting. China has invested in a shadowy armada of far-flung fishing vessels. "The Crimes Behind the Seafood You Eat." newyorker.com/magazine/2023/…

The Crimes Behind the Seafood You Eat: China has invested heavily in an armada of far-flung fishing vessels, in part to extend its global influence. This maritime expansion has come at grave human cost. theoutlawocean.com/china1

My latest for @newyorker is this interactive “Touchstones” column on Wong Kar Wai’s “In the Mood for Love” — the way its beautiful aesthetic has become ubiquitous online but its deeper meaning kind of lost newyorker.com/culture/touchs…

.@chaykak explores the iconic 2000 film “In The Mood for Love”—a movie whose aesthetic has inspired many movies since and even a popular social-media trend. nyer.cm/7Zc9e07

Immense gratitude to @Deardarkness and @ghazalblues at The New Yorker for this gorgeous treatment of an excerpt from my forthcoming collection, THE FERGUSON REPORT: AN ERASURE! newyorker.com/magazine/2023/…