LunaticRed ✝️🇯🇵

My Pixel Art png (full version)

Before I forget. A major shoutout to @ArcmoonRed who has been a diligent, high-quality and very kind-hearted pixel artist. For me, he makes each update something to look forward to.

I AM NOT A BIOLOGY TEACHER OK #ResidentEvilRequiem #Vtuber

The sprites take a while because I commission a walk cycle for all four directions along with 2 additional outfits. These sprites are for a project of mine that I'm looking to get into motion eventually.

To those that are wondering if @ArcmoonRed is still making Senran Kagura sprites; Don't worry, he still is. Here's a sneak-peak of Haruka that I commissioned. The walking animation will come soon™. #閃乱カグラ #春花

All this has happened before, and all this will happen again.

AMEN x 1,000,000,000,000!!!!!!!

' MienShao: test - back·hop' Test animation by JG GenesisKeys.

jesus

“He is not here; he has risen, just as he said. Come and see the place where he lay.” Matthew 28:6 NIV Because Jesus lives we have a reason to hope. Hope for life beyond the grave and that we can come before God and not be reprimanded or sent away. Jesus loves all of you

' Krimzon and her Naginata ' Work in progress / sprite test animation by JG GenesisKeys.

@iamtheonewho75 Amen brother! Have a blessed easter!

@ArcmoonRed He did! He is risen!

Happy Jesus Zombie Day!

@thernz @koffie_ch If you ever change your mind, call on Jesus Christ's name with all your spirit and you can be saved. Jesus came not for the wise nor for the healthy, but for the sick and the tired.

@koffie_ch not before me at least

#onlynyans steadfast, critter only one more day till deepthroat thursday

reposts old pixel art

カラーVer

Me with my patitos!!!✨by @gasuketsu_creat 様！ 可愛いすぎて感動しました！！😭　 #Vtuber

勢いに任せてアドリブで叩いちゃった早いだけのビートですが、、🫣

Each hardware platform had its own characteristics in how colors appeared on CRT televisions, so I always had to be careful when choosing colors. The Super Famicom offered a wide color palette, but from my personal experience, it was actually quite difficult to create a clean yellow gradient. For example, Tem’s hair in Illusion of Gaia was built using a sequence like white → yellow → reddish orange → darker red. By letting these colors “pull” on each other, I aimed to keep the saturation high and give it a more vibrant look. At the same time, for the protagonist in ActRaiser 2, I placed gold-like elements in key areas. Compared to Tem’s bright blond hair, these appear more subdued. I believe I reused darker tones from the skin palette to build those gradients (though my memory might not be perfect—it was over 30 years ago). As another point of comparison, if we look at the gold dragon boss in ActRaiser 2, its gold should appear more vivid than the player character’s gold elements. This difference was achieved by adjusting saturation and brightness to change the perceived material quality. All of these color decisions were made while trying to find what looked best on CRT displays. Brightness and saturation affect how pixel colors interact—sometimes making them appear to shrink or expand. Because of that, I would use darker colors for parts I wanted to appear smaller, and brighter colors for parts I wanted to appear larger. That said, because each hardware system had its own characteristics, and CRT monitors varied depending on environment and aging, it was impossible to define a single “correct” approach to color and pixel placement. Even though it was digital work, it often felt like I was creating something very organic and almost “alive.”

ロケット凪さん