beeves

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beeves

beeves

@BeevesMe

A malevolently bad map https://t.co/Aab0WvrhYe

شامل ہوئے Nisan 2021
362 فالونگ57 فالوورز
پن کیا گیا ٹویٹ
beeves
beeves@BeevesMe·
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beeves
beeves@BeevesMe·
Have never watched a single scene of Euphoria but the movie star hostage situation they’ve got going on over there is fascinating to think about
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beeves
beeves@BeevesMe·
@wychstreet UK has consistently had the same problem which is our top talent goes to Hollywood. But training came from more than the BBC - the government-funded NFTS opened in 1971 and was a remarkable talent pipeline.
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Justin Sherin
Justin Sherin@wychstreet·
Penda’s Fen was made for the BBC. There was effectively no UK film industry from the 70s to the 90s; Mike Leigh made all those BBC films because he had to. When it exploded, briefly, it was because the BBC had trained a generation & made it hungry to work w/££. The BBC now..
Ellen Walker@EllenFWalker

The British used to make films with significant artistic risk like The Wicker Man and Penda's Fen now we make crap with names like "the bountiful pilgrimage of mr harold pettyfeather" and "the naughty penguin project"

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beeves
beeves@BeevesMe·
@iky86 Sure but again did that story actually have any purchase with the public, were there focus groups where people said they were really upset about civil servants ordering five guys
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beeves
beeves@BeevesMe·
Okay look, I get the point being made here but I’m not actually sure you can make this level of sweeping generalisation about British miserliness based on one tweet from an account called The Grift Report and the collection of weirdos who take the time to respond to it
Arthur Spirling@arthur_spirling

I think you learn a lot about the UK, and about UK politics—both good and bad—that a hotel costing $260 a night is considered both an extraordinary luxury and a scandal.

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beeves
beeves@BeevesMe·
I think if you believe there are no ways to express ideas in fiction outside of "preachy" and "fun entertainment" you are addicted to reading bad writing.
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beeves
beeves@BeevesMe·
Anyway in the case of The Drama it’s not hard to accept. Pattinson is a posh bumbling Brit who went to Harvard and seemingly got himself a green card. He has family money.
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beeves
beeves@BeevesMe·
A friend of mine likes to talk about how everyone takes something in films literally. He eg. takes characters’ attractiveness literally and it informs his understanding of how they react to each other. I take characters’ jobs literally. For some it’s socioeconomic status!
Ara@lefilmara

Idk who started this “how can Carrie afford that apartment on a writer’s salary?” ass takes when discussing films and tv but I need it to end. It’s boring and dull. Pls, If the characters’ finances aren’t integral to telling the story, give me a pretty-looking house.

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beeves
beeves@BeevesMe·
Imagine having a life where people being disproportionately cross with celebrities seems like the biggest problem in society! Extremely jealous!
Variety@Variety

#PaulFeig calls out the outrage over “stupid shit” in pop culture like Sydney Sweeney’s American Eagle campaign: “Unnecessary outrage is the biggest problem in our society right now,” he explained. “The female ‘Ghostbusters’ 10 years ago, you would’ve thought I launched an invasion of Iraq.”

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beeves
beeves@BeevesMe·
Rachel had already had the moment of revealing this shameful secret to the person she loved and not being rejected for it, and for a stupid drunken moment Emma kids herself that the same thing could happen for her.
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beeves
beeves@BeevesMe·
Yeah Rachel feels unlikeable but she spends much of the film upset and shaken, so not exactly putting her best foot forward. She obv does know what she did was awful, she considers it the worst thing she’s ever done! The big diff is the level of grace extended to her vs Emma.
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beeves
beeves@BeevesMe·
The “Emma did nothing wrong” thing isn’t so much inability to deal with complex characters (which isn’t new at all) but the obsession with virtuous watching - that feeling sympathy for a character who is deeply flawed provokes anxiety that this reflects poorly on the viewer.
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beeves
beeves@BeevesMe·
@UnderstanderArt There’s a lot going on. They can’t put themselves in the shoes of someone forced into self reflection because they haven’t been, Emma was the type of weird kid the others would have bullied so they can’t relate, Emma also deluded herself that maybe what she did wasn’t a big deal.
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beeves
beeves@BeevesMe·
The Drama is a really interesting companion piece to last year’s Nosferatu imo. There’s is a lot more curiosity and less foregone conclusion here about the relationship dynamic explored in both.
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beeves
beeves@BeevesMe·
Also, there is a non negligible probability that a director will see a comment like that because for some reason a fair proportion of friends & acquaintances think a useful action is to send it to them
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beeves
beeves@BeevesMe·
yes indeed you would expect someone making a comment like this to be intimately acquainted with that world but guess what
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