Screenworks

We’re excited to launch Screenworks Volume 16.1 with three groundbreaking works: 🎥 Cassandra Tytler’s Oops! 🎥 David H. Fleming’s Danse Macabre 🎥 Miguel Mesquita Duarte’s Remediations Explore the latest in peer-reviewed practice research 👉 screenworks.org.uk/archive/volume…

Special Issue Call for Submissions: Remix - Race and Representation screenworks.org.uk/submissions/sp…

Special Issue Call for Submissions: Digital Ecologies - Machine Material Land screenworks.org.uk/submissions/sp…

We’re excited to launch Screenworks Volume 16.1 with three groundbreaking works: 🎥 Cassandra Tytler’s Oops! 🎥 David H. Fleming’s Danse Macabre 🎥 Miguel Mesquita Duarte’s Remediations Explore the latest in peer-reviewed practice research 👉 screenworks.org.uk/archive/volume…

Finally, we'd like to say a huge thank you to our outgoing associate editors, Shweta Ghosh and Will DiGravio. It was fantastic working with you both - good luck with your future ventures!

Veronika Hanáková is a scholar in new media and digital culture, focusing on the materiality, memory, and preservation of digital images and artifacts, particularly DVD features and interfaces.

We are excited to welcome four new members of the Screenworks editorial team as Associate Editors: Hamidreza Nassiri; Rebecca Ora (rora); Amanda Egbe; and Veronika Hanáková. You can read all about them below, or on our website here: screenworks.org.uk/about

Marcus Nicholls' "Adaptation, Hauntology, and the Video Essay: Kubrick’s Shining - An Adaptive Poem" offers a compelling exploration of hauntology through the prism of adaptation, by visually remixing Kubrick's iconic adaptation of The Shining doi.org/10.37186/swrks…

"The Birds: Afterimages; After Hitchcock" by Miguel Mesquita Duarte is an experimental video which digitally manipulates the very fabric of Hitchcock's The Birds, moving beyond critique to explore the image's composition and legibility.... doi.org/10.37186/swrks…

Lee-Jane Bennion-Nixon's "About the Night" explores fiction filmmaking as a means of innovative and inclusive storytelling, using About the Night as a case study to analyse collaborative processes... doi.org/10.37186/swrks…

Vron Harris's three part film, "The Staircase", investigates cinematic subjectivity and whether a film can simultaneously immerse us in a character's inner world while highlighting the chasm between their internal experience and outward presentation... doi.org/10.37186/swrks…

Marie Hallager Andersen's "Arkiv Avis Mor" (Archive Newspaper Mother) investigates the relationship between the filmmaker's roles as a mother, a dancer and a filmmaker... doi.org/10.37186/swrks…

We are delighted to publish five new articles in Screenworks Volume 15.1! Some reading and viewing to look forward to once the marking is finished! Check them out in the thread below... screenworks.org.uk/archive/volume…

Fab discussion about the Peer Review of Screen-Based Creative Practice Research with one of our Associate Editors, Matthew Hawkins (LSBU) with Roy Hanny (Chair of the MeCCSA Practice Network) youtube.com/watch?v=WhbXLR…

Check out the last two publications of our Volume 15.1, Alison Peirse's 'LOOK AT ME' and Jonathon Crewe, Marcus Nicholls, Dennis A. Olsen's 'The impact of gender' screenworks.org.uk/archive/volume…

Delighted to publish a new video essay - Closing Time At The People Shop: A Saturn Dealership in Ruins by @skutnicki examining the lingering impact of the car brand in shaping American consumer culture, through its abandoned dealerships & iconic adverts doi.org/10.37186/swrks…

Deadline for this is 19 November - Today!!