Camminata

Camminata, fragment 1 @midjourney + @Kling_ai

@AVARY @AshySlasheeDB The hero in the movie-within-the-movie in Gentlemen Broncos

@AshySlasheeDB Galaxy Quest narrowly edges out Box of Moonlight. A great actor.

Sam Rockwell. Any fans or favourite roles?

Camminata, fragment 4 @midjourney + @NanoBanana + @Kling_ai @ElevenLabs + @suno

@AVARY Ghosts of Mars because it’s his ultimate Howard Hawks western.

Let’s settle this, in your opinion which Carpenter film is better, and why?

@Diesol Color consistency across the pipeline is my main pain point right now. MJ -> Nano Banana -> Kling -> DaVinci. I haven't figured out whether it's better to color correct the pictures before generating the videos or afterwards.

I don't think color grading or color theory is discussed enough within AI filmmaking. I spend a lot of time in DaVinci Resolve and post processing on my films. Besides cinematography, composition, dialogue and editing style, color tells its own story and really becomes another language of your film.

Summer Afternoon at the Bar

Camminata, fragment 3 @midjourney + @Kling_ai @ElevenLabs + @suno

The Arcade. Nobody playing.

@newbeverly In A Man with a Camera, Almendros wrote that it was precisely because of The Wild Child that Malick wanted to work with him. Despite it being black-and-white, he wrote, "it has something in common with Days of Heaven, in that they are both period films."

Two in 35mm featuring stunning cinematography by Néstor Almendros! Terrence Malick's DAYS OF HEAVEN (1978) screens at 7:30pm paired with François Truffaut's THE WILD CHILD (1970) at 9:35pm today & tomorrow, Wednesday & Thursday, June 10th & 11th.

location scouting

Camminata, fragment 2: The Arcade @midjourney + @Kling_ai

Bresson considered his actors "models." He had them repeat lines mechanically and expressionless, move like puppets, until all their theatrical "craft" was beaten out of them. This was his idea of "pure cinema", and it's perfectly well suited to AI filmmaking.