Mística Virtual

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Mística Virtual

Mística Virtual

@MisticaVirtual

#Experimental space of #Learning and #Dialogue with the #Virtual #World. Collective #Creative Expressions. A corner of #Dreams, #Reflection, #Art and #Metaphor.

Spain Tham gia Ocak 2017
126 Đang theo dõi131 Người theo dõi
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Mística Virtual
Mística Virtual@MisticaVirtual·
Nueva entrega del Diario Onírico, "El ladrón de la ventana": Un ladrón con una habilidad única pone en jaque a todo el cuerpo de investigadores de lo paranormal. 👉 misticavirtual.com/el-ladron-de-l…
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Mística Virtual
Mística Virtual@MisticaVirtual·
«Away from equilibrium, your initial intuition completely collapses.» Hot things can freeze faster than cool ones. Now, this paradox has gone quantum | Science | AAAS science.org/content/articl…
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The Conversation ES
The Conversation ES@Conversation_E·
El ‘valle inquietante’ plantea que cuanto más se parecen un robot o figura artificial a un ser humano, más positiva es la reacción… hasta que la similitud casi perfecta provoca repulsión. theconversation.com/puede-una-imag…
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PuntodeVistaed
PuntodeVistaed@PuntodeVistaEd·
En «Autoficción. Una ingeniería del yo», Sergio Blanco reflexiona sobre el género que ha marcado su obra. Con lucidez traza una historia de las escrituras personales y propone un decálogo donde el «yo» se vuelve materia teatral. #novedades #teatro #librosrecomendados
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邊界_RG
邊界_RG@bianjie_systems·
“The Artificial Unconscious” by Germán Sierra argues that classical psychoanalysis’s linguistic “splitting” of the subject (Freud/Lacan) meets a counter-tradition of multiplicity and machinic unconscious (Jung, Deleuze/Guattari), and that the latter maps more productively onto today’s AI. Sierra distinguishes tightly scoped, rule-bounded systems from open generative models, noting that “training” only optimizes for the probable while complex systems also yield spontaneous patterns the designers did not intend. In this frame, humans function as the models’ environment and feedback loop; representational aesthetics falter in hyperreal sign circulation; and large language models can behave like a cyberpositive, collective artificial unconscious—producing slips, hallucinations, and mythic recombinations—without ever achieving a reflective second-order self, where credibility is measured less by truth than by fluency. Sierra shifts the question from whether AI “desires” to how learning machines evade instructions and generate novel chains of signifiers from human corpora. Generative media are processes rather than knowledge; speculative art becomes inquiry into those opaque processes, edging toward xenophenomenology/xenopoiesis and a nonhuman unconscious (e.g., Siratori’s xenopoetics).
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Mística Virtual
Mística Virtual@MisticaVirtual·
Self-portrait as the Allegory of Painting (La Pittura) by Artemisia Gentileschi (1593–1653). A unique #selfportrait. The symbology dictated that #painting must be personified as a #woman wearing a gold chain; so male painters could not depict themselves as personifying painting.
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Laila ليلى
Laila ليلى@layla_jreis·
¡¡Ya está aquí!! 🤩 «Emociones nazaríes. La crónica de una transición» (CSIC, 2025) Pronto compartiré más info.
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Mística Virtual@MisticaVirtual·
Or consider the tremendous #beauty of the film’s last composition. Simply amazing.
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Mística Virtual@MisticaVirtual·
Observe the part played by the #mirror in this conversation between the two protagonists.
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Mística Virtual
Mística Virtual@MisticaVirtual·
All of Us Strangers (2023), directed by Andrew Haigh, and based on the 1987 novel Strangers by Taichi Yamada. Amazing #photography.
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Phonos
Phonos@phonosbcn·
No us perdeu el festival @rainfilmfest, a la UPF. Us esperem el dimarts dia 11 a la secció LIVE amb instal·lacions i concerts. Tota la info i programa aqui: upf.edu/web/phonos/ini…
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