poordesign
2.7K posts

poordesign
@PoorDesign
learning shartist/animator/editor? the worst kind of asian. go away, children
[email protected] Tham gia Şubat 2018
187 Đang theo dõi9.4K Người theo dõi

this is great. they should make an animation animation where sonic needs a job
Dr. Clown, PhD@DrClownPhD
Realistic Mario 😂
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@BaronBlaze_BoB @Yeenie_Mcbeenie 504 is a tomato plant that throws at tomato at you at speeds equivalent to how bad the joke was
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@Yeenie_Mcbeenie Look, I’m not agreeing with the other guy. But is there any other OG SCPs that are similarly quirky/not scary. Every time this subject is brought up, I only ever see this guy as the only counter example.
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One of the most popular series 1 SCP is a cute blob of jelly that likes candy and tickling people

Cave@RevengeofCave
SCP's whole appeal was cold clinical scientists mixed with tacticool. Nobody actually likes the quirky shit.
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@40benadryl @Scourge_5555 @_claypot then it goes from "did brad do the right thing" to "this guy doesn't have long for this world, do you comfort him?"
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@Scourge_5555 @_claypot It's about the exact opposite, the question the game poses at the end is literally "did I do the right thing?" While everything around you is screaming at you to let go of your ego and realize the fact you're putting your own ideals and wants above your child and their personhood
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the premise of lisa is that if all women vanished society would collapse in on itself and men would all just start jerking off and murdering each other
there is a faction entirely made of drag queens. it is one of the only stable places left on earth
Xolor@Xolor4
played an hour of Lisa and this image became 10x funnier
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@Vultstar they're acting like i've been given the holy grail 😪
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if i focused on analytics and growth then i think would actually hate art
gemiluci@breadluci
I wish big artists actually gave useful advices instead of saying “just draw for yourself bro” over and over again😞 Like, why they never tell people that they should post almost everyday? Why don’t they tell people how to utilize trends and how to make your OCs presentable?
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i was in a tf2 lobby and someone played this and once the opening lyrics hit they got votekicked in 5 seconds
Jessica@images_i_hate2
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poordesign đã retweet

@rubysvndev thank you so fucking much for fucking letting me fucking know who the fucking artist behind these fucking faces are
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how she must feel after i outted her as demisexual on twitter.com

poordesign@PoorDesign
if you would consult the graph
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@egoraptor that mega man video still holds up today tho and i will die on that hill
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This clip is a great example of why I didn't want to continue making Sequelitis.
I had an interest in game design, and I had an interest in publicly talking about it, but my thing was comedy, and cartoons. So that's how I did the show... as a cartoon comedy. My schtick was loud characters, and chaotic shouting. Every topic in Sequelitis was shouted at full volume. Every little design choice I thought was smart was "fucking genius" and every minor annoyance I had was a full on meltdown rant. Some things I complained about didn't even piss me off, I just thought they were interesting to bring up. But I exaggerated them for the sake of comedy because I didn't really know how to make them funny otherwise.
And I'm sure because I was young and insecure, I had a morbid desire to shake things up... Ocarina was an untouchable game, a 10/10 across the board, and I think being provocative about that appealed to me back then, too. But I love Ocarina. I grew up with it. I genuinely did want to have a discussion about the things that didn't age well, because I think that's interesting. I think we can learn a lot from that. But I dunno... I just don't think I felt confident enough to talk about it with the appropriate tone, so I hid behind what I knew: a cartoon character that shouts.
This carried into Game Grumps... I had been doing Game Grumps for like 3 years when I released the Zelda video. I think the lines blurred for the audience because at that point I was "Arin Hanson," not Egoraptor. But Arin on Game Grumps is also a character. If I'm getting frustrated and shouting at a game on the show, it's for the bit. It's a show. Heightened emotions. And the go-to bit for me was saying "this game sucks, it's bad" and going on rants. The intent was to play the buffoon. But I think people just thought that was me.
And that's fine. I don't blame them. It is "me," there's always some truth behind that sort of stuff. And I think it was extra confusing because I WOULD just be normal sometimes on the show. But you may notice recently I've very deliberately changed how I handle those bombastic moments on Grumps, where I point the finger inward now. "I suck, I messed up, I can't believe I didn't see that, what an idiot, etc." I just didn't like the bad energy I was putting out there. I hated that people saw me that way. It disturbed me that people told me "wow, you're actually really nice" all surprised when they met me in person, as if they assumed I'd rip their head off.
And look, I'm not gunna pretend I'm an angel on the show now, the schtick of "buffoon that is easily angered" comes very easy to me when I'm performing, so I still utilize it constantly. But I usually find a way to channel it inward and be the butt of the joke, instead of just radiating it outward. It's funnier that way.
I think I just assumed this was all obvious. You see how I tweet. You've seen interviews. I don't talk like I do on the show, or in my cartoons. I like being supportive of people and I like discussing things. I don't shout in my normal life. So when I see people characterizing me as this idiot who has no patience and sucks at playing Zelda... it sounds so silly but it just honest to goodness hurts my feelings sometimes. I love game design! I love video games! But, I get it. All you can see of me in my shows and cartoons is this loudmouth asshole who says your favorite game sucks. Like, fuck that guy, right? I think that's valid. I think you're right to feel that way. I think I was playing fast and loose with this character and I was being flippant about how frustrated it made people. I regret that.
I suppose I should have thicker skin about this. And yeah... it feels so benign in the grand scheme of things. Who cares if people are circulating an 11 year old clip from a cartoon I made and saying "wow this guy's a moron." It shouldn't matter. Why should I care? But I guess I just have to admit that I do care sometimes, and it just kinda bums me out. I cared a lot about game design back then. It wasn't as prevalent as it is now. It was all dry GDC talks (which are, of course, wonderful). I found it really exciting to bring game design to light in a fun way for people that don't usually think about it. I hope I succeeded in that. But if I could go back, I think the in-your-face hyperbolic know-it-all character would go the way of the dodo. I suspect that aspect of it may have done some harm for game design discourse. And that sucks.
For the record, the waiting in Ocarina barely frustrates me. I think it's appropriate at times. The game feeling larger and more cinematic just kind of lends itself to moments of pause. Enemies are more sparse so making them "last longer" just kind of makes sense. Did I feel this way back then? I'm sure I did feel stronger that "waiting" was more frustrating... but not to the level in this clip, by any means. That's just being young and insecure, I guess. I felt like I had to beat my chest in order for anyone to listen or be interested in what I had to say.
Trent@Woodlandbuckle
Every “modern gaming is bad” is just this
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