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satiniize
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satiniize
@satiniize
ID/EN ✦ 2e ✦ draws ✦ multi-fandom: Vocal Synths, Flavor Foley, Jamie Paige, ZATO, Love Bullet, PJSK, PHM, ENA
20 | cwk | any pronouns Tham gia Şubat 2026
78 Đang theo dõi60 Người theo dõi

#jamiephanart
#AdachiRei
#足立レイ
look at her moving freely with all of that gay abandon, makes me want to dance delightfully

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@satiniize Thats some awesome jamiephanart
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@nach0art of course, i still like to draw high effort pieces from time to time for my own sake regardless of the algorithm, but i generally have the mindset of reducing stress as much as possible and i think being less invested in drawings will help me learn and improve instead of worrying
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@nach0art yeah i think thats also what i failed to mention yesterday about drawing faster. i initially intended to use this account to post quick random sketches with no pride to practice. as in, i think if i invest less time in a drawing i care less about how many likes it gets
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@nach0art yeah i have no idea what happened there... the views reached 1000, so either each person looked at the drawing 50 times, or people didnt end up liking it... maybe nene x tsukasa is not popular? or maybe since it went on for so long people lost interest? or maybe its just luck...
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@satiniize This app is really strange; I guess it's just a matter of luck and timing...
One of my last drawings was a continuation of several parts. All the previous posts did well, getting over 100 likes, but the last one suddenly barely reached 20.
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@nach0art the most recent drawing still has a roughly 1:10 like to view count which i think is still acceptable, so the issue is not enough people are seeing it? ive heard some people avoid hashtags because it can cause the algo to behave weirdly... i might reduce some next drawing
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@nach0art i know twitter is really dependant on reposts and quote tweets but this is just ridiculous at this point. ive also noticed my recent zato drawings havent been performing as well(?). it might just be people dont relate to it much compared to my previous ones
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