hollanova

shhh the snoopys are sleeping

I just really love how both of them were committing psychological warfare on the other in this scene they’re perfect for each other

@hudminati this is how my brain works too, i think in pictures and movie references, it’s completely involuntary

how does this mf remember this random ass scene though??

goodbye anterior pelvic tilt you were so special to me

quoting the notebook to a fish.... he's so ridiculous lmfao

i’m drooling

it’s gone

Hudson quoting the notebook to a fish😭 “I wrote you 365 letters. I wrote you everyday for a year.”

“yall ever seen the incredibles?” i love Hudson so much 😭

I hate when my side hustle (my job) gets in the way of my main hustle (dilly dallying)

He was about to fuck his shit up 😭😭😭

Vader probably anytime he saw Threepio or R2 during the war

this includes movie theater workers

@poe_collector just stupid now (netflix owns the paris)

It’s crazy that Google purposefully sabotaged its own search engine to make its investments in AI more valuable without making sure AI was a viable replacement for Google search.

they really shot like 10 versions of this ad and somehow all of them are banging

In total they actually shot TWELVE segments in those outfits that day: Buzzfeed Collider Cosmopolitan Deadline Decider Entertainment Weekly Forbes (Jeff Conway) Hollywood Reporter Queerty Teen Vogue Them Vanity Fair Never forget December 10th, 2025 lol

@ScottDMenzel yes! and this is why ebert was so special, because he met each film on its own terms. there isn’t some objective 1-100 scale of bad-good. it’s just about whether the movie was effective at what it set out to do.

I’ve been reading the discourse around Michael, and even without seeing it yet, I have a pretty good sense of what the issue is. A lot of critics seem to want the film to be something it’s not. They’re looking for a deeper exploration of the backstory and the controversy, rather than a more streamlined, accessible version of the story. On the flip side, general audiences often just want to hear the music, watch the performances, and have a good time. I don’t think either perspective is wrong, but that disconnect between expectations is where the divide comes from. More broadly, I think it’s a real issue that many people in my field struggle to engage with a film on its own terms, instead of judging it against what they think it should be, especially when it comes to movies that are centered around real people. I remember the same debate around The Greatest Showman, which I personally love. A common criticism was that P.T. Barnum was a terrible person and that the film glossed over that reality. But that was never the point of the movie. It wasn’t trying to be a historically accurate portrait. Instead, it was a musical about dreams, identity, and embracing what makes you different. I think this kind of mismatch in expectations is a big reason why there’s such a growing divide between critics and general audiences. At the same time, it goes both ways. Critics often champion more awards-driven films that can be inaccessible, and general audiences sometimes go in expecting something different and come away disappointed. The disconnect isn’t one-sided. This is happening across both groups.

come and see your peers .@AMCTheatres

If a movie looks good TO YOU then go see it , I can’t believe niggas still listening to Rotten Tomatoes in the big 26