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aertime
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aertime
@AERTIME
glitch / post-digital artist exhibited: art basel • tokyo • paris • nyc • rome • lisbon • shanghai. collect the simulation: https://t.co/jSXTRfDIm1
wisconsin Beigetreten Eylül 2009
2K Folgt4.2K Follower
This series continues to grow and evolve, as is natural in my collections. This is a 1/1 scale piece for only 52 tz
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This is incredible. How I perceive it is that this kid cares nothing about clavicular or looksmaxxing at all but sees his platform as a vehicle to uplift his ultimate god : Pepsi
Clavicular News@ClavicularNews
Clavicular meets his biggest supporter who donated him over 2000 subs ($10,000) on Kick 😳
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@krystalball andrew built a multimillion dollar self-funded gonzo journalism media company and is ruthlessly filming new content while being on tour to promote it all. of course a kid whose tried to build his wealth on capitalizing on the insecurity of young people would feel intimidated.
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Andrew’s lack of self-loathing spiked Clav’s cortisol
FearBuck@FearedBuck
Clavicular ends and walks out of his Channel 5 interview with Andrew Callaghan after Andrew reveals he’s satisfied with how he looks and doesn’t need looksmaxxing
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@AFJorahh @AutisticClip i don't, but part of dude's brand is wearing weird suits. clearly an outfit for the cameras. i'm just saying wearing a hat isn't some weird indicator of not being peak looksmaxxed or w/e strange internet philosophy y'all are slurping up via algos targeting your own insecurities
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ClavicuIar ended his interview with Channel 5’s Andrew Callaghan early and said he is disingenuous and a bad interviewer 😳😭
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@AFJorahh @AutisticClip im 36 years old, have no issue with hair loss and i like wearing hats because they feel comfortable. you kids need to log off and reevaluate life. simping for streamers is weird af.
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@AutisticClip “i’m completely satisfied with my looks”
-continues to put a hat on the second he’s done filming to cover his balding hair
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@tropicalvirtual appreciate you man! digging through some of my old sketches and sending them through my new tool. fun process.
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@exchgART @legoodsociety @irenedantoArt @_ryab666 @metpenfaul @seray_ai @danaAfanego @lucianaguerraok congrats y’all!
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From an open call featuring artists across 50+ countries and 6 continents, 6 artworks have been selected.
Meet the artists showcasing during @legoodsociety ‘s Rotterdam Billboard Exhibition:
@irenedantoArt
@_ryab666
@metpenfaul
@seray_ai
@danaAfanego
@lucianaguerraok
Soon, their work will take over the city.
Congratulations 🎊
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so stoked on this 👏👏👏
Exchange Art@exchgART
From an open call featuring artists across 50+ countries and 6 continents, 6 artworks have been selected. Meet the artists showcasing during @legoodsociety ‘s Rotterdam Billboard Exhibition: @irenedantoArt @_ryab666 @metpenfaul @seray_ai @danaAfanego @lucianaguerraok Soon, their work will take over the city. Congratulations 🎊
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@chrismartz inject the dadwave into my veins and have the zoomers make an entire wiki on its aesthetic
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slowed this in my head and just made a new vaporwave track
Shooter McGavin@ShooterMcGavin
Kids today will never get to hear Bob Seger belt “Like a Rock” for a 90s Chevy truck commercial. Peak America culture
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@maxcapacity is your tumblr still online? would be cool to see if it could somehow group popular posts and eras. make you a curated selection based on years and seasons
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my latest iteration can do GIFs too! because it processing sequential frames, it often picks adjacent video frames based on the current filter.
this is a GIF i wouldn't ever choose to make, but i personally find it extremely compelling
GIF
MAX CAPACITY@maxcapacity
I'm teaching AI to curate my art, not create it. I have 20 years of raw VHS glitch footage sitting on hard drives. Hundreds of thousands of frames. Somewhere in there are incredible stills — moments where a recognizable subject is visible through the glitch artifacts. Finding them manually would take months. So I'm building a two-phase curation pipeline with Claude Code. Phase 1 is a local Python script that scores every frame on structure and glitch intensity — Claude wrote it, I tune it by reviewing the results and giving feedback. It processes 30 images per second at zero cost and eliminates 90-97% of frames as uninteresting. Phase 2 sends only the survivors to Claude's vision model for final scoring. The key breakthrough was multiplicative scoring: a frame needs BOTH a recognizable subject AND strong glitch artifacts to pass. Took 11 iterations to get here. Each round I'd find a new failure mode — scanlines fooling the filter, dark atmospheric frames getting rejected, abstract color blobs sneaking through — and we'd add a new metric to catch it. Currently processing 300k frames across multiple sources. Targeting over a million for calibration. The frames that survive are going to become a new collection.
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