JS Beaucamps

Join us this Thursday, July 24 at 17:00 CET for a special X Spaces with the artists of Between Worlds, our new collective exhibition presented by Le Bristol Paris x laCollection. Hosted by our Head Curator @MarleneCorbun

Steep Horizons, by @clementmor1 3D Digital Animation 1080p (FULL HD) : 1 920 x 1 080 2024 Ethereum lacollection.io/contemporary/v…

Gliding Over The Hills, by @clementmor1 3D Digital Animation 1080p (FULL HD) : 1 920 x 1 080 2024 Ethereum lacollection.io/contemporary/v…

Spanning The Valley, by @clementmor1 3D Digital Animation 1080p (FULL HD) : 1 920 x 1 080 2024 Ethereum lacollection.io/contemporary/v…

Skybound Tracks, by @clementmor1 3D Digital Animation 1080p (FULL HD) : 1 920 x 1 080 2024 Ethereum lacollection.io/contemporary/v…

Path to the Kingdom, by @clementmor1 3D Digital Animation 1080p (FULL HD) : 1 920 x 1 080 2024 Ethereum lacollection.io/contemporary/v…

Between Worlds is now on view at Le Bristol Paris. This collective show by laCollection brings together 7 artists exploring the space between the real and the imagined, from AI imagery to generative poetry. 📍 Bar Le Bristol, 112 Rue du Faubourg Saint-Honoré, Paris

Find his artworks on our platform: lacollection.io/contemporary/v… @clementmor1

In 2023, following his participation in the first digital auction at Sotheby’s Paris, he was commissioned to create a massive installation for La Samaritaine, the renowned department store in Paris.

Since 2021, his work has resonated strongly in the Web 3.0 space, with his pieces being acquired by digital collectors around the globe.

After directing several short films, he directed Insignificant from 2015 to 2019 — a series produced in collaboration with the CNRS for the Arte channel, which remains the most-watched documentary on Arte Web to date.

@clementmor1 is a 3D artist fascinated by the imagination of childhood. In his work, he explores a nostalgic perspective of that formative period, blending elements of wandering, naivety, daydreaming, and poetry.

#ArtBasel and Digital Art thanks to @AlexEstorick @sashastiles & @pointline_ Congrats to the 3 of you!

Artists, collectors, visitors or enthusiasts – Day Gardens has attracted many people during @artmetaofficial all this week. 📍 Art Meta’s 𝘋𝘪𝘨𝘪𝘵𝘢𝘭 𝘈𝘳𝘵 𝘔𝘪𝘭𝘦 – 4th Floor, Rebgasse 31, 4058 Basel 📅 June 20–21, 12:00–20:00 | June 22, 12:00–20:00 @tylerxhobbs

It was an honor to welcome Isabelle Bertolotti (@macLyon Director) and Matthieu Lelievre (Head of Collections) to Booth #3 yesterday. Whether you're a digital art collector or curious visitor, drop by and connect with @tylerxhobbs and laCollection Team. See you soon!

Day Gardens continues its excellent run at Art Meta’s 𝘋𝘪𝘨𝘪𝘵𝘢𝘭 𝘈𝘳𝘵 𝘔𝘪𝘭𝘦! Many art lovers and collectors have visited Booth #3 since Monday. 📍 Booth #3, @artmetaofficial – 4th Floor, Rebgasse 31, 4058 Basel 📅 June 16–21, 12:00–20:00 | June 22, 12:00–20:00

𝘋𝘢𝘺 𝘎𝘢𝘳𝘥𝘦𝘯𝘴 private sale is sold out. Thank you for writing this chapter with us. All 50 works have found new caretakers. To those that purchased the Digital + Physicals, please make sure to monitor your emails for further information. @tylerxhobbs @artmetaofficial

day garden 44 @tylerxhobbs silence is so accurate - rothko

Gm 🌞🪴 Day Garden #37 @tylerxhobbs @LaCollectionOff

𝘋𝘢𝘺 𝘎𝘢𝘳𝘥𝘦𝘯𝘴 by Tyler Hobbs | On view with @LaCollectionOff at The Digital Art Mile in Basel, Switzerland June 16-22, 12pm - 8pm Fourth Floor (Rebgasse 31), Basel 𝘋𝘢𝘺 𝘎𝘢𝘳𝘥𝘦𝘯𝘴 consists of 50 outputs. Half remain digital-only, while half include physical counterparts. The palette—warm creams, muted pinks, subtle grays—comes from observing his garden. There he discovered parallels between coding and cultivation: both involve setting parameters, nurturing growth, and embracing unpredictability. From thousands of outputs, Hobbs undertook meticulous selection—mimicking a gardener choosing which seedlings to keep, tending to the algorithm's potential. Drawing from Diebenkorn's Ocean Park series, Ellsworth Kelly's formal clarity, and Brice Marden’s textured cold wax paintings, Hobbs transforms geometry from rigid structure into atmospheric language. He prioritizes composition and texture over complexity. The grey tones aren't neutral backgrounds but active participants, functioning like Tadao Ando's polished concrete. With such minimal structure, the texture and color take on more weight; slight shifts in tone or surface detail become central to the experience.