Andrew Stone

@teenagedadsband Great

i promise in 2025 I will “write that one song and make it big”

teenage dads (me) cover calling after me by @wallowsmusic what a song #wallows #music

@teenagedadsband RIP

me at the family function when someone says “you just need that one song!”

@FelixFortuneX @jk_rowling Not Jenny’s boat

9¾

@aussiemusicguy @teenagedadsband Did you hack my phone?

@benhbader @Helena1894316 It’s selling courses all the way down 😂😂😂

@Helena1894316 “He gets angry when he sees younger dudes on social media driving supercars and finds a way to invalidate their success. “That’s a scam,” he tells himself so he can comfortably ignore the possibility that life could’ve been more than looking forward to the weekend”

The saddest archetype I observe is the comfortably numb 27-year-old guy with a “stable” job making around $150k per year. He probably wears a no-date submariner and lives in a respectable apartment. He looks forward to his 7 pm Chipotle burrito accompanied by the new show he’s binging on the couch after work. Every day is the same, and it’ll stay that way until he has enough in his 401k to retire or he implodes and drops everything – whichever happens first. Eventually, one of his “work buddies” will introduce him to a girl he deems good enough. She’s not everything he dreamed of, but he’s almost 30 and feels the societal pressure to put a ring on it. He gets angry when he sees younger dudes on social media driving supercars and finds a way to invalidate their success. “That’s a scam,” he tells himself so he can comfortably ignore the possibility that life could’ve been more than looking forward to the weekend and football season. To his bubble of naivety, he returns. He’s miserable but not miserable enough to actually change anything. It’s a life of good enough. An existence that consists of negotiating down dreams that were once possible until he started to give in to the comfort that comes with predictability. There’s nothing inherently wrong with it. He’s not doing anything harmful, and maybe he finds enjoyment in the monotony. I can’t hate on a path I didn’t choose, but I never felt like it was for me.

@aussiemusicguy Should have been the music video

Okay now do Australia

Teenage Dads have reportedly severed ties with Scooter Braun, TMZ reports.

Has anyone caught @jasonderulo and I hanging out at Darlinghurst!? 😆 Huge thank you to @amazonmusic for putting this together, your support means the world to me! #amazonmusic

@SaffronOlive 1/35 Soldier

Let's say Wizards wants to repeat the 1 of 1 The One Ring thing with the Final Fantasy set. What character/item from the franchise would make the most sense?

teenage dads rank as one of the bands. ever.

sorry u didn’t get taylor swift tickets come to the teenage dads show instead

@nicwkelly I’m a short ferry ride from central coast let’s hang

@CaseyPrincess You just need a holiday to the beach

@_AndrewStone it literally works for everything. or I just have way too much of this vibe in my life

cannot physically sleep past 5am at the moment. is this what being in your mid 30s is like or is this anxiety?

no one told me that your mid thirties as as full of angst as your teens

@dust_of_us @jonohar @eilishgilligan Will check out how both calc chart - but each country is different. They are also the two major upstream markets. US labels and entertainment infrastructure have much greater revenue and commercial integration (non gov).

@jonohar @_AndrewStone @eilishgilligan But the UK and US charts are dominated by new music from their respective countries. It’s not just catalogue. I know they are bigger markets, but I believe with the right infrastructure it’s possible for us to have that in this country too. Thoughts?

@jonohar @eilishgilligan 1) sign DJs who report what they play to club charts 2) service new dance music to those DJs 3) … 4) collect public performance royalties based on % of charting songs

@_AndrewStone @eilishgilligan Agreed! The main chart measures that very relatable thing called ‘yield’. Now if anyone can tell me how the ARIA Club Charts work, I’m all ears!

@aussiemusicguy They don’t measure what they used to. It’s now a consumption chart which is why big global artists and legacy songs dominate.