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Hooligan is a masterpiece. Using the Chopped and Screwed style, which originated in Houston in the early '90s, is the riskiest and most unique artistic decision an artist can make. The hate directed at this song is simply a lack of musical understanding

@nicarr50392 @MagicshopClare youtu.be/jb7dSd3s7UI?si…

@frotheose @MagicshopClare Where to watch this reaction ?

bro got hit with PEAK

@sczxaei youtu.be/jb7dSd3s7UI?si…

@frotheose WHERE CAN I WATCH THIS

@amlysbang agreed. only people who listen to GOOD music can hear this btw

THIS. I love how ARIRANG is a project for MUSIC FANS through and through. You are a fan of music? This album got you. #music

SWIM is quite literally theee perfect lead single for a diverse album like ARIRANG. Anyone who knows music can realize that 👇 "i can see why this is the lead single" EXACTLY.

LMAOO NO CUZ SAME???!

BTS have this insane underrated storytelling through MVs and music, that's going to be studied years later as a major form of artistry.

The way everyone is anything but normal while listening to it oh bts

ARIRANG’s track run is 1 of the smartest I’ve heard this year.From SWIM to Hooligan,MGR to 2.0,each MV feels like a new chapter. Use of culture,memories & symbolism feel both personal & universal.The more I listen from top to bottom,the more it feels a journey worth revisiting.

It strikes me as concerning that so many of us seem to require a coordinated "agenda" or organized "campaign" simply to discuss Arirang's artistry. Why doesn't appreciation for the work emerge more naturally? If the music and craft resonate with us, shouldn't those conversations happen organically rather than needing to be actively orchestrated? We spent years navigating through Chapter 2, advocating beyond streaming metrics and encouraging deeper engagement with the members' individual artistry. Yet only a few months into Arirang's release, it feels as though many have already reverted to old habits. Why are we still largely confined to BTS-centered spaces instead of bringing these discussions into broader music communities and audiences? At times, the current approach can feel overly forced, as though conversations about the project are being pushed rather than inspired. That raises an important question: if we genuinely believe in the quality of the work, why does promotion of it sometimes feel compulsory? I believe it's time for all of us, particularly larger accounts and influential voices within the fandom to reassess or re-evaluate the direction of our platforms and consider whether our actions are truly aligning with the goals we've been advocating for.

I love how in this album, each song has its own story to tell and despite that even together they blend soo well which is soo fascinating to see

Every timeline exists because he turns it again. So while everything changes around him, he becomes the only constant. the only one standing still so everyone else can keep moving.

like wise in the BU every loop, every changed event, every different version of reality only exists because Jin chooses to turn time again. but while everything around him changes, the center itself stays fixed. that is, only jin remembers the events that happened in every loop.

theory on how the BU timeline might be reflected through the carousel. 🧵