Elevn

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Elevn

@Elevn_lab

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Se unió Şubat 2025
455 Siguiendo61 Seguidores
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Elevn
Elevn@Elevn_lab·
Namirial @NamirialGroup acquires Future Technology Lead (FTL) @FTL_Education Strengthening digital identity, e-signatures & trust services for professionals. FTL Founder & CEO Tristano Cardarelli will continue leading product development, driven by CEO @maxpelle
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Revolut
Revolut@Revolut·
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Elevn
Elevn@Elevn_lab·
In the conversation og @lennysan with @evanspiegel this is one of the most interesting approach to build and scale: If you want to have a good idea, you have to have lots of ideas.” Snap’s design team presents hundreds of new ideas every week. New designers present work on their
Lenny Rachitsky@lennysan

My biggest takeaways from @evanspiegel: 1. Distribution is the biggest bottleneck in consumer, not product. The only two consumer social apps to break through since Snapchat—TikTok and Threads—both solved distribution. TikTok spent billions on paid ads. Threads piggybacked on IG’s social graph. Organic app discovery is effectively over. If you’re building a consumer product today, your distribution strategy matters more than your product. 2. Software is no longer a moat. Snap learned this 15 years ago, and everyone is discovering it now with AI. Stories got copied. Lenses got copied. Snapchat+ got copied. Evan has learned that the things that are hard to clone are ecosystems—millions of developer-built AR lenses, creator relationships—and hardware. Thus why he’s been so adamant about investing in hardware. The lesson applies even more today as AI makes software even easier to build (and copy). 3. Snapchat cracked early growth by focusing on close friends, not the most friends. The conventional wisdom was that network effects meant bigger networks were always stickier—there was no way to beat Facebook. But Snapchat discovered that connecting someone to their best friend, partner, or spouse delivered more value than connecting them to everyone they’d ever met. Quality of connections mattered more than quantity. This insight allowed them to grow despite having far fewer total users than competitors. 4. “If you want to have a good idea, you have to have lots of ideas.” Snap’s design team presents hundreds of new ideas every week. New designers present work on their first day. There’s no gate, no filtering process to get ideas in front of Evan. This high-velocity, non-hierarchical structure is what enables Snap to innovate at scale. 5. Stories exist because Snap refused to build what users asked for. Customers kept asking for a “send to all” button to blast Snaps to everyone. But when Snap talked to people about social media broadly, they heard: “I feel pressure. Everything is permanent. There are likes and comments, so there’s judgment. I can only post pretty, perfect things.” Stories solved the underlying problems: easy sharing without spam, no public metrics to reduce pressure, 24-hour disappearance for a fresh start, and chronological order. Listen for insights, not feature requests. 6. Snap had 200 employees before hiring its first PM—on purpose. Evan’s concern was that the traditional tech org structure reduces designers to producing visuals in response to PM direction. By telling designers, “If you need PM support, do it yourself,” Snap locked in a design-led culture before adding coordination layers. The order in which you introduce roles shapes your culture permanently. 7. Snap is mapping every job to be done—across the Snapchatter journey and the advertiser journey—and handing each one to an AI agent. One example: a go-to-market agent takes a product idea and in one shot writes the spec, identifies sign-off stakeholders, does legal and trust-and-safety risk analysis, writes blog and marketing materials, and is starting to build visuals. The organizing principle isn’t “Where can we use AI?”—it’s “What are the jobs to be done?” 8. Successful companies need both innovative flat teams and structured hierarchical teams—and leaders must create healthy dialogue between them. This comes from Safi Bahcall’s book Loonshots. Large organizations need hierarchy and operational rigor to deliver at scale, but that makes people risk-averse and promotion-focused. Small, flat teams are better for innovation but can’t deliver at scale. The companies that win have both types of organizations, and leadership’s job is creating mutual respect and constructive dialogue between them. At Snap, the small design team constantly innovates while the larger org serves a billion users reliably. 9. Snap hires designers almost entirely based on portfolio, and the two things that matter are range and the story behind the work. If everything looks the same, the person is expressing themselves, not solving for users. Range is the signal that separates designers from artists. Most designers join right out of school; diverse backgrounds like 3D animation and electrical engineering are prized. 10. Evan’s contrarian AI take: the tech industry massively underestimates societal pushback on AI adoption. Technology leaders assume people will adopt new tools as they emerge. Evan predicts a period of significant resistance and argues that the industry needs to put humanity’s goals ahead of business goals. Building great AI capability is necessary but not sufficient—earning human trust is the harder problem.

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Elevn
Elevn@Elevn_lab·
@ClippingExe This is exploding! Why are you choosing @discord as platform to build the community?
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Radio Deejay
Radio Deejay@radiodeejay·
Quando il clubbing si sveglia presto e lo fa alla grande 🪩☀️ m2o Morning Club, in versione XL e open air per la Design Week alla Fabbrica del Vapore di Milano, completamente sold out: 10mila persone riunite all’insegna di musica e good vibes nel cuore della città, con in consolle Albertino, Benny Benassi, Euro Nettuno, Duappo e a sorpresa B3B 🔥 Così si chiude in bellezza l’ultimo appuntamento della prima stagione 👏 #radiodeejay #news #m20 #morningclub
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Elevn retuiteado
Chang Che
Chang Che@Changxche·
New piece in @NewYorker on the microdrama boom — the vertical, minute-long soaps originating in China and dominating the world. Roughly a tenth of humanity has watched one, and new ventures are sprouting up in almost every major country. The industry is still young, but it may be the future of entertainment and a critical bellwether of how AI will transform the future of entertainment. 🧵
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Salone del Mobile
Salone del Mobile@iSaloniofficial·
Yesterday at Drafting Futures. Conversations about Next Perspectives, the dialogue centered on the intersection of culture and industry: Italian Cuisine as UNESCO Intangible Cultural Heritage, opportunities and development of a crucial sector for Made in Italy. This moment of exchange explored the implications of the growth and value of Italian savoir faire from cuisine to design to furnishings, opening new opportunities for evolution among Made in Italy companies. Speakers: Silvia Sassoni, Strategic communications and public relations professional Carlo Cracco, Chef Edi Snaidero, Designated Advisor, Kitchens Division – Assarredo, Federlegno Arredo Conducted by Maddalena Fossati, Editor-in-Chief of La Cucina Italiana and President of the Steering Committee for the candidacy of Italian Cuisine for UNESCO Heritage status
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Kyle Anthony Miller
Kyle Anthony Miller@kyleanthony·
Recent brand design work for a NYC based robotics company
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Gasoline Grill
Gasoline Grill@GasolineGrill·
This Sunday, we invite you to a street party at Landgreven 10 with music, drinks, and a lot of burgers. From 12.00, we’ll be serving 1000 burgers for just one 10 DKK coin, one per person, first come, first served!
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