oit tang
193 posts


They never thought that Indians would expose their caste system.

Tanya Dave@TanyaaDave
Shi, Shang, Nong, Gong- yeh 4 words use krke Indian Twitter ne pure China ki Gend Marli 😭.
English

It seems The Great Wall of china is breached .
And it teaches many things to the world.
1/n
#China successfully claimed its position to be among top Economy.
#USA is always worried about china taking over the market they ruled for decades.
Every other countries sees china as an opportunity to grow .
How did it happen when china itself is not that prosperous??
The first reason is this 👇
“Advertisement , Show your country as development to attract investments”
English

@xwpajq_dayu 那台湾日本一定先完蛋,对外战争是转移内部矛盾最好的办法,先统一台湾,再痛击日本,人民过一阵苦日子又怀念和平时期了,发现经济不好的日子也能过了,消耗了过剩产能,提供了大量就业,社会重新稳定下来。台湾日本隔海相望,泪雨千行,开始学着夹着尾巴做人了
中文

@dahuaTX @torontobigface 怎么不行,不需要做别的,恢复一点宗族势力就行了,父母长辈轮番劝逼,在大学建育儿所,社交媒体不让反生育内容
中文

@torontobigface 前20年由于人口红利、城镇化和土地财政,中共手里资源非常多,给人留下一种无所不能的印象。但权力可以控制少生,却不能强迫多生,逻辑正在发生变化。
中文

@MoQiuyao201314 这就有点扯了,川普都不玩这个苦情戏了,再说川普炒股赚的钱还不够付这个饭钱吗?而且哪怕是皇帝也可能缺钱花的,比如崇祯,独裁者也没那么好当,好财也得愁钱从哪来,好色女人没资本主义国家花样多,好权也容易被底下人算计提心吊胆的
中文

@QuanLujun 中国の近代化においては日本には物心両面で多いにお世話になっているのにね。
「感謝」という言葉は、中国共産党の辞書にはないのかもしれないな。
情けない国だ。
日本語

@total_woke_ 易子而食”的场景是城池长期被围困,和野外大饥荒完全不同:战争围城时,战死士兵、病死百姓的尸体,会被守军集中掩埋,防止瘟疫;城内管控严格,普通人很难挖到尸身。不吃东西东西全家饿死,吃完草地树皮以后无物可以吃,就只能换孩子吃了。印度也发生过大饥荒,但是好处就是尸体不埋抛尸的多,直接吃
中文

@kittymerization @aslicheen 佛教本身诞生于古印度婆罗门教(印度教前身)的文化土壤,天然自带大量印度教文化元素,算这笔账是很难算得清的
中文

@OitTang @aslicheen - The Indian classical dances rooted in Hinduism, not Buddhism.
This is not a part of Indo-China cultural exchange. Instead, this is a modern “borrowing” of Indian Classical Dances while framing it as a mixed “Persian, Central Asian, Indian” dance which it is clearly not.
English

@kittymerization @aslicheen 是的,但是它是从敦煌壁画中得到的灵感,莫高窟壁画乐舞有印度文化源头,但成品不是印度舞,是印度→中亚西域→中原唐代三层融合后诞生的、独属于丝绸之路与中国唐代的复合型乐舞图像,由此脉络发展出来的,说是有 1000 多年的历史也不过份,就看采纳哪种口径了
中文

@OitTang @aslicheen There are no adaptions, no 1000 years of history because this dance was not continuously passed on through the generations in China. It’s an artificial dance, a modern reconstruction.
The Dunhuang murals are just that, murals. There is no confirmed evidence of what the actual-
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