boteco da sky ferreira

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boteco da sky ferreira

boteco da sky ferreira

@chilstwigs

guardando vinis de memórias para tocar saudades

new avatar Bergabung Haziran 2023
1.7K Mengikuti1.7K Pengikut
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capi ;-;
capi ;-;@Capi1808·
Gente como se flerta com alguém que tem 53 mil seguidores
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UpdateCharts
UpdateCharts@updatecharts·
MÃES! ROSALÍA e Alexa Demie nos bastidores de “Euphoria”.
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Central Pânico Brasil
Central Pânico Brasil@CentralPanicoBR·
o ano era 2023 e esse frame da tara nos trailers de pânico 6 fez com quem todo mundo do tiktok achasse que ela seria a ghostface
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cristian
cristian@lamardemavie·
Imagina tu fazer vídeos com 16 anos de uma história original de found footage e anos depois com 19 anos um estúdio te da oportunidade de fazer um filme inteiro em torno disso.
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A24
A24@A24·
Doors open this Friday. @BackroomsMov
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Info Caroline Polachek
Info Caroline Polachek@InfoPolachek·
Images you can hear:
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Pop Crave
Pop Crave@PopCrave·
Inde Navarrette says Mia Goth’s performance in ‘Pearl’ inspired her performance in ‘Obsession.’
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۟
۟@pthumerian·
went to see obsession a couple nights ago and they had the backrooms caveman running the tickets stand 😭
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Matt Jarbo
Matt Jarbo@mjarbo·
There is a theory going around that Kane Parsons did not really direct *Backrooms*, and that the movie was secretly directed by Osgood Perkins or James Wan. And I am sorry, but that feels like people trying to take this away from the kid before the movie even opens. Kane Parsons is officially the director of *Backrooms*. James Wan produced it. Osgood Perkins produced it and served as a mentor during production. That is not some conspiracy. That is what happens when a 19-year-old filmmaker gets handed his first feature film and experienced people help him navigate the process. Especially when the entire reason the movie exists is because of Kane Parsons. His Kane Pixels YouTube channel has more than 3 million subscribers with only 51 videos. His original *Backrooms (Found Footage)* short has over 78 million views. He made that video when he was 16 years old, and it was so good that Hollywood came calling almost immediately. He did not randomly get handed somebody else’s movie. He created the version of *The Backrooms* that people fell in love with. And from everything Kane has talked about publicly, he was deeply involved in bringing that vision to the screen. He modeled the environments in Blender, helped design the massive 30,000-square-foot set, and described the movie as completely connected to the story he was already telling on YouTube. Could James Wan and Osgood Perkins have helped him? Of course. They were producers. That is their job. But there is a pretty big difference between mentoring a young filmmaker and secretly directing his movie for him. And the really wild part is that *Backrooms* is currently tracking for a $20–30 million domestic opening weekend. For context, *Civil War* currently holds A24’s biggest domestic opening at $25.7 million. So there is a very real chance that a 20-year-old YouTube creator, adapting the weird little horror universe he started building as a teenager, could open one of the biggest movies in A24 history. Maybe the movie works. Maybe it does not. But let the guy have his movie before inventing a conspiracy that somebody more famous must have made it for him.
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poponze
poponze@poponze·
João Pedro Chaseliov, ator que interpretará Paulo Gustavo no teatro, está solteiro.
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BLURAYANGEL 🦇
BLURAYANGEL 🦇@blurayangel·
Imagine you’re done watching The Backrooms movie in theaters and the exits are genuinely gone 😳
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niko
niko@only_nick_·
O passivo chegou aqui e tinha 1,89m. “Não sabia que era impossível, foi lá e fez.”
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Zero
Zero@zerowontmiss·
How is this the same person???
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Central Pânico Brasil
Central Pânico Brasil@CentralPanicoBR·
Madelyn Cline sobre ‘Pânico’: “Eu Sei o Que Vocês Fizeram no Verão Passado andou para que Pânico pudesse correr.”
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zander
zander@zander2187·
FKA twigs discussing new music with Vogue France: “Body High is almost an experiment. It's a way to show my process to the fans and get them involved in the excitement surrounding the tracks that might... or might not be released. For example, I have a piece called “Techno Ballet". Originally, it was just an experimental piece that opened the tour during festivals [...] and people loved it so much that it encouraged me to develop it further and take it more seriously."
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