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Timothée Chalamet reacts to realizing Meryl Streep is close by.

@slytherinalexx youtu.be/YWzhvRPSLj4?si… lol This scene!

@LibCdn I have no idea

He sings?

@slytherinalexx x.com/i/status/18810…

@LibCdn Did he? When???

@Samisyours20 @skyferrori No. They were all in a film together

@skyferrori They dated?!

the way lohanthony was dating timothee back then and now lohanthony is a straight christian i wonder what happened

@shriiyasays Mispronouncing Hamas is an inoffensive joke to any sane person. Praying for eternal suffering is ridiculous, put that energy into things that matter.

womp womp. ever since he went on snl and made that hamas joke during the height of genocide i have prayed for his eternal suffering. i hope he never wins an oscar and i hope it makes him miserable.

Happy happy happy🎶

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

@manueladb I think they would have. He had momentum. But I believe he did too much campaigning and his confidence was misinterpreted for ego. Was there a smear campaign? Don't know, but if it were true wouldn't be surprised.

@LibCdn It's Leo 2.0. He should just stop even campaigning for a while, they're not gonna give it to him until he gets older.

And this is why you can never be too confident in the beginning of an Oscar campaign.

Standing ovation? Really?

I thought the facial hair was so voters would take him seriously. But then he would shave for the Oscars. 💔

@valyeet_ @THATJacqueline x.com/i/status/19909…

@THATJacqueline She’s the first person I thought when that man started saying ballet didn’t matter 🙄🙄

Sinners is gonna put Misty Copeland on stage for their Oscars performance. In case you don't know, she was the first Black Principal Ballerina at ABC. Girl!!

finally some common sense

Ballet’s Brutal Reality: Dancer and Teacher Forrest Rain on Timothée’s Opera and Ballet Video.

Steve Mcqueen.

Did he lie

@PARKERSFlLMS Was he wrong

dance, opera, theatre, and musicals being so openly disrespected nowadays is insane to me. you can’t say you want old hollywood back but then not appreciate what compounded it in the first place. can’t say you’re cultured and into film art but find at half of these dreadful.

@JorCru @battymamzelle But that's not what he's overwhelmingly being dragged for.

@battymamzelle Yeah like I’m not saying this should *cost* him anything — win an Oscar! good for him! — but it’s okay for the 30 year old man to be correctly called rude for… being rude!

least favorite thing about this site is how disingenuous everyone is. lack of access is not the same as "nobody cares." theaters enduring is not the same as "lost 14 cents of support." you don't have to care but is it that hard to admit it was a dick move? does it pain you?