
¡TRÉ! =w= #ALPHYSAWARENESSYEAR
352 posts

¡TRÉ! =w= #ALPHYSAWARENESSYEAR
@AlphysBlud
my name is ¡TRÉ! but i also go by ¡TRÉ! Alphy Server 👀👀👀👀 https://t.co/gW7Eeq20xj






rt with ur fav drummers

queer ships don't even have any dynamics beyond their sexuality and you want me to believe they're good and interesting



Something I animated for a university project. Shoutouts to Kotinkov for the Courtney rig, absolute legend. 🤘

Sombr unfortunately arrives to the 2026 iHeartRadio Music Awards.


I don't think I've seen a less confident aspiring VPN service That’s saying a lot


Druski grew up in the suburbs of Georgia. His mom has a Master of Science in Public Health and worked at the Centers for Disease Control and Prevention. His dad attended Howard University, graduated from the United States Air Force Academy and is a Wall of Honor nominee at the Smithsonian National Air and Space Museum. Druski's latest skit just pulled 40 million views. Rolling Stone named him the second most influential creator in America. Forbes has him at $14 million in earnings. Oh, and he never needed a late night set, a network sitcom, or a Netflix special to get there. He figured out where the internet was going before the industry did. In case you missed how Druski got here: He started posting comedy skits on Instagram in 2017. No agent. No manager. No club circuit. Just character work on the platform where the audience was actually spending time. By 2020, Drake put him in the Laugh Now Cry Later video. Jack Harlow put him in Tyler Herro. He opened for J. Cole and 21 Savage on a national arena tour. All that came because he had already built something real where the attention was. Then he kept building on that surface. Coulda Been Records started as Instagram Live auditions and became a full entertainment brand. Coulda Been Love, a dating show he created and owns, pulled over 100 million views on YouTube. His first headlining tour in 2023 sold out 30 markets and grossed $2.5 million. In 2024, he sold out State Farm Arena in Atlanta. 21,000 seats. For a comedian who has never had a network television show. In 2025, he took that same format international with a 10-city arena tour. Every date sold out. Wembley Arena in London. Major arenas across North America. Lineups featuring Snoop Dogg, Jack Harlow, Lil Yachty, Rod Wave, and Chief Keef. Forbes Top Creators list tells the compounding story: #20 in 2023 at $10 million. #11 in 2024 at $12 million. #9 in 2025 at $14 million. Three consecutive years of growth built on the same foundation he laid in 2017. He has equity in Happy Dad Hard Seltzer. Brand deals with Nike, Google, Amazon, Meta, Pepsi, Spotify, EA Sports, American Express, and Fanatics. His company, 4Lifers Entertainment, runs touring, production, merchandise, licensing, and a sports agency. All under one roof. The traditional comedy path used to be the only path: open mics, club circuit, late night set, Netflix special, maybe a tour if it all worked out. That path still exists. But the comedians who built where the audience was actually moving own the comedy landscape now. The ones still waiting for a network to greenlight them are watching Druski sell out arenas from the outside. This is exactly what is happening across most marketing budgets right now. Most businesses are still spending their entire marketing budget on the channels that dominated five years ago. Paid ads. Social media campaigns. Email blasts. PR placements. Influencer deals. These are the late night spots of marketing. Familiar, established playbooks, comfortable. And increasingly disconnected from where the highest-intent buying decisions are actually happening. The audience is moving. ChatGPT now has nearly a billion weekly active users. Perplexity has over 45 million. Google AI Mode hit 75 million users in its first seven months. 59% of consumers are already using AI for shopping decisions. One in four say ChatGPT product recommendations are better than Google's. And most businesses have zero presence in these systems. (If you want to see where your site stands across Google and AI search, start here: seo-stuff.com/free-audit) The businesses that get cited, recommended, and selected by AI are not the ones spending the most on ads. They are the ones that built something real where the audience is actually going. Content with genuine authority. Backlinks from trusted sources. Structure that AI systems can read, parse, and confidently cite to a user. When ChatGPT cites a source, it cites the most authoritative, most structured, most useful content it can find. When Google's AI Overview selects a page to reference, it selects based on content depth, trust signals and extractability. When Perplexity assembles an answer, it pulls from the sources that actually answer the question best. No ad budget influences that. No social following affects it. No campaign calendar determines the outcome. The channel itself selects for the best answer. Druski built where the audience was heading and let the leverage follow. By the time the industry caught up to where he already was, he owned the space. The businesses building owned visibility in AI search right now are doing the same thing. The ones still spending exclusively on paid ads, social, email, and PR are the comedians still waiting for their late night spot. That is the gap SEO Stuff was built to close. seo-stuff.com Druski went from Instagram skits to $14 million a year and sold-out arenas because he understood one thing early: build where the audience is going, not where it used to be. The question is whether your marketing budget is building where buying decisions are heading or still spending on the channels they are leaving.





















