AnimeGuy

先日のカウントダウンのタイムラプス折角なので 35時間くらいの作業60秒

@GeorgiTchobanov @SquChanVT Are you tripping in something? Supporting abortion doesn't mean somebody hates children. Abortion saves many children AND potential parents from suffering and living in unhealthy environments.

@SquChanVT Not just fatherlessness. It shows how much women hate children. Abortion cultists hate men who want to have children. These women adopt children just to abuse them... Truly evil...

All the men see this and think how adorable she is and how they would be the BEST DAD in the entire universe just to protect her... Meanwhile the women on twitter call men PDFs for just looking at a clip... What is wrong with you? Your fatherlessness is showing...

@Conqueeftodor1 This artist does both I guess 😭

Kris in fanart either looks like this or this #deltarune

some of my work from jjk 57

When we look at people around the world who dream of building a manga industry, their goal is often Weekly Shōnen Jump. As someone who is part of Shōnen Jump, I am very grateful for that. However, if your goal is Shōnen Jump itself, you cannot build a strong and vibrant manga industry. That is because Shōnen Jump is not the cause of a manga industry—it is the result of one. The true strength of manga does not lie in a few massive hit titles, but in its diversity and richness. Only by understanding this can a country build a manga industry and a true ecosystem—and use it to powerfully develop its cultural sector. The comics industry, including manga, can produce about 2,000 serialized titles per $100 million in advanced markets. In developing countries, it can produce up to 5,000 serialized titles per $100 million. If a market reaches $1 billion, it can generate around 50,000 new IPs every year—an astonishing number. But for this to be truly meaningful, MANGA(漫画) must be diverse. If all the works being produced resemble those from Shōnen Jump—in art style, characters, themes, storytelling, or ideas—then what is the value of producing 10,000 or even 50,000 such works every year? That would be nothing less than a disaster. Well, Films can afford to be somewhat similar to each other. This is because fewer films are produced, their budgets are high, and the risks are significant. In fact, films tend to be more similar to each other than manga. Unlike manga, films do not have characters ranging from two-head-tall figures to fifteen-head-tall figures, right? From a mangaka’s perspective, films often appear quite similar—the outlines of subjects are alike, and the frames are standardized, such as 16:9 or 2.35:1. When I talk about the manga industry with others, there is one manga I always show and mention. It is a manga work I deeply love—a manga about raising cows. The mangaka is someone who actually raises and loves cows. More than any manga I have drawn, this work is a living example of the true power and potential of manga. Manga allows for endless possibilities: a story about cows, created by someone who raises them; a simple yet refined rural food story, told by someone who has lived in the countryside; the story of a poor robot living alone in human society; narratives about great philosophers, religious figures, or social activists; and even works drawn from personal experiences with illness, such as kidney stones. That is why mangakas serve as IP creators. A rural food manga was later adapted into a remarkably well-crafted and emotionally rich film. Such a challenge is only possible because there exists a powerful original manga that resonates with many people. And it is precisely this diversity—in style, subject matter, thought, and life experience— along with the countless acts of pure human creativity, that ultimately give rise to Shōnen Jump and its hit titles. Shōnen Jump is the result. If you truly want manga to exist in your country, don’t aim for Shōnen Jump—aim for diversity in manga.

Jagged Ridge

#rezero Commissioned by Chomusuke /First meeting/

20th CENTURY BOYS - Anime Tribute As a huge fan of @urasawa_naoki work, 20th Century Boys is my favorite manga and I wanted to do an anime tribute of it The music is also written and composed by Naoki Urasawa Thanks to my brother @chicoamariyo for helping animating this #anime

My animations on Jujutsu Kaisen S3 episode 12. Many thanks to Tsushigami-san for the opportunity, and to Nakanishi-san and Yamasaki-san their amazing corrections ! #jujutsukaisen #呪術廻戦

my feed is just this 💔

EXACT SAME meme 3 times in a row bruh 💔✌️

@even_Willower So people just can't find things attractive anymore? It's not like attraction means harassment. What's wrong with it? Equality is something that should go both ways. YOU'RE the weird one for even linking this to schools.

@grewwwsum @p0lyrhythms @GraphiteDesert it's not. why does denji have stubs instead of fingers? Trash.

@p0lyrhythms @GraphiteDesert Don’t be mad it’s better

chainsaw man chapter 1

I decided to animate a bit

Blaze through it! #undertale #sans

New work~ Kiki's delivery sevice✨

タイムラプスです