AAS 2024 Szczecin

A huge thank you to @dr_braid and @anna_guto for making @2024AAS such a great "time and space"👏👏👏

At the airport after a great few days at @2024aas @adaptstudies - was great to see some old friends and make some new ones, and such a fascinating range of papers! Thanks to @dr_braid and @anna_guto for organising!

Always a sign of a great conference where you can hear a paper about Deep Time and Barbie - great way to kick off Day 3 of #2024AAS @2024AAS @adaptstudies

And that's a wrap! #2024AAS has officially come to an end! Thank you to everyone who came to our conference, who shared their research, listened to talks, enriched this experience with their presence! We can't wait to see you again!

On my way home to Australia after back-to-back conferences in Dublin and Szczecin. Thanks to the organisers of #SSXR @tcddublin and @2024AAS for two great events (now I need to write those papers)!

Before the concluding roundtable, a presentation from 35mm.online, a globally-available VOD platform with restored and archival Polish audiovisual media, which started as a project of our co-organizer, WFDiF 🎬 #2024AAS

Session 7A is concluded with dr. Damien Tomaselli's study of: "A Comparative Analysis of Cinematic Density between Eastern and Western Film". #2024AAS

If you are interested in Latvian Cinema and its perception of autobiographical productions, join to Anna Paula Pujena's presentation on: "Autobiographical Adaptations in Latvian Cinema, 2018-2023" 🇱🇻 #2024AAS

Dr. Christina Parker-Flynn is closing session 7B with her inspiring lecture on: "Palimpsestuous Cinema: Adaptation as Respiration in de Quincey, Argento, and Guadagino"! #2024AAS

Last, but definitely not least! Panel 7D concludes with Małgorzata Mączko's presentation, "Celie's New Clothes: Steven Spielberg's Second Take on The Colour Purple" 💜 #2024AAS

The second lecture on Mise-en-scène at 7A panel is conducted by Friedrich von Petersdorff who shares his thoughts and perspective on: "Rope - The Play and the Film". #2024AAS

Session 7A on Mise-en-scène has been initiated by prof. Jonathan Bignell's meeting titled:"Heritage and Innovation: Colour Television and the BBC Adaptation of Vanity Fair". #2024AAS

If you are interested in palimpsestuous adaptation, join to dr. Anna Boginskaya's lecture titled: " National Adaptation and Appropriation: Aleksander Proshkin's Film Adaptations of Boris Pasternak's novel Doctor Zhivago". ✨🤩 #2024AAS

We are not done yet! Dr. Philip Novak continues our 7C session with his presentation on: "Spike Lee and the Adaptation of History". 🖋️ #2024AAS

Is nostalgia no longer what it used to be? In panel 7D "Queer Temporalities" prof. David Pellegrini will consider this question in his presentation "Retracing Our Steps: Queer Adaptations of Fellow Travelers". #2024AAS

At session 7C, dr. Kristopher Mecholsky shares his thoughts on: "Adaptation, Complexity, and Historical-Poetic Interpolation". #2024AAS

After a short coffee break, we are back on panel 7B with Massimiliano Morandi's lecture on: "The Revisitation of the Film Adaptation According to Wes Anderson". 🤩 #2024AAS

As the time of the conference comes to an end, panel 7D focuses on Queer temporalities. Prof. David Greven launches us on a time journey with "The Double's Endurance: Strangers on a Train , Race, and Queer Temporality" 🚂 #2024AAS

Although some participants could not join us in person, their voice is still heard! Panel 6D is a videoessay by Marta Miquel-Baldellou on Updating and Relocating Oscar Wilde’s “The Birthday of the Infanta” in Alejandro Amenábar’s Tesis #2024AAS

We are concluding session 6C with apes, and Barbies, and deep time (oh my!) in dr Thomas Elliot's presentation "Adapting Deep Time: Evolutionary Pasts and Recursive Futures in Hollywood Cinema" 🦍🩷🚀 #2024AAS