21inquiries

Published today! Fall issue #3/24 of @21inquiries, with articles by Caroline van Eck, Aaron M. Hyman, Marina Gerber, Leena Crasemann & Anne Röhl, lots of images - and four book reviews: doi.org/10.11588/xxi.2… #arthistory #openaccess #globalarthistory

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"21: Inquiries into Art, History, and the Visual" is now on LinkedIn! linkedin.com/company/21-inq… Follow us there and subscribe to our quarterly newsletter to be informed about all our activities and upcoming issues: 21-inquiries.eu/en/newsletter

The "Placing the first pillar" of the "new Crystal Palace, Sydenham", London (1852). Find more on this special building - a legacy of the Great Exhibition of 1851 - in Andreas Fahrmeir's contribution in @21inquiries 's special issue on world exhibitions: doi.org/10.11588/xxi.2…

We are preparing @21inquiries's autumn issue #3-24! 🍂 Check out our website for a sneak preview: 21-inquiries.eu/en/preview #ArtHistory #OpenAccess

Notre nouveau numéro spécial rassemble des articles sur le thème des "expositions universelles" sous des angles très différents. Ils sont présentés individuellement dans les deux éditoriaux (allemand/français) : doi.org/10.11588/xxi.2… et doi.org/10.11588/xxi.2….

Our new special issue brings together articles on "World Exhibitions" from very different perspectives. They are presented individually in the two editorials (German/French) - always a good starting point for a first overview: doi.org/10.11588/xxi.2… and doi.org/10.11588/xxi.2…

Out now! @21inquiries's special issue #2–2024 "Welten ausstellen, Welten ordnen (19.–21. Jahrhundert)/Mondes exposés, mondes ordonnés (XIXe–XXIe siècles)", ed. by A. Haß & C. Trautmann-Waller: doi.org/10.11588/xxi.2… #openaccess #arthistory #expositionuniverselle

@21inquiries in Lyon at the "Salon du Livre" of the 36ème Congrès du CIHA! Huge thanks to our fantastic colleagues from @arthistoricum for displaying our bookmarks😄🙏 #CIHA2024 #CIHA #Lyon #arthistory #openaccess

Wir sind in Lyon beim 36th CIHA World Congress "Matter Materiality". Schaut gerne an unserem Stand vorbei! #CIHA2024 #CIHA #Lyon

Have you read @21inquiries's last special issue on "Towards a Multi-Temporal Pluriverse of Art"? If not, why not start with the Introduction by the issue's editors, Birgit Hopfener & Karin Zitzewitz, for a first overview: doi.org/10.11588/xxi.2… #Pluriverse #OpenAccess

Coming soon! New special issue on: "Welten ausstellen, Welten ordnen (19.–21. Jahrhundert)/Mondes exposés, mondes ordonnés (XIXe–XXIe siècles)", ed. by Annika Haß & Céline Trautmann-Waller: 21-inquiries.eu/en/preview #Weltausstellungen #Expositionsuniverselles #OpenAccess

Thank you for the great collaboration to our colleagues from @arthistoricum/@heiUP_HD and our graphic designer @kaj_lehmann - it has been a pleasure, as always!

...with articles by @tatianaeflores, Carmen Robertson, Karin Zitzewitz, Peggy Wang, Birgit Hopfener, Akshaya Tankha, Kyveli Mavrokordopoulou & Emilia Terracciano - as well as reviews of six books and one exhibition.

Just published: @21inquiries's special issue #1–2024 "Towards a Multi-Temporal Pluriverse of Art. Decolonizing Universalized Historiographic and Temporal Frameworks", ed. by Birgit Hopfener & Karin Zitzewitz doi.org/10.11588/xxi.2… #openaccess #arthistory #globalarthistory

@arthistoricum @kunstgeschichte Viele interessierte Besucher*innen wünschen wir Euch! Und danken herzlich fürs Auslegen unserer nagelneuen Lesezeichen 😉 @21inquiries

Ab heute findet man uns auf dem 37. Kongress für Kunstgeschichte in Erlangen. Unser Stand ist aufgebaut und wir freuen uns über Besuch! #KKg #Erlangen @kunstgeschichte

New special issue for @21inquiries in preparation: "Towards a Multi-Temporal Pluriverse of Art. Decolonizing Universalized Historiographic and Temporal Frameworks", ed. by Birgit Hopfener&Karin Zitzewitz. For a preview click here: 21-inquiries.eu/en/preview #arthistory #OpenAccess

Have you already read the five reviews in @21inquiries's last issue? You can read them online or download them free of charge here: doi.org/10.11588/xxi.2… #openaccess #arthistory #arthistoryreviews #globalarthistory

In his article "Does this Person Exist? KI-Generierte Porträts und ihre prekäre Existenz im Digitalen Raum" Paul Werling analyses how portraits generated by Nvidia’s StyleGAN2 relate to the photographic: doi.org/10.11588/xxi.2… #GeneratedPortraits #ArtificialIntelligence

In his article "Memetic Superposition. Evaluating the Parallels between Memes and Renaissance Emblems" @ardes_ray argues that our understanding of memes can be enhanced by a comparison with Renaissance emblems as their historical precursor: doi.org/10.11588/xxi.2… #arthistory