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33Thoughts
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33Thoughts
@2Thoughts4
•I'm a work in progress 💋 🔨• ❤️🔥 Senior Swiftie 🧡• K-drama. Anime. Music. Life 🙏
Outerspace Katılım Mart 2016
251 Takip Edilen123 Takipçiler
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'We are all trying here' is such a compelling drama for me.
Imagine giving life your absolute best, doing everything you can to succeed, yet nothing seems to work out. What makes it even harder is watching your friends move ahead while you feel stuck in the same place. Life can feel really unfair sometimes.
I’m not even sure if it’s based on a true story, but it feels incredibly real. And the touch of dark comedy makes it even more captivating. I love it.
Lateefah@queenylateefah
Which of these ongoing K-drama are you currently obsessed with? Mention 2
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33Thoughts retweetledi

unironically Taylor Swift has a song about this that she went into great detail about a few days ago
ryan@r_yanfcb
Taylor Swift never had this aura
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33Thoughts retweetledi

THESE ladies and gents, are ACTUAL Taylor Swift easter eggs....not her personal life.
Honey@honeyliketaylor
She gave so many signs so many signs
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Nintendo's lead physics engineer saw the prototype that became Tears of the Kingdom and said "are we really doing this?!" Then they did it. That's why players can build working trains inside the game.
At GDC 2024, the team broke down the architecture. The rule from day one was simple: build a system, let fun emerge.
To make that rule run, they removed every non-physics object from the game world. Gates, cogs, doors. Everything got rebuilt as a physics-driven object. Two layers of physics underneath: Havok (the same commercial engine powering Half-Life 2) at the bottom, Nintendo's in-house physics layer on top.
Every wheel in TOTK is three rigid bodies: wheel, motor, shaft. Torque from the motor flows through the shaft. Friction with the ground creates forward motion. That's why a player-built train rolls correctly even though no developer ever scripted "trains."
The cooking pot is the funniest piece of the architecture. Nintendo added a joint at the bottom so soup wouldn't spill on uneven terrain. Players figured out the joint was a ball-and-socket and turned it into vehicle suspension, robot arms, and laser turret mounts. None of that was on the design doc.
Sound runs on the same trick. There is no pre-recorded "wagon noise." Every sound emerges from rolling wheels, jangling chains, and creaking joints colliding in real time. The director called it a physics engine for sound. The audio team said on record they don't recognize half the final sounds because the system made them.
All of this runs on a Switch with 4GB of RAM and a 10-watt power budget. Studios with 10x the hardware budget can't let you put a barrel on a horse. Tears of the Kingdom lets you build a train.
Dexerto@Dexerto
Tears of the Kingdom player builds a working train to travel around the map 🎥: u/sumoguri2323
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Est ce que le pain de campagne peut réunir des membres de deux gangs rivaux pour les faire apparaître dans son clip ?
Kultur@Kulturlesite_
🚨 DÉBAT : Qui est le plus connu entre.. 🤴🏽MICHAEL JACKSON vs LE PAIN 🥖
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Michael Jackson and Quincy Jones listened to 800 songs to find 9. Then Quincy threw out 4 of those 9 and went back into the studio. Beat It, Human Nature, P.Y.T., and The Lady in My Life were emergency replacements for songs that were not good enough.
They spent four months just listening. Quincy and Rod Temperton sat in a Los Angeles studio in 1982, going through song after song after song from every songwriter they could pull a favor from. Most got cut after a few seconds. Of the 800, they only ended up recording around 30 with Michael actually singing. Of those 30, only 9 made the final list. And then Quincy listened to the finished album, decided 4 of his own picks were not strong enough, and pulled them. The four songs he replaced them with became some of the most famous in pop music history. The four he cut went on to become hits for other artists.
Recording those replacements almost broke the team. During the Beat It sessions, Quincy had three studios running at the same time. Eddie Van Halen was in one of them laying down his guitar solo for free. He had thought the call from Quincy was a prank his friends were pulling on him. Michael was in the next room, singing a vocal part through a cardboard tube. Engineers were mixing in the third studio. They worked five days and five nights with no sleep. At one point the speakers overloaded and caught fire. Quincy later told the BBC they had to carry engineers out of the studio on stretchers. Musicians too. Greg Phillinganes, the keyboard player on the album, said there was a moment where everyone thought it was finished, that they had nothing left to give, and Quincy was still standing there saying "It is not there yet" while Michael, almost falling apart, kept asking what they were supposed to do now.
They finally finished mixing in early November. Then they sat down to play the master back, and the album sounded weak. They had crammed too much music onto a normal vinyl record, and the grooves had to be cut so narrow that the punch was gone. So they cut a verse from "The Lady in My Life," shortened the famous 29-second intro of "Billie Jean" that Quincy had been trying to drop the entire time, and remixed almost the whole album from scratch. One song a day. Eight straight days. The only track they left alone was "The Girl Is Mine" because it was already on the radio. The final mix wrapped on November 8, 1982. The album came out 21 days later.
The wolves you hear at the start of the song "Thriller" are Michael. The engineer set up tape recorders in a barn overnight to catch his own dog howling, and the dog never made a sound. So Michael did the howls in the booth himself. Some of the background vocals on the same track were sung in the studio's shower stall. Vincent Price did his entire spoken-word horror section in three takes, and the verses he was reading had been written by Rod Temperton in a taxi on the way to the studio that same morning. Michael never wrote his songs on paper. He recorded them on a small handheld tape recorder and then sang them back from memory in the studio.
The album ended up selling around 70 million copies. It won 8 Grammys, sat at number one for 37 weeks, and produced 7 Top 10 hits out of 9 songs. At its peak it was moving a million copies a week. But all of that came after the work was done. The work itself was 800 demos, 30 recordings, 4 last-minute saves, three studios running until the speakers caught fire, and a producer who refused to put out something he did not believe in even when it meant pulling his own album apart twice. Nine tracks because they could not find more that were good enough.
damy@velvyropy
Acho tão chique o álbum mais vendido de todos os tempos ter apenas 9 faixas
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