なかさん

SMOKEY&THE SUGER GLIDER ｢スペクトル｣ #スモグラ #斉藤麻里 #なかむらしょーこ #弾いてみた #Sinvertekno5

しゃけまる🐟を食べるバファローベルちゃん

安定の自由な大阪の姫 #奈良間大己 #ベルたそ #バファローベル

画角にいる選手が全員ベルちゃんを見ていて魔性の女すぎる…

【 作品紹介 】 『 AM2:00 』 夜中に目が覚めて時計を見ると午前2時だったり、逆になかなか寝付けず午前2時にようやく眠くなってきたり…。 まとまらない思考や夢の中をイメージしました。 球体から無数の棘が生えた映像。

@himechi_bbluv 原曲を何回耳コピしました？ 何度も耳コピをして、どれだけ深掘り出来るか。 発見するモノがなくなったら、新たな発見が見つかるまで耳コピする。

19歳ギタリスト"The Road to HOTEI" 「BAD FEELING」 61日チャレンジ50日目！ あっかーーん！！残り１０日にして 一向に羽根感が掴めないどうしよう𐔌՞•̥ · •̥՞𐦯 どうしたらいいですか😭ー？ #布袋寅泰

ランダムグッズ、9割 が「嫌い」 oricon.co.jp/news/2449967/f… ランダムグッズが「嫌い」「非常に嫌い」は合計約90%。嫌いな理由として「欲しいものが手に入らない可能性がある」「お金が掛かる」を挙げ、85%がランダムグッズの影響でコンテンツ自体に悪印象をもった経験が「ある」と答えた。

【🤍昭和の日はリップの日🤍】 4/29は昭和の日、正にRip van catsの日❣️ これからも愛すべき歌謡曲を届けていきたいナ🐠💭 ワンマンライブまであと3日💭 多情/Rip van cats

お兄ちゃんが修学旅行から帰ってきて今これ

Michael Jackson and Quincy Jones listened to 800 songs to find 9. Then Quincy threw out 4 of those 9 and went back into the studio. Beat It, Human Nature, P.Y.T., and The Lady in My Life were emergency replacements for songs that were not good enough. They spent four months just listening. Quincy and Rod Temperton sat in a Los Angeles studio in 1982, going through song after song after song from every songwriter they could pull a favor from. Most got cut after a few seconds. Of the 800, they only ended up recording around 30 with Michael actually singing. Of those 30, only 9 made the final list. And then Quincy listened to the finished album, decided 4 of his own picks were not strong enough, and pulled them. The four songs he replaced them with became some of the most famous in pop music history. The four he cut went on to become hits for other artists. Recording those replacements almost broke the team. During the Beat It sessions, Quincy had three studios running at the same time. Eddie Van Halen was in one of them laying down his guitar solo for free. He had thought the call from Quincy was a prank his friends were pulling on him. Michael was in the next room, singing a vocal part through a cardboard tube. Engineers were mixing in the third studio. They worked five days and five nights with no sleep. At one point the speakers overloaded and caught fire. Quincy later told the BBC they had to carry engineers out of the studio on stretchers. Musicians too. Greg Phillinganes, the keyboard player on the album, said there was a moment where everyone thought it was finished, that they had nothing left to give, and Quincy was still standing there saying "It is not there yet" while Michael, almost falling apart, kept asking what they were supposed to do now. They finally finished mixing in early November. Then they sat down to play the master back, and the album sounded weak. They had crammed too much music onto a normal vinyl record, and the grooves had to be cut so narrow that the punch was gone. So they cut a verse from "The Lady in My Life," shortened the famous 29-second intro of "Billie Jean" that Quincy had been trying to drop the entire time, and remixed almost the whole album from scratch. One song a day. Eight straight days. The only track they left alone was "The Girl Is Mine" because it was already on the radio. The final mix wrapped on November 8, 1982. The album came out 21 days later. The wolves you hear at the start of the song "Thriller" are Michael. The engineer set up tape recorders in a barn overnight to catch his own dog howling, and the dog never made a sound. So Michael did the howls in the booth himself. Some of the background vocals on the same track were sung in the studio's shower stall. Vincent Price did his entire spoken-word horror section in three takes, and the verses he was reading had been written by Rod Temperton in a taxi on the way to the studio that same morning. Michael never wrote his songs on paper. He recorded them on a small handheld tape recorder and then sang them back from memory in the studio. The album ended up selling around 70 million copies. It won 8 Grammys, sat at number one for 37 weeks, and produced 7 Top 10 hits out of 9 songs. At its peak it was moving a million copies a week. But all of that came after the work was done. The work itself was 800 demos, 30 recordings, 4 last-minute saves, three studios running until the speakers caught fire, and a producer who refused to put out something he did not believe in even when it meant pulling his own album apart twice. Nine tracks because they could not find more that were good enough.

いい曲あるよって方いますか！ いい曲があったら私アレンジしますのでご依頼ください！ 得意です！

AIで作られた画像や動画を非表示にする。 という機能が欲しい。

めっちゃ虹だよー！

本日はコチラでした🎧 会場のヘッドフォンは使わず、家で使っているSONYの定番のアレを持参。 ステレオ推奨のところ、敢えてモノラルで拝聴。 丁寧に繊細に歌われてて、曲の世界観に惹き込まれていった。 #ナガトモユリ

🍋Pre-add & Pre-save 2026.04.29🌷 🍋Digital release 2026.05.13🌷

普段の行いって大事、この方普段めちゃくちゃ真面目に働いてライブない日は他の人の代わりで入ったりたくさんしてるんだろうなあ

大澤敦史、誕生日を迎えて ようやく、辿り着きました。 どこにって 約20年前 junkoさんが 打首獄門同好会に加わった年齢です。