ANGELA_ESMERALDA

youtu.be/3wsfHa1M09Y Un herrmoso Viernes para todos, con un vals peruano, version #shorts compuesto por mi. Letra, música e intérprete: ANGELA ESMERALDA.

@ParamountMexico Love you guys! Welcome to Mexico!xD Love you all.

Anna Faris y los hermanos Wayans encendieron la alfombra del Fan Event, firmaron los tesoros más preciados de sus fans. ¡Simplemente fue GENIAL! #ScaryMovie, solo en cines, Junio 4.

@m_scrapbook @Madonna @guyoseary It's awesome! Congrats. Which you mind telling us was the technique?

Me and the Madonna wall I created for my home.

#HappyBdayGeorgeLucas #MayTheForceBeWithYou

Michael Jackson with legendary artist Stevie Wonder

Madonna will premiere a “cinematic experience” based on the first six songs from ‘Confessions II’ at the Tribeca Film Festival. The festival will take place on June 3 to 14, 2026 in the city of New York

PARIS SAINT-GERMAIN IS FRENCH CHAMPION! 🏆 This title is yours! ❤️💙

‘Thriller’ Returns to No. 1 After 42 Years, Fueled by Michael Jackson Biopic Details: complex.com/music/a/markel…

#Michaeljackson's "Thriller" (song) has now surpassed 900 Million streams on Spotify! 🐐👑🤍 #KingofPop @MichaelJackson

Así se vivió el Fan Event de #ScaryMovie… y seguimos sin superar TODO. 😭 Este 4 de junio, solo en cines.

🚨 WAZZUP MÉXICO! 🇲🇽👻 El elenco de #ScaryMovie llegó a la CDMX y el caos ya comenzó 🔥 Marlon Wayans, Shawn Wayans y Anna Faris visitaron Chapultepec junto a Ghostface y hasta mariachi incluido 🌮🎺🔪 La comedia de terror más icónica regresa a los cines con toda su locura. #ScaryMovie — Terroríficamente incorrecta 👀 🎬 Solo en cines este 4 de junio. 📸 @paramountmexico

¡CDMX se convirtió en un escenario! U2 (@U2) continuó hoy las grabaciones de su video en el Centro Histórico, recorriendo calles como Filomeno Mata y 5 de Mayo. Entre fans y el emblemático autobús de la banda, se recordó el "palomazo" improvisado que ofrecieron ayer en plena vía pública 🎤🎶 📹@Deidali

Further reports have now emerged from the same playback event, and the picture they paint only adds to the excitement. Based on multiple accounts gathered from attendees, here is what we know. The Q&A session that followed the playback was hosted by Jodie Harsh. Stuart Price spoke at length about the making of the album, and by all accounts did so with remarkable eloquence. The project was not conceived as Confessions II from the outset — it evolved into that identity organically. The starting point, Price revealed, was the Celebration Tour: Madonna enjoyed the experience so much that she went straight back into the studio afterwards. The initial moodboard centred on revisiting the New York clubs of her early years — Danceteria, Limelight, Twilight — the spaces that shaped her. They didn’t set out to make a sequel; they set out to document where she is now and who she is. When asked at what point he knew the project was going to be Confessions II, Price’s answer was disarmingly simple: when she posted it on Instagram. The recording process was structured and disciplined, and Madonna was uncompromising about one thing in particular: nothing was recorded remotely. No Zoom, no sending files back and forth — everyone had to be physically in the room, including Sabrina Carpenter, who flew in to record Bring Your Love in New York. Madonna would arrive with an A4 notepad of lyrics; Price would bring music; the two would connect. Everything was recorded in one location, using the same microphone Price had bought in Soho 28 years ago for the original Confessions on a Dance Floor — spending all his money on it at the time. The album took over a year to complete. Throughout the process, Madonna had a very specific way of quality-controlling the material: she would listen to the entire album start to finish at the gym every single day, then come back into the studio with notes. On the overall sound, Price framed it clearly: if Confessions I was disco house, Confessions II is Chicago house. The entire album was performed on DJ decks — not simply played through software, but actively mixed through four channels, with pieces and elements woven together in real time. Price revealed that during the making of the record, they would test fragments of songs at DJ sets — just a few seconds here and there — to gauge reaction. Which means, as attendees noted with some amazement, people may have already heard snippets of Confessions II on a night out without even knowing it. The album is confessional, but also takes in loss and world events. There are some spoken words throughout — centred on what the dancefloor means — including interludes between tracks, across the 16-song record. It sits alongside material that Price described as Madonna at the height of her expressive powers, while also showing real vulnerability. Price also noted that no collaborator ever leaves a session with Madonna unchanged — in the best possible way. He also referenced Erotica during the conversation. And on her vocals: Stuart said they are the best he has ever heard her sing. Bring Your Love was described by Price as a defiant record — a statement of control over one’s own career. Price described the chemistry between Madonna and Carpenter as immediate and physical — the two connected over similar experiences at different points in their lives, and the collaboration came together naturally. The attitude behind the track, as he put it, is: you don’t think I’m in control of my career? Bring your love.

Track-by-Track Details Good for the Soul — Confirmed as track 2, mixing in directly after I Feel So Free — and notably, the first line of the track can already be heard at the very end of the Peggy Gou remix of I Feel So Free: “Everything begins with consciousness.” Described as a huge spiritual banger, it is slightly drum and bassy — beefy and heavy — before building into something genuinely hot. It has a piano house chorus and Stuart spoke about it as an exploration of digital versus real-life connection: the verses address the digital world, while the chorus is the antidote — with the invitation to “let down your hair and breathe in the air” and “dance in the rain, no need to explain.” Love Sensation — One of the last songs finished for the album, and recorded live using a traditional DJ setup with just four faders and samples. It carries a piano house vibe underneath — positive, upbeat, and more hopeful in feel than the tracks that precede it. When they finished recording it and the music stopped, Madonna turned to the room and said simply: “Banger.” Danceteria — The moment of the night. Madonna came in one day with the seed of an idea, went home to work on it, and returned the next day with three pages of lyrics — insisting on recording it immediately, on the spot. That first take is the version on the album. The track has been described as Vogue meets Confessions on a Dance Floor — the combination of the two. It evokes 80s New York disco chaos and Madonna reliving the club that first discovered her, name-checking Basquiat, Keith Haring, and Debi Mazar among others. The entire room applauded. Fragile — A change of pace — deeper, rawer, and more emotionally devastating than anything that came before it. Written in response to loss and connected to the state of the world, it is an anthem for grief in the most personal sense. Price noted that many people who hear it for the first time think it is simply great — and then, by the fifth listen, find themselves in floods of tears.

México entero dejó salir su mejor: WAZAAAA y honestamente… qué orgullo. 🫶 #ScaryMovie, Junio 4, solo en cines.

back at it 😝 #ScaryMovie

Hechando desmadre enn #Mexico #ScaryMovie6 #ScaryPartyinMexico #AnnaFaris La Monja de la Feria reoresenta (en parodia) a la Vírgen Mexicana. Pinches locos! xD

43 years after release, ‘Billie Jean’ by Michael Jackson re-enters the Top 20 of the Billboard Hot 100 at #17.

📈Michael Jackson has now surpassed 95 million listeners on Spotify! NEW PEAK! (+987,604 daily)

The first poster for ‘EAST OF EDEN’ starring Florence Pugh has been released. A new limited series adapted by Zoe Kazan, premiering this fall on Netflix.