nigga bi-pan version of trent reznor
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nigga bi-pan version of trent reznor
@ATRIBECALLWEST
guess we back. 🪐 black, bisexual-pansexual, aspiring screenwriter/director. IG: intheeyesofwest. associates in communications.
ny✈️de| she, her, they, them Katılım Mayıs 2013
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Oh, that has already begun and the issue is what you think it is lol.
t-sheezy ✨@sheezy_t
This is why they don’t be making movies for black people cuz everything gotta be a think piece lmao I wonder wtf yall about to complain for I Love Boosters
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nigga bi-pan version of trent reznor retweetledi

Mubi couldn’t do it, even though his debut role was on their platform sksksksksk
Film Updates@FilmUpdates
Jordan Firstman’s directorial debut ‘CLUB KID’ has been acquired by A24 for $15M following a multi-studio bidding war. 🔗 variety.com/2026/film/news…
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nigga bi-pan version of trent reznor retweetledi
nigga bi-pan version of trent reznor retweetledi

Look at the material!




justin@jerstonfilm
Didn’t expect Chloe Zhao to be the best dressed at Cannes lol
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@PBJ_0301 Especially Fishback after how grimy they did her over not giving her wins for her Swarm performance!
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I hope it’s getting an expansion for next week because….
Your OG 🐩@LRNROSE
also “is god is” does not give off tht it will be in the theaters long so if you want to see it … you need to go soon
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nigga bi-pan version of trent reznor retweetledi

“Making things up” and it’s 5 percenter supreme alphabet. U gotta be white or 14 no in between.
@clockteautwins@clockteautwins
Okay so it actually took me 20 seconds
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nigga bi-pan version of trent reznor retweetledi

CLARISSA is as exquisite as they come. A lyrical reimagining of Virginia Woolf’s 1925 novel “Mrs Dalloway,” repositioned to Lagos, Nigeria, this is how you do an adaptation: honoring the spirit of the source material while infusing it with such a distinct and personal perspective that it feels entirely new. The younger and older ensembles are cast so perfectly it’s nearly impossible to single anyone out when every performance is this strong. Passionately told and gorgeously shot on 35mm, this is the kind of film where every frame feels meticulously crafted, with immense care poured into making something both thematically rich and emotionally cathartic.

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