AZ8

Introducing az8 studio — the Agentic Studio for AI video creation. AI video is no longer just about typing a prompt and hoping for the best. It is about creating in a workspace where your agent understands the whole project, remembers the context, and helps before you ask. Meet Zumi — your creative agent inside az8. Zumi sees your assets, prompts, scenes, results, and decisions in one visual studio. It can spot what is missing, suggest what to try next, and help turn vanilla ideas into finished videos.

The line that hit hardest:"You all say you came to save us." Spray-painted on a wall in the ruins. As the Strait of Hormuz burns again — what's your answer? #USIranWar #IranWar2026 #HormuzStrait #CeasefireCollapse #Iran #Trump #MiddleEast #AntiWar #AshesOfMercy #ShortFilm #WarCrimes #Truth #Breaking #USMilitary #IranAttack

Ashes of Mercy 🚨 US-Iran ceasefire: collapsed.90+ US airstrikes on Iran.Strait of Hormuz: on the edge.Oil: $100+. We just released a 20-min short film about the US-Iran war. Actually, all wars caused by lies. A US squad sent to extract a key witness — hunted by their own command. "Give them some truth, Captain." Full film: 🎬👇 #USIranWar #IranWar2026 #HormuzStrait #AntiWar #AshesOfMercy

The film follows a US squad in a war-torn Middle Eastern city. Their mission: extract a civilian doctor with evidence of a war crime. The problem: the kill order came from their own chain of command.

Why release this film right now? Because the US-Iran ceasefire just collapsed. Again. The news shows you missiles and oil prices. Nobody's showing you the people still alive in those ruins.

Build a 3D world with a prompt. Direct every shot. Zumi can now generate 3D scenes, help set up camera movement, and turn spatial layouts into animated video references—no 3D skills required. Create the scene. Control the angle. Keep every shot consistent. 📺Watch the demo below 🔗Build your first 3D scene: az8.art

What if we made a vintage Italian romance AI commercial for a luxury linen brand? Midjourney v8.1 + GPT Image 2 + Seedance 2.0 Prompt in the replies

リリックモーション自動化ツールV1完成✨ かなり良い感じではないかな。 Codexに作り方聞いたらざっくり↓のような感じらしいです。 私は別のやり方なのですが、要件定義とか設計図もなくCodexとひたすら長文で会話しながら作るって感覚的すぎるので説明が出来ないです😅 ①まず動画へ歌詞を重ねて書き出す 「動画・音源・歌詞を読み込み、歌詞の表示時間を指定して、MP4として書き出せるローカルアプリを作って。」 最初は自動化せず、入力から完成動画までをつなげます。 ②歌詞タイミングを自動化する 「歌詞を改行ごとに分け、曲の歌声から各フレーズの開始・終了時間を推定して。波形と秒数入力で手動修正もできるようにして。」 ③映像と音楽を解析する 「歌詞が表示される区間ごとに、映像の動き量・左右の動き・明暗・画面の混み具合・顔候補・文字を置ける余白を調べて。音源からは音量と急に強くなる瞬間を取得して。」 ④リリック演出を作る 「リリックモーションを、動きの種類に分解して、選択できるモーションとして実装して。」 ⑤解析結果と演出をつなぐ 「静かな場面はゆっくり動かす、横移動が強い場面は同じ方向へ流す、音と映像が強く変化する瞬間はImpactやGlitchを使う、というルールでフレーズごとに演出を決めて。」 ⑥自動結果を手動で直せるようにする 「自動生成した文字位置・色・サイズ・モーション・表示時間を、フレーズごとに変更できるようにして。変更後の結果をそのまま最終出力へ反映して。」 Codex曰くこんな感じらしいけど、読む限り内容スカスカなので、めちゃくちゃ調整はいると思います。

I put a lot into this music video. 🎶 If this doesn't touch you, I failed. An emotional song and video called Empty Souls A song about the challenges in life that we hide #AIFilm #AIMusic #MusicVideo

We created this 13 min episode in less than 2 weeks. We're about to enter a world where our favorite tv shows and movies don't take 4+ years to produce. Our favorite directors will us generative AI and hybrid production workflows to produce their next script, show or film faster. Today, Oscar-nominated director @NeillBlomkamp released his first AI film: → NIGHTBORNE, a 13-min sci-fi film made on Seedance 2.0 → Made WITH real concept artists → Features the faces + voices of 32 real people [licensed + consented] → Launched Barley Studios, his new AI studio → Next up: a full AI feature AI is not replacing filmmakers, it's giving them the tools to create their ideas. Our third episode of The Arc is out now on Artlist TV! We created it entirely inside Artlist where we're deployed into the frozen brutality of 1876 Montana, FIVE must survive a lawless frontier of prisoners, bounty hunters and unforgiving wilderness. Along with ELI, a boy who reminds him of the son he's fighting to save. As bounty hunters close in, FIVE learns that in The Arc, survival is looking less like a reality. "The Arc" Created by: Darin Stewart Directed by : Darin Stewart Executive produced by: @sferro21 Produced by: @bbrianastewart AI studio: Happy Monday x Yougenius Al prompt engineer: Darin Stewart Al artist: Mikey Rare Al artist: @EdgarDaniel199x Post production studio: KDK studios Production studio: AFM AI Creator Studio Made entirely on: @Artlist_io #aifilm #aifilmmaking #aivideo #generativeai #originalseries

Doomsday arrives December 18th. Experience Avengers: Doomsday on bigger, brighter, & more immersive screens. Tickets are now on sale exclusively for Infinity Vision certified theaters: fandango.com/avengersdoomsd…

【ダンサー振り付けMVを作ってみた】 Seedance2.0で自分が踊ったダンス動画を参照させてMVを作ってみた！ めちゃ良かったのは、Seedance2.0は、 振付動画をただの "参照動画" として扱ってくれたことです。 どういうことかというと、ダンスモーションを渡しても、「固定でその動きだけ」ではなく、 踊りながらアングルやショットサイズを変えてくれるし、 カメラワークも指示に従ってくれます！！ たとえば、トラッキングする指示にしたら、ぼくは横に動いていないけど、ちゃんと踊りながら横に移動してくれました😆 こういうのができるの本当にありがたい！ 今回のダンスMVのかんたんな作り方はこちらです。 👇 ＜作り方＞ ①動かしたいキャラのキャラクターシートを作ります ②Sunoで曲を作ります ③背景画像を作ります ④曲に合わせて踊ってるのを撮影します ⑤上記３つを参照させて、Seedance 2.0で動画を生成します ※Seedance2.0は15秒までなので、26秒の曲を２つに分割して２つ動画を生成し、編集で２つを繋げました。 自分の振付動画はリプに置いておきます！ フリー素材なので煮るなり焼くなりご自由に使ってくださいー！ あと一応プロンプトもぶら下げておくので、よければ自キャラで使ってみてくださいー！ (プロンプトはだいぶこのキャラと背景用なので自由に改変してくださいませ) 現在、MVのコラボ相手を絶賛募集中です！☺️ 自分、振付作ります！ コラボしてやってもいいお方がいらっしゃいましたら、ぜひお気軽にコメントやDMくださると嬉しいです！ それではLet's do dance!!

Learn more about why taking the One-Hour Declaration Challenge is a worthwhile exercise and how to start your journey today.

Ladies and gentlemen, it’s here: I’m proud to announce that 'Nexus' will be my upcoming hybrid feature film. Here is a 5-minute teaser, made by 3 people in 2 weeks. Made with Dreamina AI using Octo & Dreamina Seedance 2.0, full workflow coming soon

We made a short film that asks one question: "what is reality?" For a year, every AI film we made answered it for us: you could still tell. Then BytePlus handed us Seedance 2.0 in native 4K, and we couldn't. Filmmakers have a word for footage clean enough to ship: final pixel. AI video has never been there, because resolution was always the ceiling. This is the first time the frame held everything we asked of it. It finally looks the way we imagined it. "Reality is our workshop. Imagination is our tool." Watch REALITY in 4K, then try it yourself: @BytePlusGlobal @lumina_ai_aiart

Real world + anime stickers = pure chaos Magic marker turns streets into cartoons. Zebra crossings, baby T-Rexes, flying fish, and your shadow becoming the final boss. Gemini Omni delivered 🔥" Built this in Gemini Omni with one shared prompt block across 5 clips. Live-action street vlog meets flat 2D anime stickers. Marker goes “Biu!” and everything transforms while keeping perfect physics and perspective. The result? This. Mind officially blown."

Everyone said AI ads would never win at Cannes. Two of them just did. Both built on Kling. Here's why it's a bigger deal than the headline: 🧵👇

M or KFC, which is your favorite?

コロテック応募作品 水槽のミナ みなさん！ 貴重なお時間を10分ほどいただけないでしょうか？ 今回、COLOTEKのコンテストに応募するにあたってストーリー性のあるショートアニメを気合い入れて制作しました。 もし、可能であれば、今はブックマークするなどして、10分間、よし見るぞ！と、お時間を作って見て欲しいです。 後悔はさせません！ もし、つまらなかったらコメント欄で、文句言ってください。 10分間の鑑賞に耐えられる作品を作ったつもりです。 この作品は、去年、Nano Banana Proが出た頃にいつかアニメ化する予定で書き上げた漫画を元にアニメ化しました。 去年の時点で、アニメ化することは絶望的に思ましたが、今、満を持してアニメ化する事ができました。 私がAIで一番最初に作り上げたストーリー物の漫画なので思い入れのある作品です。 あれから半年ちょっとで、ここまで作れるようになるとは思いもしませんでした。 全てSeedance2.0のおかげです。

Prompt : Grounded live-action cinema commercial, photographed as a forgotten European luxury automobile advertisement released between 1977 and 1979. Inspired by classic Ferrari and Maserati commercials, Star Wars (1977), Star Trek: The Motion Picture (1979), Logan's Run (1976), Kodak automotive commercials, Panavision anamorphic photography. Kodak Eastmancolor 5247 motion picture film. Panavision C-Series anamorphic lenses. Authentic 1970s filmmaking. Natural sunlight only. Golden afternoon light. Soft halation. Organic film grain. Lifted blacks. Warm amber highlights. Blue-gray shadows. Vintage lens softness. No CGI. No HDR. No modern commercial style. Maintain perfect continuity of the chrome futuristic grand touring coupe, environment, lighting, reflections, costumes, and color grading throughout every shot. ──────────────────────── SCENE 01 (0.0–2.0s) Wide establishing shot. The chrome concept coupe rests beside a reflective lagoon surrounded by flamingos and surreal tropical gardens. Morning sunlight glitters across the polished bodywork. Very slow cinematic push-in. VOICE OVER: "The future... imagined yesterday." ──────────────────────── SCENE 02 (2.0–3.8s) Low tracking shot along the front wheel and chrome body. Sunlight dances across the mirror-like surface. Flamingos calmly walk in the blurred foreground. (No voice over) ──────────────────────── SCENE 03 (3.8–5.4s) Interior medium close-up. The driver wears an elegant cream 1970s suit and vintage sunglasses. Hands confidently on the steering wheel. The car begins moving slowly. Natural reflections slide across the windows. VOICE OVER: "More than a machine." ──────────────────────── SCENE 04 (5.4–7.2s) Rear three-quarter shot. The coupe glides silently along the reflective road. Palm trees and futuristic architecture pass slowly. Lens flare blooms naturally. (No voice over) ──────────────────────── SCENE 05 (7.2–9.2s) Wide profile hero shot. The vehicle cruises gracefully through the dreamlike landscape. Flamingos take a few elegant steps near the water. Everything moves slowly and effortlessly. VOICE OVER: "Designed for tomorrow." ──────────────────────── SCENE 06 (9.2–10.8s) Interior dashboard detail. Analog gauges. Wood trim. Chrome steering wheel. Needles move subtly while sunlight washes across the cabin. (No voice over) ──────────────────────── SCENE 07 (10.8–12.8s) Macro close-up. Rear badge. Chrome vents. Reflections ripple over polished metal. Camera slowly slides sideways. (No voice over) ──────────────────────── SCENE 08 (12.8–15.0s) Front hero shot. The coupe stops beside the lagoon. Three flamingos cross the foreground. Sunlight creates beautiful star-shaped lens flares. Hold for the final commercial beauty shot. VOICE OVER: "The future... is already here." Fade to black. On-screen title: ASTORIA GT "The Future. Imagined in 1978." End commercial.

stop saying ai film.. its just film now