Lee

If y’all are looking for a woman who can do your or your kids hair from your house, please reach out to Xoli. Her hands are magic. (0817585924)

Mornzaaaa ✨

This is definitely Marlo Hampton. Omg, I was just cackling thinking it was someone who looked like her

Fezile’s fight is not his alone, it’s for those who are not as articulate and organized as he is. Some gave up their fights a longtime ago. Some fear institutional blacklisting. It is NB we understand how critical this moment is and give it the momentum it deserves!

THEY REMOVED THE COMMUNITY NOTE I'M RIGHT, THE OPTION IS GONE (for some) I AM NOT CRAZY

i love seeing an older couple radiate the same chemistry and passion as young couples. it's a reminder that love is truly timeless

Men think this is flirting when in fact it’s actually a massive red flag and sexual harassment.

meanwhile

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

Black kids need to see jobs and careers like this !!!

Ayo Edebiri behind the scenes voicing Envy for ‘INSIDE OUT 2’

The Fuels Industry Association has warned motorists against taking on more fuel than they need at the pumps. The organisation said changes in consumer behaviour can negatively impact fuel stability. enca.com/business-news-…

to be a man is to be submissive lol why do you think they join the military and join gangs? they loooove when somebody tells them what to do

This girl got on that post and said “ what’s so good about your hair growth serum “ GIRL this baby had alopecia went to a dermatologist that told her she would lose 99% of her hair Her parents found me I sent them my product and that baby has a head full of hair now .. That’s what’s so good .. These are not ordinary results I’m sorry! Shop the brand ✨ kinkleco.com/products/stren…

Ending Ending we wanted. we got.

when i tell y'all men will marry you and dead ass hate you, this what i mean. he was literally leaving ANYWAYS.

You honestly should be fired.

Changing gum will change your health

Remember when dvd use to have the behind the scenes and stuff.. yeah we need that back

In the middle of a white genocide, the whites can do a mindless chasing of small balls over hundreds of hectares of prime land... what a gruesome thing.

I hope Halle in them dance classes causeee