The Adelaide Review

"When Mark Jamieson began publishing The Adelaide Review from 13 Hindley Street in 1984 it is unlikely he envisaged a legacy lasting 488 editions and nearly four decades." Farewell to The Adelaide Review, 1984-2020: adelaidereview.com.au/latest/news/20…

Our 488th and final edition hits the streets today, and it’s one we’re very proud of. It’s a little retrospective, a little reflective, and full of South Australian stories. Read online: bit.ly/3ikqNTY

North Adelaide’s Piccadilly Cinemas has lived through times of war, recession, home video and Netflix. It has now spent much of its 80th year closed or half-empty, but not even a pandemic can dim the magic. adelaidereview.com.au/form/architect…

For his final #DrawnToTheCity column, Leo Greenfield decided to profile the small team that puts our magazine together each month: adelaidereview.com.au/latest/2020/09…

As questions around sustainability, native plants and knowledge intersect with broader conversations around sovereignty and decolonisation, a small farming start-up in the north of Kaurna Yerta is putting people and soil first. adelaidereview.com.au/food-drink/foo…

"So what now? Are we condemned to an eternity of intercol football, mega-utes and shiny new petrol stations? Endless photo ops for the Suits? The unholy communion of politics and populist media. People need proper dreams, visions, alternatives, analysis." adelaidereview.com.au/latest/opinion…

Warrick Duthy and Nicola Palmer have just re-opened the historic Watervale Hotel, using their strong Clare Valley pedigrees to imbue the place with all that is good from the region. adelaidereview.com.au/food-drink/foo…

"The status of ‘informed opinion’ or the ‘art critic’ is increasingly questioned in an era where one opinion looks as good as another." adelaidereview.com.au/arts/visual-ar…

Little-known fact: @AdelaideReview was actually the first professional publication to ever feature my work. A short story, when I was 21. It was a huge thrill and I believe I was paid $150. Which was also a thrill.

My last ever column for @TheAdelaideReview is now online. Beer and Other Sins began as a study of people, drinking culture and the neighbourhoods around Adelaide. It ends, perhaps appropriately, with a toast to the publication that made it possible. adelaidereview.com.au/latest/2020/09…

And for anyone interested, The @AdelaideReview is carrying my first stab at literary criticism with a review of Out of Copley Street by poet and Adelaide icon Geoff Goodfellow -- online only. adelaidereview.com.au/arts/books/202…

“It’s an act of reclamation, an act of preservation.” In a poignant and expansive new book of stories and recipes, @Durkhanai Ayubi shows how each dish at Parwana Afghan Kitchen is steeped in centuries of history and exchange: adelaidereview.com.au/food-drink/202…

"Strange Ways highlights Anne Wallace’s contribution to contemporary Australian art and helps mark her place in its history." @AdelaideReview on @UniversitySA Samstag Scholar ahead of Anne Wallace: Strange Ways opening at Samstag on 16 October. adelaidereview.com.au/arts/visual-ar…

This was absolutely a labour of love: everyone knew 90s Adelaide guitar-wrangling indie kids the Mandelbrot Set should have been huge, so why weren't they? I attempt to find out in my last feature for the @AdelaideReview adelaidereview.com.au/arts/music/202…

Some news from us – after nearly 37 years The Adelaide Review will publish its final, 488th edition at the end of September. adelaidereview.com.au/latest/news/20…

i spoke to @victorialhannan for the @AdelaideReview and the resulting piece is one of my favourite features to date. we spoke about writing, friendship and home through the lens of her beautiful novel, kokomo (@HachetteAus) adelaidereview.com.au/arts/books/202…

“We can’t change the past, but we can certainly shift our relationship to it.” adelaidereview.com.au/arts/visual-ar…