Akshay Varshney retweetledi
Akshay Varshney
2.2K posts

Akshay Varshney
@AkshayVarshney4
feelings are (often) facts
Delhi Katılım Kasım 2012
704 Takip Edilen166 Takipçiler
Akshay Varshney retweetledi
Akshay Varshney retweetledi
Akshay Varshney retweetledi
Akshay Varshney retweetledi
Akshay Varshney retweetledi

Akshay Varshney retweetledi
Akshay Varshney retweetledi

Pope Leo on cinema, today at the Vatican, could not be more right (and, dare I say, holy):
deadline.com/2025/11/pope-l…

English
Akshay Varshney retweetledi
Akshay Varshney retweetledi

#Agra review – A fever dream about sex, small towns, and the rot inside our polite Indian homes.
Caught a private screening of the original uncut version of #Agra by @KanuBehl at the infamous Shiva Preview Theatre (fyi, that sound system is phenomenal).
Everyone online keeps jacking off to the sex scenes and missing the point (The film got leaked because of an actor’s glorious scenes, hate the word - bold). We talk about sex like embarrassed virgins pretending to be experts.
But #Agra isn’t about sex, it’s about how sex haunts lonely people who don’t know what to do with their desires.
#KanuBehl isn’t making a “bold” film, he’s performing an autopsy. Every character here has been mangled by the weight of wanting. Their need for touch, power, ownership, it all becomes the same desperate clawing.
Sex isn’t just pleasure here, although the film does play to sensory pleasures in a flow, It’s something closer to breathing through a dirty, sweat drenched pillow. And through that, Behl has somehow made one of the most Indian films in recent memory.
Small-town India, where everyone’s horny, broke, and the family is just another cage you fuck up inside. People chase money and orgasms with equal desperation.
Everyone’s house is half-constructed, both physically and emotionally. We’ve all seen such homes where,
the father juggling mistresses,
the mother muttering her practical martyrdom,
the once-beautiful “other woman” rotting in her own compromise,
the son growing up to be both a victim and monster.
And Behl, thankfully, doesn’t wrap it in allegorical crap like half the festival films do. He shoots the grotesque straight. You want to look away but can’t.
Guru is repressed, pathetic, dangerous. But you understand him anyway, which is worse. He’s the guy you’d never trust, yet can’t stop understanding. You look at him and realise India is full of such men…horny, humiliated, marinated in repression.
#Agra isn’t disturbing because it’s “shocking.” It’s disturbing because it’s accurate. And what’s refreshing is that Behl doesn’t judge.
He just opens the wound and watches. No speeches, no morals. Most filmmakers can’t shut up. Behl knows when to step aside.
He doesn’t explain India, he lets India reveal itself in sweat, gossip, and cathartic moans.
It’s a wild, flawed, honest piece of work and probably the most truthful Indian film about repression since #MonsoonWedding for me.
#Agra will mess you up. Not because it’s shocking. Because it’s recognisable.
Because somewhere in the dark, as you watch these characters claw at desire, you’ll realise that most people live in some version of that house.

English
Akshay Varshney retweetledi
Akshay Varshney retweetledi

!!!!!!!??????:O:O:O:O
Vashi Nedomansky, ACE@vashikoo
Steven Soderbergh shares the filmmaking stats compiled during the making of THE KNICK
Português
Akshay Varshney retweetledi
Akshay Varshney retweetledi

In an India where a rape is reported once every 16 minutes or so and marital rape is yet to be criminalised, Behl is evidently invested in studying masculinist aggression.
@annavetticad writes:
himalmag.com/agra-kanu-behl…
English
Akshay Varshney retweetledi



















